I like to be as diverse as possible. I think the humorous side and the serious side are both elements of my personality. It's what makes me who I am and if I was to neglect either one of those sides and just focus on one of them, it wouldn't be the full spectrum of my personality.

As a white male in America, I have privilege. As a white male who happens to be an artist with a fan base, I have a platform to spread awareness about that privilege. However, songs about race and privilege are very difficult to A) write and B) dissect as a listener. They're heavy.

I want to be someone who is respected and not just in terms of my music. I want to be respected in terms of the way that I treat people... Music is my creative outlet in terms of expressing what is important to me; what has importance, what has a value. And I wanna be respected for that.

It's weird because music is this thing that you love doing, and it comes completely from a place of creativity, and then that transfers into having to manage a business and make decisions and figure out what is the best route to go in terms of getting your product to as many people as possible.

I've never been a religious person. I've been a spiritual person since I was about 15, 16, when I was first introduced to Psilocybin [mushrooms]. That really opened me up to thinking about the universe in a different way, and coming to significant realizations about my connection to something greater than me.

I definitely use "smiling while rapping" as a tool in the booth. I want to have fun while recording. At times it can get tedious and stressful when it's not sounding the way you heard it in your head, but you've got to remember to just smile and appreciate the fact that you're even in the booth and there are people who want to hear your art.

I grew up in the spoken-word community. Before everybody had a home studio, or before we could get booked for shows, open mics were the only way to be heard by other people. It really gave me a chance to develop as a performer. Reading a piece of poetry with no beat in front of 20 people is way more challenging than rocking for 10,000 people.

Broken, hopeless, headed nowhere Only motivation for what the dealer's supplying That rush, that drug, that dope Those pills, that crumb, that roach Thinkin' I would never do that, not that drug and growing up nobody ever does Until your stuck, lookin' in the mirror like I can't believe what I've become Swore I was goin' to be someone And growing up everyone always does We sell our dreams and our potential To escape through that buzz

I see a lot of people dressing very similarly, and I see brands being cool because of their name and because of who wears the brands, but that's always been the case. That's kind of the history of fashion. You know, celebrities wear their clothes and people think these celebrities are cool, and then the clothes become valuable. It gives clothes a commodity factor once a certain individual starts wearing that brand. But do I think there's something wrong? I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.

Under that light rain, beaming in the night game, can't stop now, keep moving, no brake pads. Came here to prove a point, live my life on the field, make history in between the base paths. And compete against the fear that is in me, that's my only barrier and I swear I'm going to break that. From the mud, the cleats that we dragged through the feet, this is that moment and you cannot take it back... This is what you make of it, yeah we play to win, live it like we're under the lights of the stadium. Fight, until the day that God decides to wave us in, right, until he waves us in.

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