Nowhere on earth has more soul than Detroit.

I love doing things that people don't expect.

A lot of people think I live in a soul bubble.

I never have, but I would love to pick R. Kelly's brain.

Drums, bass, guitar, keys, I play a little of each of those.

I'm trying to just drop so much music that people cannot ignore it.

I've been DJing since before I could read the labels on the records.

I try to make sure that I make music that can stand the test of time.

I think that Detroiters are some of the most resilient people in the world.

I just want to make music as long as I can and reach as many people as I can.

I make soul music for hip-hop heads. It's music I'd want to sample if I were a rapper.

I consider myself to have a decent sense of humor. What's life without a sense of humor?

I've always made sure that I tour with bands that people aren't expecting me to tour with.

My singing really seemed to connect with people, and it ended up as my main career, which I love.

I just want to have fun and party with everyone around the world. That's the only rule, to have fun.

Music is timeless, so I want to give people shows they'll never forget so that I can do this forever.

It's important that when kids are listening to my music they don't think of it as their parent's music.

I shopped at J. Crew in high school, I studied computer science. I was a nerd-nerd, now I'm a music-nerd.

I don't want kids listening to my music thinking it's for their parents. I want them to feel it's theirs.

Breakfast is the most important meal of the day and I definitely have a hearty breakfast before I do anything.

My intentions with any of my music is to keep it futuristic and updated and be experimental and try new things.

I think that what happens is that all of my modern influences blend together with the older soul influences and you get Mayer Hawthorne.

I grew up in Ann Arbor, about 25 miles west of Detroit. And when you grow up in that area, you get a healthy dose of Motown automatically.

I don't think I've ever had more fun doing anything in my life than trading verses with Daryl Hall on 'Private Eyes.' That's as fun as it gets.

That's one of the most important things to me is that Detroit and Ann Arbor got my back. If you don't have hometown love, then what's the point?

I've been through a lot of situations with women and if I can help someone else avoid the pitfalls that I've gone through then I'm happy to help.

Gary Numan had a huge influence on both my music and my style. He had his own unique fashion sense - that futuristic space style. It was out there.

People will send me tweets or texts, 'Yo, I'm at Red Lobster now and they're playing Mayer Hawthorne,' more of that kind of stuff, which is hilarious.

Man, I have so many names that everybody calls me something different. Some people call me Drew, some people call me Mayer, some people call me Haircut.

I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.

My dad calls me 'Mac' a lot, from 'Mike Tyson's Punch Out' - Little Mac is the main character. I was obsessed. I can still beat Mike Tyson on 'Punch Out.'

I was really fortunate growing up to have a broad musical education. My parents listened to all kinds of music, rock, soul, Motown, jazz, Frank Sinatra, everything.

Shout out to Daryl Hall. He is the best. One of my true musical heroes. He comes from the Philly area so when it comes to true soul, the guy obviously is the expert.

I couldn't live in L.A. and not be close to the beach, you know, that's like the whole thing. I don't understand people who don't live by the beach. Why would you not?

I really don't care at all what people call me as long as they're listening to the music and talking about it. They can call me a space-jazz flautist. I don't care at all.

A big part of the Motown formula was, they took music and turned it into this sort of automotive assembly line. They were cranking out 10 songs a day in that studio, or more.

I've been really lucky to have had my fair share of relationships over the years and experiences to draw from. But I would say that I generally am not the one doing the heartbreaking.

I DJ all the time, as much as I possibly can. I'll never stop. That's my security blanket, that's what I'm good at. I still consider myself a better DJ than a singer. I can DJ in my sleep.

Hip-hop was my first real love, one that was my own and wasn't my parents' music. Initially, I was inspired by hip-hop fashion. Over the years, I kept the hip-hop sensibility, but make it my own.

I didn't appreciate Mick Jagger until I got older, and mainly because of the Mick Jagger swagger. He defined that for the world. He was bold and adventurous with it, too - just the ultimate rock star.

I learn the most from trial and error. I learn about what I'd like to be able to do from people like Barbara Mason. Saying I want to sing like Barbara Mason and doing it, it's two very different scenarios.

Even when I was a hip-hop DJ I always kept it classy. The motto is always 'flashy but classy.' You've got to be original and stand out from the crowd and take some chances. But you've always got to keep it classy.

With any cover, I like to choose songs that affected me strongly already. So it's tough sometimes to take a song that you love so much and put your own spin on it because you get such a strong feeling from the original.

I've always been the DJ or the bass player or the drummer, somebody in the background. I don't think anybody who knows me personally would say that I'm particularly shy or introverted, but I'm definitely not like Mr. Attention.

Barry White is my musical hero. He was the guy who you danced to in the club and then when you took your lady home to the bedroom, you listened to him there, too! That's who I always wanted to be - the guy who was always there.

Barry White, Smokey Robinson and Curtis Mayfield are big influences for me. But I'm also a metal head. I was in a bunch of punk rock bands. The Bee Gees, hip-hop and the Beach Boys are just as much of an influence on me as Smokey.

James Brown is the perfect example of flashy but classy. Classy doesn't have to mean boring. His gear was flamboyant but without being so over the top. The cape was probably the biggest part of his persona. He looked like Superman.

Everybody comments that I'm white. I'm surprised I haven't gotten more criticism for it. I'm always expecting any day now it's gonna come. I guess I just attribute the lack of hate to people hearing the music and hearing how much I genuinely love it.

Having stuff that fits you perfectly makes the craziest difference. I remember the first times that I was introduced to that - having a shirt that's actually tailored to your body and not just made for your average American. It just changes your life.

I'm a serious student of music, a perfectionist in the studio, and I take the arrangement and production of it very seriously, down to the mixing and mastering even. But at the same time I'm having so much fun with it. I try not to take myself so seriously.

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