Quotes of All Topics . Occasions . Authors
When my mother signed at MGM, that was the only kind of contract you could sign. There was no such thing as an independent agent.
I spent an entire evening seated between Fred Astaire and Gene Kelly, being charmed from either side. It was pure Hollywood magic.
I have spent much of my adult life flinching with pain as I tried to pull out the threads that bound the shadows of my past to me.
The most memorable night of The Judy Garland Show for me was the night my mother pulled me out of the audience and sang to me onstage.
Maybe people don't know I'm a news junkie? I watch and I tape a breadth of everything that's happening in the world, and that fascinates me.
My mother's suicide attempts were a way to release anxiety and get attention. Some of the attempts were drug reactions she didn't even remember later on.
People come up to me as I leave the stage after a performance and tell me tey saw my mother onstage with me every time I sing. I keep a sense of humor about it.
Being an actor is really odd. So, don't take that as your reality - take your family, take your friends, take your relationships - that's your reality. And hang on to them.
I really don't look at my past and I really don't look too much to the future because I find that's sort of redundant. I really live right in the present. I live right in the now.
The only difference between the Bel Air of the '90s and the Bel Air of my childhood is that now the nannies are Latina instead of British, and the cars European instead of American
The only difference between the Bel Air of the '90s and the Bel Air of my childhood is that now the nannies are Latina instead of British, and the cars European instead of American.
A piece of advice I would give to young actors - hang on to your family, and hang on to your reality - and hang on to your "real". Because you're going into the land of make believe.
One of the oddities about being Judy Garland's daughter was that everyone treated my mother with such awe that they would never have asked me the normal questions kids get about their moms.
I think every show I do, whether I am doing eight shows a week of a Broadway show... I think, "that's a show I'll never get back"... I go home at night and I think to myself, "that was my favorite".
In June 1968, five days before my mother's forty -sixth birthday, the world fell apart again. Sirhan Sirhan shot Bobby Kennedy, who died the next day. Why were people shooting all the Kennedys? Had the country gone mad?
I did my first Broadway show when I was nineteen years old - and to be able to say that I am still working with the incredible talents of all of the creative teams that I have been able to work with - that's so special to me.
I'm extraordinarily honored and proud when I am told that I am part of the Broadway community and part of the Broadway family. Because, Broadway is a family. And it doesn't matter if you did one show or if you did fifty shows.
I understand wanting to do your craft. I understand wanting to have a passion for your art and for your ability to be an actor, to be a singer, to be a dancer - that I understand. Wanting to be famous - I don't get that. But that's where we're living right now.
There's so much, I guess I want to say, nonsense about show business now. Because of reality television. I don't get this, because I was never raised to get this, but I don't understand wanting to be famous. Maybe it's because I was born famous, but I don't get it.
Every time I go out on a stage I consider myself very lucky. Because, in a time where people are economically thinking about what to go and see - so, when I am on a stage, and it doesn't matter where I am, that's my favorite show. I come home after and say "That was my favorite show".
The high point of my entire junior high school career was going backstage after the first concert to meet the Beatles in person. I had a huge crush on George Harrison at the time, having inherited my family's passion for skinny musicians, and I was simply awestruck to be meeting the Fab Four in person.
I think that when you're in your twenties you think about your future, when you're in your thirties you're raising kids and you think about their future, but when you get to a time when you are diagnosed with any kind of life altering illness, what did you take away from it? And what I took away from it was how to live in the "now".
I don't like to hear anybody in show business complain, because I just find it to be such a grateful business. Because there are so many wonderful, creative souls out there and there are so few jobs. And, so, I just find myself thinking to myself "wow, if I could get into a show of any kind and have it last for a while" - that's when I find myself really happy.
The Broadway community is unlike any community in show business and it is unlike any community in the world. When you come into the Broadway community they open the door and they say "welcome". Not only do they do that, but when times are really tough and horrendous things have happened and really tragic things - the Broadway community shows up! And they say "how can we help?".
My feeling about young people who want to pursue a career is - the first thing is do your homework on where it all started. Go back and look at history. Look at why the shows you are loving today happened and the artists you are listening to happened. And do your homework on history. Whether it's musical movies, musical plays, Broadway musical recordings - do your homework! And then, that way you will have an understanding of why, now, certain movies, certain plays, certain musicals are making some sort of sense.