Quotes by Melissa Rosenberg - Page 2

I'm not saying that 'Twilight' is, you know, some brilliant Oscar-winner, it's not 'Dr. Zhivago.' It's not trying to be. Because it is a female fantasy. I would argue that it's actually a universal fantasy. Which is, the fantasy being to be loved and cherished for exactly who you are.
Melissa Rosenberg / Screenwriter
Brilliant
Fantasy
Female
Trying
Twilight
Cherished
Dr
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With 'Twilight,' you have these massive tomes that you have to condense. With 'Penoza,' we had an eight episode Dutch series that, just for the pilot alone, I condensed three episodes. So, there's a lot of filling in and a ton of invention that has to happen to fill out eight episodes.
Melissa Rosenberg / Screenwriter
Dutch
Eight
Invention
Massive
Series
Three
Twilight
Condense
Episode
Fill
Pilot
Ton
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Studios, because they are investing a great deal of money in movies, they want a guarantee that when they hire somebody that person can deliver for them. Everything is fear based, so they pigeonhole people. But I've written everything, from Westerns to sci-fi to dramedy, I've done it all.
Melissa Rosenberg / Screenwriter
Investing
Sci Fi
Studios
Deliver
Great Deal
Guarantee
Hire
Pigeonhole
Westerns
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I think one of the major differences between Wonder Woman and Jessica Jones is that Wonder Woman is iconic and much better known, so you get into a lot of ridiculous expectations, like what's her costume going to look like? Well, nobody knows who Jessica Jones is, except for fangirls and boys.
Melissa Rosenberg / Screenwriter
Boys
Differences
Iconic
Jessica
Thinking
Wonder
Wonder Woman
Costume
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In 'Twilight,' you're setting up the world. You're introducing the world, and I was also writing in a vacuum because I didn't know who the actors were going to be. Now you're going to 'New Moon' and 'Eclipse,' and I could write specifically to them in my mind. So it becomes a more comfortable world.
Melissa Rosenberg / Screenwriter
Eclipse
Introducing
Moon
Setting
Twilight
World Mind New
Specifically
Vacuum
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Well, I think one of the problems with 'Birds of Prey' was there were too many cooks in that kitchen. The studio, the producers, the network, all had very different visions of what that should be. They should have just let Laeta Kalogridis control that. Instead they decided to try to get their hands in the mix.
Melissa Rosenberg / Screenwriter
Cooks
Prey
Producers
Birds
Mix
Network
One Of The Problems
Studio
Visions
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I've really been very focused on 'Jessica Jones.' Our series was well on its way to being created by the time we even saw scripts from 'Daredevil,' and 'Luke Cage' didn't even have a showrunner hired then. Jeph Loeb [Marvel TV boss] is the master of the connective tissue, but each series exists in its own world.
Melissa Rosenberg / Screenwriter
Boss
Tissues
World
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So what 'Twilight' does is show how women/girls can drive box office and they can support a tent pole movie. They're an extremely passionate fan base. This coincided with the 13 year old boys starting to stay home and play video games and work on their home media stuff. They're no longer going to theaters in droves.
Melissa Rosenberg / Screenwriter
Girl
Movie
Home
Box Office
Games
Media
Office
Passionate
Stuff
Support
Twilight
Video
Boy
Drive
Box
Base
Fan
Stay
Extremely
Fan Base
Longer
Pole
Tent
Theaters
Video Games
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Directing doesn't appeal to me. I'm much more in the world of ideas. My husband is a director, and I understand what it takes to direct. It's a skill set where you have to be able to talk to actors and understand them, and I don't. It's a very different way of being in the world, and I much prefer writing and producing.
Melissa Rosenberg / Screenwriter
Direct
World Me Way
Appeal
Prefer
Producing
Skill
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TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'
Melissa Rosenberg / Screenwriter
Notes
Okay
Twilight
Creative Control
Feature
Lull
Onto
Schedule
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To me, to spend all the time and energy and face all those creative challenges that you would spend for a two hour movie, you're inventing a world, you're inventing characters. If they're interesting enough, they should be compelling enough to go for five more episodes. How incredibly frustrating would it be to just do one movie?
Melissa Rosenberg / Screenwriter
Character
Compelling
Episodes
Frustrating
Interesting
Inventing
Two
Time Face Challenges
Hour
Incredibly
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I am involved with 'Write Girl,' which is such a great organization, because they go into inner city schools and work with underprivileged girls to pair them up with other writers. And it gets them learning to express themselves and become familiar with their own voice. They have a 100% success ratio getting those girls into college.
Melissa Rosenberg / Screenwriter
Girl
Familiar
Inner City
Organization
School
Underprivileged
Writing
Express
Great Organization
Inner
Pair
Ratio
Schools
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You don't know what someone's going to walk away from a movie with, but you hope it's something positive, but if nothing, you want them most basically to be entertained and engaged. That's your job. But you also hope to give them something to chew on or maybe some insight into the human existence, you hope a little bit. Not to sound too lofty.
Melissa Rosenberg / Screenwriter
Engaged
Human Existence
Insight
Little Bit
Lofty
Sound
Chew
Entertained
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Bryce Zabel and I went down the road of revising the Kennedy historical record together on the NBC seriesDark Skies. This time instead of giving new meaning to the established JFK chronology, hes created a brand new one altogether.Surrounded by Enemiesis an exhilarating ride, full of twists and turns that never were, but surely could have been.
Melissa Rosenberg / Screenwriter
Giving
Nbc
Sky
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Showrunning is not a one-man job; it's literally impossible to do for one person. I have learned the hard way now from two seasons, one with Red Widow, and this, I can't control everything. I certainly have tried, but having an incredibly strong team around you, surrounding yourself with incredibly talented people, that is the trick, and I certainly had that for the first season here of Jessica Jones.
Melissa Rosenberg / Screenwriter
Jobs
Strong
Team
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When I was developing the [TV Series "Daredevil"] idea, we were really doing something closer to what was in the comic book. By that, I mean in terms of civilians in the street knew that superpowers were an everyday matter of fact. When it finally ended up at Netflix, they really decided to land it in the Marvel Universe that exists in the cinematic universe. That changes the story entirely. It was no longer about the other, which is what that metaphor was. It's really more about the character herself, which I love.
Melissa Rosenberg / Screenwriter
Book
Character
Mean
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Melissa Rosenberg Quotes - Page 2

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