Quotes of All Topics . Occasions . Authors
I've always liked higher necklines, and Mia Farrow is my ultimate inspiration. The baby-doll dresses with big Peter Pan collars that she wore in 'Rosemary's Baby' were iconic. I've been drawn to similar looks ever since.
When you're younger, you have a perfect plan for your life: I thought I would be engaged at 24, married at 26, have my first child at 28 and my second at 30. But as you get closer to each age, you realise it's unfeasible.
When it's a real person, you want to be as honest as you can and approach it in a similar way as you would any other character, but with that restriction and wanting to respect the boundaries of that person and not be intrusive in any way.
We were always told not to wear skirts that were too short, because what will the male teachers think of you? Or, when we started sharing classes with boys in sixth form, what will they think of you if you are wearing a miniskirt to lessons?
When you're playing someone that's real, there is that hanging weight of how will they feel when they see this: will I make them feel exposed in some way, and how do I absolutely avoid doing that while playing this as accurately and empathetically as I possibly can?
An all-girls school, when you have 800 girls from the age of 11 to 18, you would think, should be a prime opportunity to really inject a sense of confidence and power. And instead, we were very much taught in relation to men, in terms of what the brother school would think of us.
I think it makes such a huge difference when the director has acting experience as well because it just means that he not only has a view of the film as a whole and the intentions of the scene in terms of the audience, he also has an actor's instinct of how to communicate something to us.