Quotes of All Topics . Occasions . Authors
I have hundreds of songs.
Wii on Nintendo is amazing.
Life is about surviving loss.
You don't get to make Westerns every day.
I'm a chameleon when it comes to languages.
Writing is essentially an internal process.
I love to play horrible, evil, mean people.
Essential oils are extremely important to me.
What a mother I am. I can't even make popcorn.
We tend to love things that are left of center anyway.
I have never had any success in planning my life, really.
I started in improv and went into different kinds of things.
Anytime I had a date, it was at the Sadie Hawkins Day dance.
As an actress, my best tools are my emotions and expressions.
There's a grace about the South and a toughness about it, too.
I had two wonderful teachers: Sanford Melsner and Fred Kareman.
If you're not growing, you're dying, and I'm not ready for that.
Ain't no money like music money, because music money don't stop.
My agents and managers deserve a special Emmy award for scheduling.
Anything to do with the South resonates with me, because I'm Southern.
If there's an addiction in the Clinton family, it's to problem solving.
There are no worse cliches than southern cliches. They make my skin crawl.
I've done little things, including Botox, but it didn't feel right for me.
The sights and sounds and smells, the whole genre of Westerns - I love them.
I have never been able to sing in the shower, much less in front of anybody.
I love to paint. And I have another profession - an interior design business.
There's a certain freedom that comes when people don't expect you to be sexy.
My mother was a gorgeous person with no vanity, but she was a really good soul.
I got my SAG card on my first movie, 'Goin' South,' with Jack Nicholson in 1978.
Will Forte is such a nice, extraordinarily creative human being. Utterly fearless.
It just seemed like a lot of my work centered around England for a number of years.
I've had a great time doing it - being able to say yes to a couple of amazing shows.
'Justified' had such dead-on beautiful scripts that you didn't want to mess with it.
Hey, it's a miracle to have a career in Hollywood. But it doesn't begin to sum me up.
There's something inside of me that just connects or doesn't connect with the project.
For me, acting has often been solitary. You're all together, and then boom, you're gone.
Every child in America fantasizes about running wild in the White House for a few minutes.
'Step Brothers' was like a reward for going through my whole career and somehow surviving.
'Last Man On Earth' is just one of the most original projects I've ever been involved with.
I would like to think that in America, as time goes on, you gain freedom, not lose freedom.
I think that we need to look hard at our beliefs and be responsible about how we speak out.
I think, as an actor, you're constantly confronted with your fear of sticking your neck out.
I have loved by far the majority of the people I've worked with and the experiences I've had.
New York had this wild beat that anybody could dance to. It was very nurturing to young people.
Dancing in the strip club, Not the dancing, but the being naked was excruciatingly scary for me.
The accordion came from just having a desire to play music. Somehow, I have slowly taught myself.
Acting was far from my world. I rarely saw a play. I never met a real actress; they seemed unreal.
There's no strategy involved in my career decisions. I do whatever roles make my heart beat faster.
I wish sometimes people wouldn't underestimate me. But it's a fleeting wish. It's not where I live.
When I was going through sad times, I'd watch 'Cheers' at the end of the day to make me feel better.