Quotes of All Topics . Occasions . Authors
Auditioning is a funny one. It's all about energy. If you walk into a room and the room feels off or the people feel off, that can set you off. If the room is very small. I know which casting directors I should go to, because the place is conducive to doing a good job and the people are conducive and I know the other ones aren't, in which case I send in a tape.
I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
I think he [King Edward] was a modernizer who was a new thinker. The things he intended to do - unify the country, expand it all from coast to coast - were very modern and radical in those days. Also, the fact that he married who he did and that he managed to deal with the consequences and ramifications of that marriage and stay on the throne until the day he died, that shows skill.
When I was about 16, I did a Neil LaBute play called 'A Gaggle of Saints' from a collection of plays called 'Bash' - very violent story about a young Mormon who goes to Central Park with his friend and beats up a gay guy. But it was the first thing I had ever done, and I thought, "God, this is fun! This is far more fun than anything else I've been doing at school. I want to stick with it."
There was recently a story out that I turned down a role in a major franchise. That's not true. I refused to audition for it. I didn't get the part. I didn't even go in because I thought that the part was just a repackaged version of the parts I played before in these young adult films - sort of moody, masculine, but sensitive and all this kind of thing. It was just a repackaged, rather dull thing.