Quotes of All Topics . Occasions . Authors
I have no ancestral link to the mountains. But I really do feel close to mountain culture. Their ways of food, of thinking. The way they hang out with no recording devices and just sing songs with each other.
If we work on it, we can absolutely refuse any notion that suggests that after generations of contributing to this country, being a part of the bones and the marrow, that I'm supposed to be uncomfortable here.
Singing in church is a very different approach to music. It's very much about transcending the idea of self. It's about finding something greater that connects all of us. Gospel music is about tapping into that.
I don't think words always lead to meaning, but the things you can create with them are still pretty amazing. I've been really into Joni Mitchell, for example, but I've also been into some studio stuff, like Bjork.
Finally I started really opening up as a songwriter and an interpreter and taking songs from all kind of genres and stripping them down to just lyrics and the story inside the lyrics, and trying to make them really mine.
I'm a preacher's kid, I'm big-boned, I have giant feet, and I've always been able to run fast, and so I had this sense of, 'I can't fail. I'm invincible. I'm made of green juice and concrete; nothing's gonna happen to me.'
I'm a real Otis Redding fan, and I just think he sounds so good. He sounds like he's always at the end of a long day, and he just won't give up. I just love his wearied devotion - that beautiful, beautiful, weathered sound.
Whoever is playing with me, they participate in the arrangement; I learned from Craig Street to really pool the stories and the skill and the voices of everybody around you on the bandstand to build an arrangement in the moment.
For me, I just want to sing about life. And since I come from a spiritual background, I turned to jazz, because I feel it's still sacred, like gospel. It's serious music, but it allows room to sing about so much other stuff as well.
I come from a family that has grown their own food from well into times of slavery, provided for themselves and people around them. So I found, through conversations about the earth and about the house with my neighbors, a lot of common ground.
The whole musical institution of the church involves a lot of different styles of communication at the same time. Things like call and response. Sometimes they use the music to pray and work things out. And there's so much repetition in gospel, it's like churning butter.
'Salt' is like this snapshot in midair, an action shot. It's about my relationship with the church, the classical and choral music that I dealt with in school, and my new introduction to jazz. It's very hard for me to listen to from beginning to end, because I hear how lost I was.
The church is an institution of music and of production and performance, and it has to do with taking people to places inside of themselves and giving them an opportunity to sit deep in their own feelings, and to be together and deeply alone at the same time, and to process things.
I've begun to realize, as I'm getting older, that I was taught to go for a certain kind of stillness to get things done. I missed that in my life. I loved my grandmother's property, out in South Georgia right above the Florida line, so I just thought I'd find some property where I could feel that again.
My father was very strict, a very militant parent, because he wanted us to be very focused kids. He sold the televisions, so we didn't watch TV. And he didn't want any music playing that wasn't gospel or inspirational music. In fact, he didn't even like a lot of gospel because he thought it was too bluesy.
I'm in love with the way that Ella Fitzgerald delivered a lyric. She would deliver a lyric with the kind of clarity that would make you wonder why it was written, and make you think about the writer. I think every writer hopes an Ella of any genre or anytime gets a hold of their work and works the song like that.
I love talking to other musicians on tour and finding out what we all have to do, not just as artists but as business people. A lot of us are investing and trying to use social media. It is such an interesting level of responsibility and engagement on all these levels. I don't know how one can do this without absolute commitment and faith.