That's a big gift when people say to you that a song helped them or brought them to some place in their life where they needed to be.

I didn't really listen to rock 'n' roll until I moved to LA. We would ditch school, go get high, put on Zeppelin IV and just bug out.

I come in with this rock 'n' roll-oriented music, and it's not black enough . . . I've always had to deal with this black-white thing.

If I had to associate myself with one song, it would probably be Let Love Rule. It's so simple and to the point. It speaks for itself.

I'm really happy about American Woman, it brought the Guess Who back. They started gigging again and got their song out on commercials.

The idea of having to conform to someone else's ideal is unacceptable. I'm gonna be me. And if I can't be me, then I'd rather not do it.

One day we're going to watch people fight to the death, like Roman times. Instead of being in a coliseum, we're going to watch it on TV.

My mother passed at the end of the Circus tour. After that I really needed to take some time and just chill out and get my head together.

We weren't put here to be miserable. We were put here to do the best we can, and we should take our energy and improve our state of being.

Working with Gabby [Sidibe], I realized immediately that she was amazingly talented. I could tell just by the way she'd get into the role.

If you listen to a lot of old funk records, the drums are really small. But you don't perceive it like that because the groove is so heavy.

The loyalty rate isn't that high. I could have a big hit, then put out the next single, and they say, Oh yeah, who are you? Prove it again.

I found it a really refreshing change of pace to suddenly be completely directed. It was a type of collaboration that I don't normally have.

The fans of 'The Hunger Games,' of the book, are very passionate. It's funny: Even at my concerts there are people holding up 'Cinna' signs.

You can't even sing or play an instrument, so you just scream instead. You're living for an image, so you got five hundred women in your bed.

We've always just gotten up there and played. We don't have any dancers, we don't have all that stuff going on, we just get up there and play.

For me a watch is a really beautiful instrument. I don't so much care what time it is but I do love watches, and I love how they're constructed.

Music, for me, is completely self-indulgent. I write it, I play the instruments, I arrange it, I produce it. It's all about me - as it should be.

If you look at the guys in the '70s, like Led Zeppelin, they had bigger planes than we do, they had more money. But they weren't singing about it.

My mother's side of the family is from the Bahamas, and I spent time there on and off when I was growing up. It's the place where I feel at peace.

I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head.

You can start something, do it, and believe that that's what you're doing, but then the inspiration comes and it's like, "Nope, this is what it is."

I feel like my best work is in front of me. I'm in the studio now, and I'm having an amazing time making this new album. It's something I can't help.

What motivates it is life. Life is everything. Life influences my music and brings it forth. Life is always changing, so I'm always hearing new music.

I'm looking forward to going out at the concert with a clear head, with a clear mind, with a clear spirit and experiencing whatever it is. It's great.

I get a lot of joy from playing instruments, and I have a different personality on each instrument. I like to let that come out. I get kind of selfish.

I'm half Jewish, I'm half black, I look in-between. I dress funny. I play all these different styles of music on one record. It's like, What is he doing?

I've had to work very hard, and I don't really have a category or fit into any niche, so each time I come out with a new record, it's like, I'm a new guy.

I really didn't know a lot of rock 'n' roll until I moved to L.A. Before that, when I was in New York, I grew up listening mostly to R&B and soul and jazz.

I knew Slash in high school, but not very well. Just knew him as this kid that used to hang out in the hallway. Pretty much looked then the way he does now.

My mom and dad would take me all over. One night we'd be at the Apollo watching James Brown, and then I'd be at the Joffrey Ballet. It was that kind of scene.

I'm more hungry now than I was 11 years ago. Which is great because I see a lot of artists that have been out for a long period of time. They get kind of fat.

I'm always sort of reflecting on what I do on what I've done. Usually before I make a new album, I'll listen to the previous albums just to see where I've been.

I just live my life and try to be present. When I'm present in the moment and something comes, I can capture it, because it doesn't come from me, it's out there.

Eventually you're going to have a digital transfer anyway when you make a CD, so it doesn't matter as long as what you're hitting first is what you want it to be.

We're getting so pulled in by computers and technology, and our kids have their face in the computers all day. The human relationship is being diminished by this.

When I stopped trying to write songs, that's when I'm able to begin writing songs. You have to just use your life, and the things around you for your inspiration.

Let's look at human interactions. I really believe that there is a way for us to settle disputes nonviolently, using our minds, using all of that was given to us.

It's a good time for me to pursue acting, I suppose since I'm enjoying having another medium in which to express myself. I've been getting a great response to my work.

I used to do plays and some television commercials when I was younger. I guess my mom's being an actress got me interested in that, but music definitely took its place.

I don't like to approach people that much. There's been times when I wanted to say something to somebody, in a quick moment, but didn't. Then you think, man, who knows?

The most important thing for me is the moment, going from one thing to the next and hitting all the different levels and different points that make the whole what it is.

They think I'm being serious when actually I'm a very big clown. But you have to know me to see that. I'm constantly cracking up and cracking everybody else around me up.

People feel they have to live that stereotypical lifestyle in order to be a rock star. You don't have to shoot heroin and act a certain way to be a rock and roll musician.

The thing I love about acting is that it's got nothing to do with me; it's about bringing forth a director's vision. It's like a release. I'm glad it's come back into my life.

I think that we have to be very careful and get back into the loop, get back to nature. Get back to God and not let the technology send us somewhere that we're going to regret.

At first people thought I was really arrogant and a snob about music because I'm so intense about my production and sound, and because they knew I didn't like new music so much.

When I'm making my music, I'm writing it, I'm producing it, I'm playing all the instruments, I'm performing. It's my own world where I do what I feel, and nobody tells me anything.

The image that the public gets is whatever they perceive it to be. Everybody has an opinion, everybody has their own vision, so I don't know what my public image is. I have no idea.

I've woken up from dreams and the whole song is there. I'm listening to it in my dreams. I consciously have to wake myself up and get a tape recorder because I hear it like a record.

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