Quotes of All Topics . Occasions . Authors
I talk bilingual.
It's important to stay current and fresh.
My genre is the pop ballad with a touch of R&B.
You kind of grow up and evolve in everything you do.
It's always morning for me until 4 in the afternoon.
At no time was I trying to write a crossover record.
I've done songs in other languages. I know how hard it is.
It's a beautiful thing to be involved with the Special Olympics.
Performing on Broadway is an honor and a challenge for any artist.
I'm still the same guy who gets in front of the mic and just sings.
As an artist, you keep learning. You draw out different parts of you.
As a songwriter, I go into the studio, and I just try to write a great song.
I like to listen to other songs to get a different point of view and to learn.
When I make albums, I do a lot of songwriting but not necessarily a whole album.
Pushing the envelope, musically speaking, is what needs to be done to rise to the top.
I wrote 'Despacito' with my guitar, but where you can tweak a lot is in the production.
Just when you think we're living in a little bit of a divided world, music brings us together.
I've always said that inside of me there is a rocker that wants to come out, but I'm a romantic rocker.
To say I was near our president, performing at the Nobel Peace Prize... I think that's an amazing thing.
I'm not a social singer. But if one can take a social message via the romantic, that's a strong statement.
I love and respect theatre, so I am truly honored to have the opportunity to take my voice to the Broadway stage.
I am very optimistic, and I always think positive, but within reason and never getting too far ahead of the game.
That is the most important thing to me, what happens behind the closed doors in the studio and makes me an artist.
It's crazy how the world evolves and the audience gives you an opportunity to really grow and live out your dreams.
My daughter is my number one fan. She has always been incredibly supportive, and she tells like it is and how it is.
I sang in a group for four years, and you just kind of get used to it. You don't really think about being by yourself.
It doesn't matter where we're from, we all have to stick together and help each other out as performers and as human beings.
Whenever I get a little chance to get to Orlando, I like to take a couple days' break with the family, just hang out, go clubbing around town.
When you're singing about love stories, which is most of my songs, it's good to have a lot of information and to have a different point of view.
I've worked my butt off. That keeps my feet on the ground - I'm the same Luis Fonsi onstage and at home cooking an omelette in basketball shorts.
In my player, I have a Luis Miguel CD as well as a Brian McKnight CD. I'm known for my very romantic ballads as well as the fun, up-tempo pop songs.
I treat every album as a new beginning, so I'm asking myself, 'What is pop music now? What are people consuming?' and I take these things into effect.
'Despacito' was a song that, from the time I started writing it, I felt that its hook was really catchy and powerful but at the same time very simple.
The genre I listen to the most is salsa, so people look at me and see this guy who's done mostly romantic ballads, but there's always been this other side.
I don't know what happens at radio as far as what is that X factor that makes a song click and have people get connected to it when it's in another language.
Everybody lives their lives differently. They have a different perspective. They've been through different things in love. They've cried about different things.
Ricky Martin just kind of opened a big door, but it's always been around. Latin artists have always been there, but some of them were never doing it in the U.S.
'Despacito' started with a melody hook that I had with my guitar only. The beat for this track came after I wrote the lyrics, which I wrote as if I was writing a ballad.
My style has a lot to do with where I've been brought up. I've lived half my life in Puerto Rico and the other half in Florida, so I listen to music in English as well as Spanish.
The beautiful thing about it is that 'Despacito' is not really an English crossover. It was just another song that the world made a crossover. I didn't really push it; it just kinda went there.
Part of our job as quote-unquote 'celebrities' is that we can gather people around things that are important. I think it should be a requisite - there should be a clause in the contract that you have to give back.
The transition to the United States was very interesting. I learned the language. I kind of got into the R&B. I'm a huge fan of the '80s, Journey and all that fun stuff. But when I moved to Orlando, it was more like Boyz II Men.
My family is the engine of everything, and on a personal level, I feel peace, stability, and they give me force, which is reflected on my work, my recordings, and every time that I go out on tour. They are my base, my everything.
I am 100% proud Puerto Rican but have lived two-thirds of my life in the United States. So, there will be some things I write in English, but my main way of conversing with my audience is in Spanish because, at the end of the day, I'm a Latino.
I block out a good amount of time - could be 6 or 8 months - and I just write. I do a lot of traveling, and I do a lot of co-writing with different writers just to start getting ideas out and kind of get a little bit of direction as far as where I'm going to go with the album.
Everybody has their cliques, and I was very shy. I'm still very shy. Music opened up doors. I would get to my choir class, and I was sort of one of the better kids... I could read music. That's when I realized how good El Coro de San Juan was. I felt, for once, like, hey, I can fit in.
I definitely try to be myself and not try to imitate other performers. That's why I got my music degree. I wanted to be prepared and not be a 'product.' I want people to know that I'm not only a singer but a musician as well. I studied guitar, piano, and composition. I believe that it's just about being myself on and off stage.
It's crazy because I was 10 years old when 'Macarena' was all over the place, and I remember looking at it from a different point of view. I remember culturally how important that song was, even though people didn't really know what they were saying. It was more about the dance and the movement of it and the cultural side of it.
I won't lie, I didn't know there was a concert. I've always known about the Nobel Peace Prize and the different prizes given out for science and this and that, but I didn't know there was a concert the day after. When they said, 'You're going to perform in Norway for the Nobel Peace Prize concert,' I was like, 'All right, I'm there.'