I've always been interested in this notion of what is authentic and how we define that and why our culture imposes certain emotions and emotional constraints onto experiences.

Self-esteem, the kind that comes from finding the sweet spot between a healthy fondness for yourself and healthy self-skepticism, tends to get harder to come by the older we get.

I've been a freelancer my entire career, and, at any given time, I have several deadlines for all sorts of things, whether it's some magazine piece or ad copywriting or anything.

When I made my final reckoning with the decision not to have kids, I also decided that I would use at least some of my extra time to better the lives of kids who are already here.

I have a distinct memory, dating back to 1989 or so, of sitting around with my college dorm mates talking about a new term that was popping up everywhere: 'political correctness.'

The search for happiness has long been a dominant feature of American life. It's a byproduct of prosperity, not to mention the most famous line in the Declaration of Independence.

I don't keep a diary or a journal. Sometimes I'll send emails to friends, and that's a way of recording what I was thinking at any given time. But I've never been a journal keeper.

Opinion is dominating, which is absolutely ridiculous - there wouldn't be anything for people to have opinions about if there weren't people out there gathering facts on the ground.

If you do the things you enjoy and are good at, I really have a feeling that that will lead to having a fulfilling life, and people with fulfilling lives are able to be 'good people.'

People have always taken photos of themselves, either with camera timers or by handing their Nikons over to strangers in foreign countries and then paying large sums to get them back.

As with 'feminism,' not to mention 'liberalism' and 'conservatism,' 'political correctness' tends to mean what you want it to mean, which also pretty much amounts to utter meaninglessness.

As humans with egos and feelings, none of us wants to be pilloried. But as thinkers and writers, it's our job to express opinions forthrightly and without qualifying them out of existence.

What amazes me is when I see people in their twenties who have families or live a life that seems of a much older person. But that's such a demographic, a socio-economic, cultural, class thing.

There may well be a few extremists out there somewhere calling for a militant, women-only utopia, but why should this be the definition of 'feminist' when it's already the definition of 'silly'?

The first person is a tradition I relate to and that I use; historically, it's been the voice I work in. But the hair on the back of my neck stands up when I'm referred to as a 'confessional' writer.

The irony of the media and people in big cities is that they're charged with defining the entire culture, when in reality they don't even live in that culture. They live in such a rarified, tiny world.

What I want is to have people's notion of adulthood no longer be so defined by being a parent. There is some kind of conventional wisdom that you're not really a mature person until you become a parent.

If something good happens to you, and no one knows it, did it really happen? Moreover, if you don't publicize your accomplishments and good fortune, are you essentially saying you don't care about them?

There has to be insight born of hindsight. Otherwise, you're only confessing your sins and asking the reader to forgive you. And that is a complete misuse of the writer's power and unfair to the reader.

Though I probably shouldn't admit this, the activities and pursuits in which I've achieved any measure of success are, without exception, activities and pursuits that came easily to me from the beginning.

Let's face it: every campus has its share of students who can't quite comprehend that extreme political correctness is often born of the same intolerance and anti-intellectualism as standard-issue bigotry.

There's a particular kind of single woman whose relationship with her dog has a level of intensity and affection that may be both the cause and the result of her singleness. For a long time, I was that woman.

I loved Woody Allen's short pieces. I was equally influenced by Woody Allen and Norman Mailer. I was very into this idea of being high-low, of being serious and intellectual but also making really broad jokes.

There's this tradition of women's magazines - which have been my bread and butter as a freelancer - where the paradigm is that the writing is about relationships, body image, lessons, and it's always redemptive.

What I think is important about essayists - about the essay, as opposed to a lot of personal writing that kind of finds its way into public view - is that the material really has to be presented in a processed way.

Like a physically beautiful but otherwise rather dull person who trades on his or her looks, Southern California swings perpetually between a profound inferiority complex and an equally profound sense of entitlement.

I was just 13 when 'The Big Chill' was released in late September 1983, so I didn't catch all of its nuances when I sneaked into the theater to see it. But I could tell one thing for sure: These people were grown-ups.

Before digital and mobile communications effectively tethered us to an invisible, infinite 'wire,' even those with the most hectic schedules were usually willing to answer the phone if they happened to be home when it rang.

