Quotes of All Topics . Occasions . Authors
I've loved the opportunity to learn about the fashion world and appreciate it as an art form, and I look forward to my continued education, but I never want it to take over my acting.
I was born in Mexico because my father was teaching at a school in Mexico City. I was born during the third year he was there. And when I was 16, I returned to Mexico to learn Spanish.
My father used to act in high school. He was in a production of 'Othello;' I don't know who he played, but it wasn't Othello. He would talk about it, though, and read Shakespeare to me.
I have dabbled in martial arts all my life, since I was 7, maybe - tae kwon do, capoeira, Muay Thai. It's always been an interest because in martial arts there is a mind/body relationship.
European standards of beauty are something that plague the entire world - the idea that darker skin is not beautiful, that light skin is the key to success and love. Africa is no exception.
You can't eat beauty, it doesn't sustain you. What is fundamentally beautiful is compassion, for yourself and those around you. That kind of beauty inflamed the heart and merchants the soul.
I grew up in a world where the majority of people were black, so that wasn't the defining quality of anyone. When you're describing someone, you don't start out with 'he's black, he's white.'
There is something about acting that's mysterious and magical because there is only so much I can do to prepare, and then I have to just let go and breathe and believe that it will come through.
I'm Mexican and Kenyan at the same time. I've seen the quarrels over my nationality, but I'm Kenyan and Mexican at the same time. So again, I am Mexican-Kenyan, and I am fascinated by carne asada tacos.
I haven't yet figured out how to be a celebrity; that's something I'm learning, and I wish there were a course on how to handle it. I have to be aware that my kinesphere may be larger than I want it to be.
I've always had that going on: "I can't," and then I do, so the voice says, "Well, that was an exception!" It's a tug-of-war between two voices: the one who knows she can and the one who's scared she can't.
I was part of a growing community of women who were secretly dealing with harassment by Harvey Weinstein. But I also did not know that there was a world in which anybody would care about my experience with him.
I can speak of actors that I love. I love Cate Blanchett, Viola Davis, her tenacity. I love Charlize Theron. She's so surprising and so exhilarating, the kinds of projects she takes on. Marion Cotillard as well.
I always envisioned working in film and in theater. Theater and film are not, they're not in any way substitutable. What I love about theater is so different from what I love about film, and I enjoy the craft of both.
I definitely intend to create my own work in the future so that we don't have to keep saying we don't have work for black women. But right now I don't know what's next. I hope that there are more opportunities to come my way.
The game of chess is a metaphor for life... it teaches you strategy and it teaches you the value of knowing where you are, where you want to get to and what obstacles are in the way that you need to navigate in order to get there.
I used to enjoy doing silly walks on the street with my friends. Like, you know, you're walking, and then you break out in something completely ridiculous, to kind of spook out the person walking by you. I can't really do that anymore.
I never understood who all those people are behind the actors! When you see them on the red carpet on TV, you go, 'Why does that person need such a large entourage?' And then you realize that every single person there has a role to play.
Slavery is something that is all too often swept under the carpet. The shame doesn't even belong to us, but we still experience it because we're a part of the African race. If it happened to one, it happened to all. We carry that burden.
I think it's a real gift to be faced with man's potential for extreme cruelty but also man's resilience and the fact that love really does conquer everything. It's the only answer to these kinds of atrocities and it's not a passive thing.
Our business is complicated because intimacy is part and parcel of our profession; as actors, we are paid to do very intimate things in public. That's why someone can have the audacity to invite you to their home or hotel, and you show up.
I learned at Yale, one of the biggest lessons was to learn how special I am and therefore how totally unspecial I am. I was special among everyone else who was special. The fact that we're all so individual and that's what makes us special.
Oprah played a big role in my understanding of what it meant to be female and to really step into your own power. I wouldn't even call her a role model; she was literally a reference point. You have the dictionary, you have the Bible, you have Oprah.
My father was a professor of political science and also a young politician fighting for democracy in Kenya, and when things got ugly, he went into political exile in Mexico. Then I moved back to Kenya shortly after I turned one, and I grew up in Kenya.
You win an Oscar, and immediately people ask how you feel. So you don't have time to actually feel anything because you have to generate a response. And then some of the feelings you have are so intimate and visceral, words don't really do them justice.
Growing up in Kenya, slum life was not far away. I had family that lived in slums, so I visited them often, and so I've seen and interacted with abject poverty. But I also know that because of that, poverty is not the definition of the people that live there.
As human beings, it is our nature to dream about the future, but there is no future without a healthy nature. It's the common denominator that we all depend on, not just to live but to be happy. That's why we owe it to each other to make sure nature stays healthy.
I come from a loving, supportive family, and my mother taught me that there are more valuable ways to achieve beauty than just through your external features. She was focused on compassion and respect, and those are the things that ended up translating to me as beauty.
Whoopi Goldberg looked like me, she had hair like mine, she was dark like me. I'd been starved for images of myself. I'd grown up watching a lot of American TV. There was very little Kenyan material, because we had an autocratic ruler who stifled our creative expression.
