Quotes of All Topics . Occasions . Authors
I thrive on that nomadic lifestyle.
I want to act every second of every day.
Nic Hoult is just such a brilliant actor.
Paul McCartney has always been the love of my life.
Comedy kind of terrifies me. I feel pretty intimidated.
Anything that Osgood Perkins writes, you can sign me up!
Oh, my God, I would be the most uncool band member, ever.
My absolute favorite film is Hal Ashby's 'Harold and Maude.'
I've been every hair color under the sun for different projects.
My skin's rather difficult to fix, and I'm incredibly sensitive.
Being able to disappear into every film that I do really works in my favor.
I find that I'm quite experimental. I'm drawn to the brighter and weirder things.
It's exciting not knowing what tomorrow, or the next month, or the next year holds.
There were years in between of going to auditions pretty much every day and getting nothing.
I've been working for, like, 10 years now, which is a very strange thing to say when you're 23.
Good horror is about so much more than slashing: it's a way of examining grief and loss of self.
Because I started at such a young age, I went in with a 'take what comes, do what I'm told' approach.
I really enjoy being busy and feeling completely immersed in work, knowing I'm working as hard as I can.
I don't think I've done anything quite like 'Gypsy' before. Especially the honest way that it is written.
I don't really have a specific formula I follow to find the right script or role. It's always just very instinctive.
I've always been really terrible with horror films. I scare really easily and can't stand all the violence and gore.
The pressure to look good is intense. It is hard to be immune to that and the self-consciousness that comes with it.
My skin gets really dry and stressed from all the traveling I do, so I've had to find reliable products to help that.
I never wanted to take off the pink gown I wore to the 'Gypsy' premiere. It was a magical dress for a magical moment.
For the red carpet, I like a platform heel, but for everyday, it's mostly Converse high-tops or booties with black tights.
If you stop trying to restrict yourself by defining yourself and love in other people's terms, it's the most liberating thing.
There is something daunting about getting a role you didn't formally audition for, another weight of needing to prove yourself.
People keep referring to 'Sing Street' as a musical, but I really never felt it was that. I can't really define it as a musical.
I am so honoured to be supporting the Elton John AIDS Foundation and their mission making London and our global cities AIDS-free.
As soon as we stop trying to put boxes and labels to every relationship and dynamic, we'll be so much more liberated and at peace.
It's impossible not to be aware of the Ryan Murphy empire, but he is so kind and funny, and you feel in such safe hands every day.
If you're creating your character, you can have full ownership of the emotional range they go through. You can make bolder choices.
My dream would be to be like Tina Weymouth from Talking Heads. Her style and everything about her, she's just the coolest human being.
I never went to drama school, but I was really lucky in that both my junior school and secondary school had brilliant drama departments.
I was born in New York and moved to London with my family when I was five. I did have an American accent for a couple of months, and then it went a way.
My parents always traveled a lot with their job, so it became embedded in my nature quite early on that I would crave that constant change and traveling.
I realized on my first day on set of 'Miss Potter' that there wasn't going to be anything else that could make me as happy or feel as fulfilled as acting does.
When you love someone absolutely and want them to be their truest self - even though that means losing them in some capacity - that is the most important thing.
As long as you feel good in something, it doesn't matter what other people think. You just have to own it. You'll never regret wearing something you really love.
Being part of the Queen story and knowing what Freddie Mercury went through before he died of AIDS has really shown me how far we've come in fighting this disease.
I think that's a place where we are, as a society, finally starting to get to now: where your sexuality doesn't have to define you - and you don't have to define it.
The people I look up to most are actresses such as Kate Winslet and Amy Schumer, who have never been size zero and are judged on their bodies of work, not their bodies.
'Gypsy' follows a New York therapist, played by Naomi Watts. It explores the boundaries between patient and doctor - she kind of starts to play puppeteer with her clients.
I'm quite tentative when it comes to biopics because they cross a line into intrusiveness or exposing someone who isn't alive or around to draw a line or defend themselves.
All of our family holidays were always work trips for my parents, so my sister and I would sit somewhere or find a kids' club while my parents would be interviewing people.
I remember watching that scene in 'My Girl' where Anna Chlumsky cries at a funeral. I would cry with her and be like, 'Yeah, I think I could do that. I could do a funeral scene.'
Acting has influenced my approach to beauty in both practical and fun ways as well as influencing my style. I do like to be more adventurous - for some reason, I feel safer in that.
I tend to look very different with every role that I do, so I don't know if anybody remembers me or recognizes me at all, including people that I've worked with and know really well.
I think 'Ballet Shoes' was a very pivotal role for me. I was about 14 then, and it was an incredible cast: Eileen Atkins, Victoria Wood, Emilia Fox, Harriet Walters. All these incredible women.
It was strange, especially because all of the projects I did when I was young, I was always the youngest on set or the only child, so I spent my formative years hanging out with 24-year-olds when I was 13.