Oh, they've been putting in the long hours ... But is that because they don't have the skills, and everything takes twice as long? Or do they put in these hours to avoid what they should be doing ... which is stopping and binning a lot of [their work]?

I had an argument with my students on why they want to present their work in an iBook, it's like your sister who has no design training, put on some outfits in the bedroom, took some pictures, sent them to Apple and after paying 40 quid, you have a portfolio! I can't believe it.

Now there is tons of information available online. 90% of students rarely look at magazines in their intended format because they're looking at them on a computer screen. They don't understand the layout, so when they come to putting their own portfolios together, they have no spatial awareness.

It falls apart now. They used to be intrinsically linked. Now they've been driven so far apart that I don't think the one has anything to do with the other. Even more so: I think that there is almost a reaction against style, that brute ugliness somehow has been interpreted as being the way to go.

I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.

Many students don't really like it (fashion). If they don't like it, they won't be able to tell you who the stylists are or the photographers. If they say they can't remember the names but they recognize the work, I'll say that's bullshit because if you were selling mobile phones, you'd know all about the phones' features and tariffs.

Of course, there's some you think, well I wouldn't let them in the door, but there's not many. It's very important to know that it's a mutual thing, that there is respect and a form of teamwork. With quite a few of them it can be traumatic, but there are moments in here when they do extraordinary things with their designs. There are things of beauty I get to see in this office.

It's a secret language, known to all different people, in different ways, that enables them to read a subliminal message without realising they're reading it. It affects people on many levels, and even people who think they're not into fashion, or reject fashion are then being informed just in the case of rejecting it. The fact that they had to react against it was a conscious decision.

Students may feel the criticism is harsh, but I think it's possible they haven't had criticism before. It's my job to point out when something is badly done, or when there's no point of view. To build a brand you have to have something about you. If not personality, then some thought process. I'm 40, and they're young, so they're meant to be informing me. They should be bringing me a book or something that I haven't seen, not like some obscure chant book by Dominican monks, but an image of the way they see the world.

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