Because of social media, we have a lot of personal essays floating around; you see them on Facebook: everyone's either reading them or writing them. Some of them are great; some of them are diary entries put forth as essays.

If you must know, my parents came from pretty hardscrabble backgrounds in the southern Midwest. I certainly didn't grow up poor, but I did spend my 20s and early 30s juggling temp jobs and choking on massive student-loan debt.

I just am a person who loves houses. In a way, it's dovetailed into one of the themes of The Unspeakable: Why do you have to change? Why don't you just accept that this is how you are? Why do you have to grow from an experience?

As soon as I accepted that I am this kind of writer and I happen to live here, and stopped going to meetings and stopped beating myself up because I wasn't making a ton of money writing for some stupid sitcom, I felt really at home.

L.A. is a constellation of microclimates and microcosms, a library with dozens of special collections. A 20-minute drive can bring a temperature change of 15 degrees. Crossing an intersection can feel like crossing a national border.

In the world of opinion writing, there's something called the 'to be sure' paragraph. A sort of rhetorical antibiotic, it seeks to defend against critics by injecting a tiny bit of counter-argument before moving on with the main point.

Evan Handler is not only a fine actor, he’s a damn good writer. It’s Only Temporary is wise and funny and as righteously indignant as it is endearingly self-effacing. In what may be a literary first, the book actually left me wanting more.

The point of essays is the point of writing anything. It's not to tell people what they already think or to give them more of what they already believe; it's to challenge people, and it's to suggest alternate ways of thinking about things.

For a kid, self-esteem can be as close at hand as a sports victory or a sense of belonging in a peer group. It's a much more complicated and elusive proposition for adults, subject to the responsibilities and vicissitudes of grown-up life.

Other dogs may do their jobs in their own unique and perfectly wonderful ways, but there will always be that dog that no dog will replace, the dog that will make you cry even when it's been gone for more years than it could ever have lived.

Quitting Facebook would be like partially erasing myself. Quitting Twitter would constitute further erasure. Pretty soon, I'd be invisible. I was never on Instagram or Tumblr, which I guess means I never completely existed in the first place.

People who choose not to have kids do so because they respect the job of parenting so much that they know not to take it on if they know it's not something that they're up for, and I don't know what to be a bigger tribute to parenting than that.

I was enamored of New York City intellectual life and was really into Philip Roth because I was raised by self-loathing Midwesterners who were from southern Illinois, who felt like fish out of water when they came to the East Coast when I was a kid.

I started off doing fiction in 1993. It didn't occur to me to do nonfiction because it wasn't a thing yet. So I was bumbling around, writing short stories, and then I took a nonfiction workshop, and I realized that this was what I was supposed to do.

Just as I never liked bumper stickers - even though I do brake for animals, and if I had a kid, she would definitely be an honor student - I don't like the idea of expressing my views through social-media-controlled rainbow-or-anything-else-ification.

Handwriting challenges aside, I love paper cards. I love the endless stewing involved in picking them out at the store. I love buying holiday stamps at the post office, and I love that 'whoosh' sound the cards make when I drop them into the mail slot.

People who grew up before the blogosphere, I just think that your brain is wired differently. I feel like in some ways my sensibility is aligned with people twenty years older than me than somebody six years younger. Because there was a sort of cutoff.

I always tell writers that it's good to have an area of expertise. It's a really practical answer, I know, but know about science or about sports or about medicine, so you can work as a science writer or a sports writer. Don't just know about yourself.

In about an 18-month period, my mother got sick and died, and then I had a freak illness less than a year later and almost died myself. And I found in both of those situations that there was this expectation to have a kind of transformative experience.

Checking email every 45 seconds is not only compulsive, it's presumptuous. It suggests a belief that anyone who sends us a message needs us to read it immediately, even if the message is from SkyMall telling us our Bigfoot Garden Yeti statue has shipped.

I have bougainvillea and a magnolia tree outside my window. Not that anything will ever beat the view I had from my desk window in my little farmhouse in Nebraska. Just a dirt road stretching out as far as you could see, with prairie grass on either side.

Of the countless ways to feel old in your 40s, perhaps none is quite as perplexing as seeing a young person trendily decked out in 1980s-style garb and saying to yourself, 'I can't believe that look is back in style. It was bad enough the first time around!'

Share This Page