Quotes of All Topics . Occasions . Authors
I feel so gratified about having finished college. I learned how to articulate myself. It gave me confidence more than anything. And also the ability to analyze the text.
You have a right to your opinion about the work that you're doing. An artist is as equally important as the director. If you believe that, you can work in any circumstances.
Describing someone as quirky is a way of erasing them. What does it even mean? In so many interviews over the years, that's how I'm described. It doesn't sit comfortably with me.
On a film, I was always acting. I was either changing my clothes really quickly and wiping off the lipstick and putting on the other lipstick and then working constantly, constantly.
A lot of actresses are doing incredible work right now, playing real women, complicated women. I don't feel despairing at all. And I'm more looking with hope for something fascinating.
I think what happened to me was I was so lucky to have made 'Secretary' so young. It's unusual to be given an opportunity to express yourself as an actress that young and that thoroughly.
I'm 37 and I was told recently I was too old to play the lover of a man who was 55. It was astonishing to me. It made me feel bad, and then it made me feel angry, and then it made me laugh.
Ten years ago, it was really difficult for a young actress to walk onto a set and disagree with the director and having that be OK and have a conversation about it and everyone be cool with it.
I used to think that if I did my very best work, then everyone would love it, but I've realised that not everybody thinks the same things are good. It took me 30 years even to begin to see that.
One of the things I think is really problematic about something like [government] spyware is that it isn't transparent - because of that anonymity and that secrecy, there aren't laws to regulate it.
Motherhood brings you to your knees in a way that doesn't leave room for you to judge others. It makes you see that there's no ideal - a constant struggle, constantly compromising, but ultimate love.
Now, there are roles which are capturing a vibrant moment in an older woman's life. There was a time when those interesting roles stopped at 28. A few years ago we would have been finished by our age.
Who can I trust? You have to invest in somebody and chances are you're probably going to invest in somebody who's going to deceive you. I've been conned a couple of times, but now I'm a little more savvy.
If I've learned anything as a mom with a daughter who's three, I've learned that you cannot judge the way another person is raising their kid. Everybody is just doing the best they can. It's hard to be a mom.
Most people are interested in seeing 27-year-old women who are in movies somehow connected to sex. It's interesting to everyone. Especially little movies that are having trouble getting made, there's always sex.
I don't think there are that many parts I could say unequivocally "I would not play that," but there's lots of parts I read and I think, "I don't really want to do that. I don't really think that's how women act."
People write things in newspapers about me that aren't true - or that are true. They take pictures of my kids on the way to school. I get a little bit inured to it in a way that I think most people probably aren't.
You're invited to tons of parties, and you'll wear these shoes and that dress, and it can be enticing, but I think it also sucks you dry. If you do it a little, sure, it's fun, but too much and you start to lose your footing.
I didn't think at all about my body until after I stopped nursing. When I was nursing, my body was my daughter's, I didn't even think about it. Then I finished nursing, and I was kind of like "Oh, huh, wow, my body's so different."
When I was in grade school in L.A., I really loved Cyndi Lauper. I did everything I could to look like her. I had wild outfits and always wore different coloured socks. I wore loads of ribbons in my hair and let them fall in my eyes.
I was thinking about how people were upset about the information that came out from Snowden about the NSA - many people were upset, including myself. But I was kind of surprised by how little we did about it - how little fighting we did.
A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.
There was something to me that was really compelling about that woman, already knowing she couldn't get pregnant. When I made that movie I was maybe 24, and to be 24 and already know you can't get pregnant, that was really interesting to me.
These past couple of years have been about learning to not sabotage myself in a subtler way - for instance, even just by putting moisturiser on when I get out of the shower. Learning to honour myself and believing that I'm worth taking care of.
We have our phones right by our beds, right next to us in our most exposed, vulnerable moments. And yet the government could have been collecting information from our phones at any moment. I think that basically as humans, we feel that's a violation.
Sometimes I'll read a script and think, "That's not how humans behave," or "I don't understand how to do that and make it seem like I'm not some kind of strange alien or on a sitcom." I don't get it, and when I feel that way, I have to listen to my instinct.
I was always dressing up as a kid. I had a dress for all the Los Angeles bar and bat mitzvahs that I was going to when I was 13 which I was crazy for. It was green, dark, shimmery. Very 1980s. It was slightly off-the-shoulder, which I thought was very sophisticated.
College gave me validation: I gained a lot of confidence, just from once or twice saying something in class and the professor saying, 'Great idea.' That experience has certainly helped me say to a director, 'Actually, I think my idea is at least worth talking about.'
I am looking for movies that are actually about something and that are questioning something. Movies that are provocative in some way and I am also looking for roles that I think will force me to grow or learn something about myself or the world in order to play them well.
I like clothes. And I think it's OK to think about clothes just so long as you also think about other things. I'm not interested in clothes to the point where they'll push other things out of my mind; I just see them as a way of expressing yourself, and a pleasure, really.
If you're going to play a hooker in a movie, the movie has to have the perspective, of course, that it isn't such a great thing. Probably the only way to really play a hooker well is to believe you're doing something that's good. But at the same time, the movie can't have that point of view.
For a long time, I bought into the idea that if you are a woman who is a storyteller and a lover of movies, then the best way to express that is as an actress. Obviously, there are women my age who are directors who didn't buy into that idea, but I did - and now I've broken that down inside myself.
There are two ways to be cool: One is to be disinterested and make it seem like you must be doing something much more interesting than everybody else if you are this disinterested. The other is to be extremely interested. You are not trying to please anyone, but you are really invested are really focused.
I remember people saying, "Believe me, everything in your life is going to change..." And I thought, "Why? That's such a bourgeois way of thinking." And then you have a child and yes, everything changes. It affects the way we live, what we do, and where we go - everything. And I wouldn't have in any other way.
Sometimes I'll read things in the script and think, "That's not how humans behave," or "I don't understand how to do that role and make it seem like I'm not some kind of strange alien or on a sitcom." I don't get it, and when I feel that way, I have to listen to my instinct. My initial instinct does lead me in a direction that I can trust.
Mainstream Hollywood makes a few good movies a year. And in order to be in one of those, you have to be one of five people. Hollywood makes many bad movies too, which I'm not interested in being a part of. But there are only a few good independent movies a year, and many, many bad ones. I want to be in good movies, and I want people to see them.
I don't feel that way now. I don't want to make movies for the 10 people who feel exactly the same way about the world that I do. I want to make movies that many, many people see, and I want to say something that I believe is important in a way that people who don't agree with me can hear. And that involves making different kinds of choices, but it's not like a compromise that I'm making. It's that something else interests me, something else is appealing to me.
I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.