I photograph wealth.

I am what I photograph.

All photography is propaganda.

Dictators are interesting, no?

Taking photos is a form of collecting.

Photography is Art and Art is Photography.

Tourism is the biggest industry in the world.

Most of the pictures we consume are propaganda.

My biggest television weakness is 'Dragons' Den.'

The idea of England in decline is very attractive.

There are elements of irony in my work, of course.

I try to photograph my own and society's hypocrisy.

My profile is bigger in Europe than it is in the U.K.

The danger is, you have a formula and you just repeat it.

You can't learn passion, either you've got it or you haven't.

When I am in London, all I do is mix with other people in the arts.

I do read many of the photography magazines from the UK and abroad.

The ability for us to laugh at ourselves is Britain's saving grace.

Work harder, get closer and be passionate about what you photograph.

I never think of photographs as being individual. Always as a group.

I do read many of the photography magazines from the U.K. and abroad.

I am a big fan of Jim Jarmusch and I do love big screen documentaries.

I am a big fan of Jim Jarmusch, and I do love big screen documentaries.

Color was the palette of commercial photography and snapshot photography.

Places change all the time, and the type of people who live there change.

I would drown in objects if I didn't have the ability to photograph them.

The trouble with Hollywood films is that they always have a pleasant ending.

My father was an obsessive bird-watcher. The genes of observation passed down.

I photograph people as I find them. But people have issues about how they look.

I am away so much, so I rarely see live TV, but I use iPlayer to catch programmes.

Everyone is a photographer now, remember. That's the great thing about photography.

There are two parts to the process: taking the picture and finding ways of using it.

Sometimes you feel uncomfortable taking a photograph, but that's all part of the job.

Wealthy people have not disappeared, they are just not so willing to show off their wealth.

I think the ordinary is a very under-exploited aspect of our lives because it is so familiar.

I toyed with the notion of being an actor, and am so glad that this whim did not go any further.

I get up early and open my emails, write cheques and answer the phone; whatever needs to be done.

We live in a difficult but inspiring world, and there is so much out there that I want to record.

I avoid Facebook, LinkedIn and Twitter, and if I need to communicate with someone, I email direct.

I get up early and open my emails, write cheques, and answer the phone; whatever needs to be done.

The thing about tourism is that the reality of a place is quite different from the mythology of it.

You can easily take photographs at a wedding - no one would question it. But funerals are different.

Photography is the simplest thing in the world, but it is incredibly complicated to make it really work.

Most of the photographs people take with their cameraphones are of little value in terms of documentary.

My black-and-white work is more of a celebration and the color work became more of a critique of society.

My black-and-white work is more of a celebration, and the color work became more of a critique of society.

Unless it hurts, unless there’s some vulnerability there, I don’t think you’re going to get good photographs.

Most of us, when we go out with a camera in our own country, try to find exotic subject matter to photograph.

I am not a huge follower of music and tend to like one CD and play it to death, usually when I am washing up.

I am kept awake by the list of possibilities for shooting more photos and deciding what I must prioritise next.

Share This Page