What fame does is there is an illusion of familiarity that is cast into the world. So it's about negotiating with that illusion because, oftentimes, you encounter people who have encountered you, but you haven't encountered them. It's a little weird to find your footing.
What I will say is that what I have learned for myself is that I don’t have to be anybody else; and that myself is good enough; and that when I am being true to that self, then I can avail myself to extraordinary thingsYou have to allow for the impossible to be possible.
It's so funny, you go to acting school thinking you're going to learn how to be other people, but really it taught me how to be myself. Because it's in understanding yourself deeply that you can lend yourself to another person's circumstances and another person's experience.
When I was younger, I was almost too afraid to admit that I wanted to be an actor. I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
My mother talked about the stories I used to spin as a child of three, before I started school. I would tell this story about what school I went to and what uniform I wore and who I talked to at lunchtime and what I ate, and my mother was like, 'This girl does not even go to school.'
On a very practical level, I've learned the importance of circulation socks for planes. I had this awful experience of getting off a flight to go to an event and my feet had swelled. Try getting into heels then! So you put on the socks for the flight, then you can wear whatever heels you want.
One of the reasons why I went to the Yale School of Drama is because I felt that I was acting off of instinct, but sometimes that is not reliable. When you're not feeling it, what do you do? So, going to grad school was about getting the tools to just use my instrument to the best of my ability.
I was raised in Kenya, and I always wanted to be an actor from when I was really, really little, but the first time I thought it was something that I could make a career of was when I watched 'The Color Purple.' I think I was nine, maybe, and I saw people that looked like me - Whoopi Goldberg and Oprah.
The beauty standards had nothing to do with me in Mexico. It was such a bizarre, dire time for my hair. I was living in a small town where there was not any semblance of an African community. I'd have to take the bus to Mexico City to find a woman who could braid my hair. That was two and a half hours away.
As human beings, we aren't as individual as we'd like to believe we are. And I think that's what makes acting possible. Despite the fact that I have not experienced something, I have it in my human capacity to imagine it and to put myself in someone else's shoes, and to take someone else's circumstances personally.
Growing up, I had really bad skin. I had a skin disorder. Yes, I did. And my mother went to great lengths to try to find something to remedy it. I remember she took a trip to Madagascar and came back with all these alternative, medicinal herbs and stuff. They didn't smell so good, but I think they worked some magic.
I give myself homework when I have an audition. I give myself goals, and that's how I check how I'm doing. It can be something simple like 'listen,' or 'find your feet.' And then afterward it's an assessment, so in a way it's not about booking the job or not. It's about what I learned as an actor about that character.
Ralph Fiennes was a pivotal influence on me. He asked me, 'So what is it you want to do?' I very shyly, timidly admitted that I wanted to be an actor. He sighed, and he said, 'Lupita, only be an actor if you feel there is nothing else in the world you want to do - only do it if you feel you cannot live without acting.'
I've had somebody say, "I want you at my wedding, but I don't want you to pull focus, so wear jeans!" Losing my anonymity is something that's proving to be very challenging.... It's good for your soul to walk around unnoticed; there's so much you can't do when everybody knows who you are. And I so miss those little things.
I got teased and taunted about my night-shaded skin, and my one prayer to God, the miracle worker, was that I would wake up lighter-skinned. The morning would come, and I would be so excited about seeing my new skin that I would refuse to look down at myself until I was in front of a mirror because I wanted to see my fair face first.
The set of '12 Years a Slave' was an extremely joyous one! We all recognized that we were making a powerful, necessary and beautiful film, and we weren't about doing it without that sense of responsibility, and we recognized that we needed each other to tell this story. We also knew we needed to hold each other up as we told the story.
It's so much more fun to do the work than to talk about it. I will have to admit that. Everybody gets to decide how they feel, and what to take away by themselves, and that's what you hope for. That people will take away different things and have different experiences from the work we do as actors. So I don't like to prescribe how to feel about the work I do.
I went to an all-boys high school, and they accepted girls in only the two A.P. classes. They had these archaic rules: for example, girls couldn't wear makeup. I found it so outrageous that an all-boys school could tell girls to not wear makeup! So I went on a campaign. I got a petition signed and everything. If a girl wants to wear makeup to boost confidence, why not?
I come from a loving, supportive family, and my mother taught me that there are more valuable ways to achieve beauty than just through your external features. She was focused on compassion and respect, and those are the things that ended up translating to me as beauty. Beautiful people have many advantages, but so do friendly people.... I think beauty is an expression of love.
I feel a responsibility to myself and my parents and the people whose love has gotten me this far - people who were in my life before fame. That's where I get my sense of self. It's deadly for anyone to take on that role of a deity; it's not sustainable. I've got tons of flaws. Call my mother - she'll tell you! She keeps it real. Sometimes you don't want to hear the truth; she'll tell it to you out of love.
I remember in my very first fitting, costume designer Patricia Norris gave me a garment with these intricate stitches - stitches over stitches, because it had been repaired so many times. Once I put it on, she told me that it belonged to an actual slave woman. My heart just stopped. Each one of the stitches had a story, you know. Just recognizing this period I was going to be dancing with was a "come to Jesus" moment.