Quotes of All Topics . Occasions . Authors
Reading for writers is like training for athletes.
Most writers adore their editors, and I'm no exception.
Why was it that pride and foolishness were so often close companions?
I enjoy my family a lot. I have active teenagers, and they're in soccer and choral events.
Libraries hold the wisdom of the world and the stories of the ages - available to everyone, free of charge!
I do think that part of literature's job is to comment on and participate in the social issues of the time.
A mistake made with good in your heart is still a mistake, but it is one for which you must forgive yourself.
I used to sit home with my computer and write. After the Newbery, I probably spend more than half my time on the road.
If you're trying to write about very strong horror, very strong fear or very strong emotion, it's easy to overwrite it.
I can give advice to anyone interested in writing in one word: Read! I think it's much more important to be a reader than to be a writer!
God bless Interlibrary Loan. I pay a lot of library fines. In the case of 'A Single Shard,' I was using books that hadn't been checked out in 30 years, so I didn't feel too bad.
I want all my books to provoke some kind of response in the reader, to make them think something or feel something or both, and for that to become a part of them and work into their own lives.
My first publication was a haiku in a children's magazine when I was 9 years old. I received one dollar for it! I gave the check to my dad for Christmas, and he framed it and hung it over his desk.
If a man is keeping an idea to himself, and that idea is taken by stealth or trickery-I say it is stealing. But once a man has revealed his idea to others, it is no longer his alone. It belongs to the world.
In my family and among Korean-Americans, there just is no occasion that people would get together without bibimbap. It's something that people eat when they're wanting to celebrate or have a good time with friends.
I've been writing for as long as I can remember, and reading even before that. My mom still has stories that I wrote when I was in kindergarten. I was a reader and a re-reader. That's the main reason I became a writer.
You burn the paper, but not the words. You silence the words, but not the thoughts. You kill the thoughts only if you kill the man. And you will find that his thoughts rise again in the minds of others - twice as strong as before.
I often have trouble falling asleep at night, so when I'm lying in bed I think up stories. That's where I do a lot of my thinking. I also get a lot of ideas while I'm reading - sometimes reading someone else's stories will make me think of one of my own.
After high school, I went to Stanford University and majored in English. Of course, that gave me a chance to do lots more reading and writing. I also received degrees in London and Dublin - where I moved to be near a charming Irishman who became my husband!
When I was reading books for 'Seesaw Girl,' I came across several references to the fact that in the 11th and 12th centuries, Korean pottery was considered the finest in the world. I liked that - the idea of a little tiny country being the best at something.
All my books take a long time to research. I spend several months researching before I start writing, and in the middle of writing I often have to stop and look up stuff. At my local library, I am one of the best customers! The research takes several months.
What I like most: Reading well-written sources that take me to another world for hours at a time - and being able to call that work! Also, of course, finding a gem of information that is either exactly what I was looking for, or else fits perfectly into the story in some way.
What I like most: Reading well-written sources that take me to another world for hours at a time - and being able to call that 'work!' Also, of course, finding a gem of information that is either exactly what I was looking for, or else fits perfectly into the story in some way.
When I'm writing, I try not to think things like, 'Gosh, I have to finish writing this book.' Books are very long and it's easy to get discouraged. Instead I think to myself, 'Wow, I have this great story idea, and today I'm going to write two pages of it. That's all - just two pages.'
Each of my books has taken me a different length of time to write - eight months for Seesaw Girl, eight months for Shard, three years for When My Name Was Keoko! The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
Each of my books has taken me a different length of time to write - eight months for 'Seesaw Girl,' eight months for 'Shard,' three years for 'When My Name Was Keoko!' The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
With a book called 'Keeping Score,' I really did want to write a book about the Korean War, because I felt that it is the least understood war in the American cultural imagination. So I set out with the idea that Americans didn't know much about the Korean War and that I was going to try to fix a tiny bit of that.
My son and I discovered Terry Pratchett's books together, when he was about eleven years old. He'd be reading on his own and would start to laugh, and then eagerly read the passage aloud to me--and I'd do the same to him! Pratchett's books became a shared source of delight for us back then, and they still are today.