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I love Obama, and I love the fact that it's a black president of the United States of America, but he's not the first black president. Robert Mugabe is a black president, too, so let's not get to talking about precedents being set.
I love Obama, and I love the fact that it's a black president of the United States of America, but he's not the first black president. Robert Mugabe is a black president ,too, so let's not get to talking about precedents being set.
I don't mind payin' for the police and for streets and sanitation, or road work, bridges, trains, food subsidies and welfare. But I don't wanna pay for bombs to fight proxy wars in the middle of nowhere against enemies in the night.
I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the UK hip hop scene.
World is not designed for you to win; it's designed to be played. It's designed for you to play your position until a certain point, when you get a chance to actually do some good, make a statement, get on your soapbox and say something.
I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the U.K. hip hop scene.
It was, 'If you don't do 'The Show Goes On,' your album's not coming out.' I had nothing to do with that record - nothing. I was literally told how I should rap on it. But I'm a bastard, 'cos I'll turn around and put it back in your face.
Some people are the greatest people on Earth with good hearts and will get in the studio and make the most negative music in the world for the sake of success. That's what the music business does to you. That's what capitalism does to you.
When you look out into the world and you turn on the news and it's just so dark, it's still there. But it's the battle, it's the struggle with that, and at the same time to recognize that happiness and love and all those things exist as well.
There is no line of demarcation between the amateurs and the pros; everyone is using the same tactics and playing in the same arenas. The only thing that separates them is radio, but the artist doesn't control who goes to radio and who doesn't.
I think that all the silence is worse than all the violence, Fear is such a weak emotion that's why I despise it, We scared of almost everything, afraid to even tell the truth, So scared of what you think of me, I'm scared of even telling you...
People don't understand that where I come from, everyone is either a convict, been in jail, been in a gang, is a hooligan of some sorts, but those are my brothers, my family and the people that I travel with. Those are the people that I roll with.
I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.
You expect certain things. You build up in your mind how it's supposed to go down. When you get a record deal, you think you're supposed to get X, Y, and Z. It doesn't happen like that. You're like 'Oh, this isn't as exciting as I thought it was going to be.'
I have yet to see someone attack Obama over his report card. A lot of people I talk to from both sides of the fence are like, 'Well, what about this economy? What about these incidents?' There are still no answers except time, but time is the answer for everything.
With 'Hip-Hop Saved My Life,' I attempted to make 'Kick, Push,' but for rappers. To give a real basic play-by-play of the life of a rapper before he makes it - if he ever makes it, because you can get stuck in that and be trying to make it for the rest of your life.
When you start creating opinion, and you start creating difference of opinion, you're doing something. People are actually sitting down and critiquing. A lot of the stuff people hate, they really don't. They only look at the outer shell. They don't really get into it.
I think that American presidents, that position in itself, as well as American foreign policy, it has terrorism in it. CIA agents going to overthrow certain governments - they're using terrorist tactics. They're not going in there like, 'Hey, you wanna have some cake?'
The stuff that I make and the things that I talk about, you have to listen, so if the beat is doing too much, it's going to take you away. If the hook is too distracting, it's going to take you away. The hook just needs to be enough to get you from one verse to the next.
Whats the biggest commercial for aggression, sexuality and materialism? What gets pumped into these kids heads? Taking someone elses girl, which is so laissez-faire in hip-hop, will get you killed in the streets, but it doesnt seem to be an issue when you hear it on the radio.
What's the biggest commercial for aggression, sexuality and materialism? What gets pumped into these kids' heads? Taking someone else's girl, which is so laissez-faire in hip-hop, will get you killed in the streets, but it doesn't seem to be an issue when you hear it on the radio.
This game wears on you. It tears you down. It's perpetual motion for some people who've achieved a level of independence, like Madonna and Jay-Z - they don't need to do music anymore. But there's people who need it. And in that need, that's when it's tough and it tears you to pieces.
All the big revolutions, whether it's the Industrial Revolution, the Arab Spring, those changes happened by economic and social shifts brought about by the people's voices, and those things weren't voted for. Most of our changes today are brought about through technology, not by voting.
I think it is important that you have people from all different vanguards, from all different walks of society and different viewpoints to be focused on the struggle for equality and democracy. We need as many champions for the cause and as many events as possible to help keep this in focus.
It definitely wasn't like, 'Hey, I'm going to steal that, and nobody's going to know.' The original 'T.R.O.Y.' came out in 1992, and it was like a 20th anniversary kind of thing. All of those intentions were there for it to be resurrecting a classic for a new generation. I tried to honor it.
Once you've been on tour six, seven years, you get an idea of what works and what doesn't work universally. There will be some crowds that we just can't play a song, but we've got 90% of a show that we know is going to be a hit with the Lupe Fiasco fan. I think the catering has already been done.
When I started making my own music, I was more about recreating what I was hearing. I noticed that I had some control over what I was saying, and the effects that it's going to have on people. I wanted to focus more on the positive side of things, which are more in tune with my morals and ethics.
The economical policies that are instigated really makes you think that the American government is a bunch of evil bastards. So just because you're black, you're still representing that government, and when Obama came into office he enacted the same policies that we would critique other presidents for.
