Directing myself definitely made me a better actor. And, you know, I think actors have the best track record when they turn to directing. Writers, too. I knew how to direct actors because I've been there and I know what I like.

Fame is part of me and my life as an actor. I enjoy the creative aspects of my life as an actor. I enjoy directing and acting as well. But the bottom line for me is not prestige and power. It's about having an exciting, creative life.

I do get bottled up in interviews. You're thinking about what you're saying, and suddenly you get all tangled. So people think I'm sullen, or that I don't have much to say. But my friends will tell you: a lot of times I talk too much.

I think a lot of directors, they come out of film school, they don't know anything about acting. Or they're writers that don't know anything about the process. And I think they're afraid sometimes to talk to actors and be honest with actors.

I'm ambitious. I do think you have a tendency to be less happy sometimes when you're a seeker. You can be disenchanted because you're not getting what you want, and you're always striving and looking ahead instead of just being in the moment.

I've always liked Southeast Asia a lot. It's a wonderful place, an easy place. People are great, there's a lot of history and culture, and I like the serenity of Buddhism there. It's very beautiful. I find that to be a very nice place to visit.

I look for really great characters. I say great because as long as they're really good, there's something you can do. And really good storytelling. And when people ask me what the story is, I say it's really several stories really. They're intermeshed.

If people are reacting to films based on their degree of success or failure, then they're not really looking at the movie. I don't really care about that. Everyone's entitled to an opinion, but at least base your opinion on the merit of the work itself.

It seems like a cliche, but you do grow up a lot faster when you travel a lot, go through things like this interview, spend time away from home and hang around with other actors. It's inevitable that you're not going to have a so-called normal childhood.

We get caught up in all the stress - 'Got to do this, is this the right thing for me to do?' - but what about the thing you want to do? That's what'll keep you young. It's empowering, not becoming a prisoner of some other person's idea of what you should be.

One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.

There were six kids in our family, and I grew up fast. I had to do a lot of things on my own. I was a rebellious teenager. That's why coming into the film business was good for me because it gave me some discipline. Once I became an actor, I had to grow up a little more.

It's tough when you started out as young as I did to look back and see how far I've come. I try to be easy on myself and go 'Look man, you were younger, you were learning; you learn, you grow.' But I'm not my best judge. I always feel like my best work is still ahead of me.

It's really nice to be able to do something that you've never done. I think that's the gift of being an actor because I get to play a cop, a racist cop and I've never done that before. It's nice to inhabit these other worlds especially when you get to work with great actors.

I've always wanted to do action stuff. I like it. You really want something that's special; that's got something special about it and not cheesy, I guess. I'll tell you something, it's fun, it's different. Comedy is difficult. Doing comedy is very difficult. Action stuff is fun.

I have always wanted to play different kinds of stuff, but it's hard, first to find good material, and then to change people's perception of you so they'll let you do it. I mean, I would really like to play a poet, but once they get this notion of you as a street guy, it's hard to change that.

The growing pains of being an actor, that was a little frustrating at times because you feel like you have great capacity to do many things. And yet there seems to be a misunderstanding about who you are and what you're trying to do. And that requires patience, and people eventually will understand.

To be honest with you, there's nothing that bores me more than sitting around with a bunch of actors talking shop. I love actors and I've got friends that are actors. They're interesting people. But for some reason, usually when it comes round to talking shop, there's a part of me that doesn't like it.

It seems to be that more and more people are asking you to work for nothing on films, and that's unfortunate because you have to make a living. On the other hand, I don't do a better job because I get paid a lot of money. I'm never like, 'I'm not going to work as hard because I'm not getting paid as much.'

I think the reason I've survived that long is because I've taken my work so seriously. Maybe sometimes too seriously, but it's always been important for me to do my best regardless of the film. I think the biggest compliment I get is when people on the street stop me and say they've liked the choices I've made.

Obviously all religions get corrupted by man. The initial ideas are interesting but once they get organized they seem to become about politics and other things and they get misinterpreted. . . . Have faith but do the work. Live your life right. Dont expect things to happen. Thats why Im put off by magical realism.

A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.

Racism was just a tool to deal with frustration and pain and that people are in denial about the way we feel and desperately trying to control their environment the way their lives are. And ultimately their scapegoats aren't going to make them feel better, it's just going to increase hatred and the problem gets worse and worse.

I like doing comedy, I like doing drama. Naturally I like to do, I like doing dramas, I like conflict, and when I do a comedy, you know, I've found that, like, romantic comedy is the trickiest one, because often it's neither: it's not romantic and it's not funny. So, like, I like a comedy that's biting. It's biting humor or really quirky humor.

Well I can tell you that for me generally speaking that I think things that I deal with are all to do with not accepting things, not excepting life on life's terms. My life becomes a lot easier when I'm willing to just accept. I don't have to like circumstances as they are, but I have to accept them and that's where I always seem to get thrown, when I try to will my way instead of accept things the way they are.

I think we're all actors. There's this friend of mine who's a great drummer, and he said, "I never thought I'd be a drummer, but I got really good at it. I always feel like I'm an actor playing the drums." His real calling was that he was going to be a magician. That's what he felt like he wanted to do. If you decide to act like a journalist, you'll probably be a better journalist than just being a journalist. What you're doing is, you're taking the executive role and stepping outside yourself so that you're able to make more objective decisions.

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