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When I was in film school I was learning more theory than practice.
When I was in film school, I was learning more theory than practice.
Movies are not finished. They are abandoned. A movie is never finished.
The new 'Avatar' BluRay is a lesson in filmmaking. It really is inspiring.
I just wanted to make a properly good movie, and not beg for the love of the fans.
The movies like "Star Wars," for example or "Lord Of The Rings," they work because it's a a mix of everything.
I love comedies and I like sometimes comedies have a tendency to get a bit lazy. ‘The Other Guys’ was not lazy.
I love comedies, and I like sometimes comedies have a tendency to get a bit lazy. 'The Other Guys' was not lazy.
Every actor is different so you cannot become best friends on Day One. You just have to learn to know each other.
'Captain America' I love, and that would be great, but c'mon, a Frenchman doing 'Captain America?' They would burn my passport.
All the superhero stuff is Greek myths and Greek gods, wearing tights and capes. That's what they are. That's what I gravitate towards.
I talked to Marvel about 'Thor' at one point, but I didn't want to do Thor. It wasn't something I read growing up, really; it wasn't one of the books I loved.
Directing is like cooking, it's like cuisine. You cannot make a great dish with bad ingredients. I have great actors, and I'm putting them together. That's all I'm doing.
I think our movie, 'Now You See Me,' is an emotional movie rooted in smart and wits and fully amazing actors working perfectly together. It's like a supergroup of musicians.
Some directors are like it's their... nothing can change, nothing can move. I like collaborating, even when an extra has an idea, I like to bring to really have collaboration.
I like the idea of a TV show. You take time to get to know your characters. You can introduce a lot of characters. You don't need your three-action set pieces that you usually need for movies.
'Iron Man' was this fun, poppy thing bound to make a zillion dollars. And we were the other side of a superhero movie. More complex with The Hulk being this complex character - that's what it was.
The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
Frankly, with HBO and Showtime and cable shows, the DVD box sets and all, you can have a product that doesn't make you feel like as soon as it's projected, it's thrown away. It's really a piece of art.
Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.
When you do a first movie, you're contractually supposed to do the second one and then you don't do it, you become an executive producer. That's why there are a ton of directors who have executive producer credits on other movies.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
I did my 'Hulk,' but it was not easy. If I do another Hulk film it will always be compared to the Ang Lee thing, and my first one... if I come back, I'd love to do another superhero, something different that I can really put my touch on.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
My favorite moment is when someone says, 'I like 'Unleashed.' 'Now You See Me' is so much fun.' That's what I want to do: smart, fun and big movies. I cannot lie, I love working with those big paint brushes. I have a blast doing these movies.
I’m stuck somewhere a small island in the middle of the Atlantic where I’m alone. Because in France, they’re like, no, you’re not like us, you’re not a French guy. And in America, they’re like, you’re not like us. I’m really alone in my little thing.
I'm stuck somewhere a small island in the middle of the Atlantic where I'm alone. Because in France, they're like, 'No, you're not like us, you're not a French guy.' And in America, they're like, 'You're not like us.' I'm really alone in my little thing.
I’m a Clash of the Titans/Star Wars baby. I’m not a new Star Wars baby. I’m not an Avatar baby. That full CG doesn’t work for me. I need interactivity. I need to feel the goo. I need to feel people coming out of animatronics and just interacting with props.
I'm a 'Clash of the Titans'/'Star Wars' baby. I'm not a new 'Star Wars' baby. I'm not an 'Avatar' baby. That full CG doesn't work for me. I need interactivity. I need to feel the goo. I need to feel people coming out of animatronics and just interacting with props.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with.
I'm one of the lucky directors that pretty much every movie I've done has started a franchise. But I never think this way. I think that's the way you break it, if you go, 'then at the end, at the end we'll see you later.' I was forced to do it in 'Clash of the Titans.'
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
I'll tell you what, I had complete control on 'Unleashed.' I directed, produced, chose the musician, picked the costumes, and everything. I never had anyone saying, 'I don't like this and I don't like that.' The studio, Universal, were easy. It was this weird movie no one cared about.
My fear in converting it to 3-D is that people will say, 'Oh, it's the 3-D 'Clash of the Titans.' No, it's 'Clash of the Titans,' the movie, and then, on top of that, you have the 3-D conversion. The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version.
Its true, Im the youngest, highest-grossing French director. I have a few records, but no one knows or simply doesnt care. Thats good, because I like that. Ultimately, I want to keep working, making a lot of movies, and get better at it. Its about finding great scripts and bringing them to life.
You always have three movies that you have to reduce into one. You have the screenplay. And then, you do a workshop and you add more scenes. And then, on the day you shoot, there's more action and interaction. It's like a souffle. It has a tendency to just grow and explode, and it's just too long.
I'll say it, I love working with actors, I'm a fan of actors. They bring so much, and they can also break a movie, but when it works I give it all to the actors. I'll say it, I think that 'The Transporter' is great not because of my direction, it really is great because Jason Statham was great in it.
It's true, I'm the youngest, highest-grossing French director. I have a few records, but no one knows or simply doesn't care. That's good, because I like that. Ultimately, I want to keep working, making a lot of movies, and get better at it. It's about finding great scripts and bringing them to life.
I've started movies without screenplays both on 'Clash' and on 'Hulk,' and that is tremendously stressful because you have a tendency to overcompensate with effects. You haven't tested it in your head. You didn't run it over and over again and covered all of the plot holes and figure it out. It's a marathon that you sprint.
If I was to direct a movie about a super-confident guy, first of all I would hate that character. I can do a super-confident guy who crashes and burns and has to rebuild himself as somebody humble. But a super-confident guy that just gets more confident and gets the girl and the money and more success? That's not interesting.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
Whats great about The Avengers is that its the next step. Its not just superhero fights super-villain and superhero wins. Its about superheroes that come together and interact. Its a clash of the egos. You could do Avengers 1 without a villain, just with all these guys coming together. They could sit down and just have a discussion.
What's great about 'The Avengers' is that it's the next step. It's not just superhero fights super-villain and superhero wins. It's about superheroes that come together and interact. It's a clash of the egos. You could do 'Avengers 1' without a villain, just with all these guys coming together. They could sit down and just have a discussion.