Some stuff I don't even put out. I'll just be home, happy, creating something for myself, and then ball it up and throw it in the trash. It's less about trying to prove something or get on somebody's list or make a fan happy or make a hater mad or convert a non-believer. That's not the case for me anymore.
If they burn a book, have no worries. The book will feel NO pain so neither should you! True destruction of the Qur'an cannot be done with fire; it is destroyed when we fail to remember & practice its lessons in our daily lives. If this occurs, then it is ANOTHER fire that you should truly be concerned about!
In Chicago, you have an absence of strong family units, and that absence gets filled by gangs. You have a failure in the school system, after-school programs and other social programs to help keep kids off the streets. Amnesty International speaks to that in some way, by keeping these issues in the forefront.
With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.
I grew up in the 'hood around prostitutes, drug dealers, killers, and gangbangers, but I also grew up juxtaposed: On the doorknob outside of our apartment, there was blood from some guy who got shot; but inside, there was National Geographic magazines and encyclopedias and a little library bookshelf situation.
I was literally told for 'The Show Goes On' that I shouldn't rap too deep. I shouldn't be too lyrical. It just needs to be something easy on the eyes. Like a record company telling Picasso that we don't need these abstract interpretations of life, where people have to sit down and look at it and break it down.
Just take me home where the mood is mellow And the roses are grown M&M's are yellow And the light bulbs around my mirror don't flicker Everybody gets a nice autograph picture One for you and one for your sister Who had to work tonight but is an avid listener Every song's a favorite song And mics don't feed back.
I look at people like Picasso and Da Vinci and Escher and Miles Davis, and they'll write or paint that one definitive masterpiece of maybe 50 that they have that's really trying to go outside the box, trying to do something that's tough. And then when you accomplish it, you look back and go, 'Yeeaaaah - masterpiece.'
Da Pak was a group out of Chicago. It was a put-together group. We actually met for the first time at this showcase. They were like 'Yo, you should do a song together.' So we did. It just so happened that the name of the song was 'Wolf Pak.' They said, 'Y'all should be a group called Da Pak, and here's a record deal.'
The party lines don't change, that's what makes them a party and you'd be a fool to think that just because there's a black man in there it's not gonna change the real foundation of the system. Especially when you look at his largest contributor to his campaign, AIG, one of the culprits in the economic meltdown itself.
Every life is good. This [luxury] doesn't make life. It's a lifestyle. It's a style of life. Style is what you are, but everybody has life. And everybody's life should be good. Some of the happiest people in the world have nothing. Nothing. And they find happiness in being in the world. They wear the world with a smile.
You know, my goal, once I leave the music business, is like, 'Man, Lupe didn't lead us astray.' It comes directly from Islam: leading people astray is the worst thing you could do. Especially in perpetuity; like, your music continues to go on and live without you. That risk is too great for me; I'm gonna keep it positive.
Before my father would open up a karate school in a particular neighborhood, he'd clean up the block - kick all the drug dealers and gang bangers off the block. My father was very clear: 'I've got guns too, and I'll kill you just as much as a rival gang would.' And he meant it. He was a man of many facets and complexities.
You have educate the masses to exactly what their tax dollars are going to pay for. I think once people educate themselves and open up their minds to understand that on that really basic level, then you'll have some type of change in the way that Americans associate themselves and participate in their own political process.
Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.
Oh yeah, I'm literally walking through my house now looking down and there are maybe, like, 15 pairs on the floor. For real. Real talk. It's just simplicity. They're something I wear every day. Before I got a deal with them, I was wearing some type of Vans all the time. I would just order them by the box, like, 10 at a time.
Sometimes I do feel hopeless when I look out and scream out through my music, and I scream out through these interviews, and I scream out to people to kind of get their attention back on the things that are meaningful. There's people dying on the streets of Chicago - young people, young men and women who are losing their lives.
I don't hate the music, but I hate the process. When I look at it, I don't see song titles and artwork, I see the fight - I see the emotions, the blood, sweat and tears. There are a couple of songs on there that I love; but 'Lasers' is a little bit of what you love, a little bit of what you like, and a lot of what you had to do.
When I write, it's intimate. I write in the car, and I don't even hear, like, ambulances driving past me because I'm in my car, listening to the music, writing. I record in an attic with no booth. It's not like I'm in the dark with candles, but it's like a house, a home, and I record like that. I think that plays into the music.
My whole team, it wasn't about putting the album out, it was about getting off the record company and going independent or going to another label. To the point we were like, 'Listen, just take 'Lasers.' You can have whatever percentage off the next ten records I do for the rest of my life. I just do not want to be here anymore.'
I do understand that America is a predominantly Christian country. A lot of morals and values are based in Christianity as opposed to Buddhism, which it's not, or Judaism, which it's not, or Islam, which it's definitely not. So I'm not going to lie to myself and just be like, 'Well you know, everybody's equal.' Because we're not.
We have to make the physical music a little more valuable instead of just having a download link and a bunch of songs you downloaded from some torrent site. People try to make the music value-less, and I don't think we're going to stop that train, but the one thing that they can't devalue are things that are in the outside world.