Bet you never eat, he says. Bet you drink up the oxygen like it's butter. Bet you can go for days on nothing but thoughts.

There's a hazy smile on her lips that won't go away, and her hair is a mess. It's like a brushfire filled with casualties.

And everywhere girls, tumbling from trees like orange blossoms and hitting the earth with sickening thuds. They crack open.

Life is much different from the days when there were lilies in my mother’s garden, and all my secrets fit into a paper cup.

I think she's brave. I think that nobody has ever believed what she could be capable of. All her life, nobody was listening.

Times like this, when she slips her hand into mine and holds on tight, and our husband becomes just a shadow in the doorway.

Linden just wants to protect her, is what I want to say. She's all he has. I left him. I'm at arms reach, but I've left him.

She's been conned, ruined, left for dead, and she's not going to forgive any of it. She will soldier on, if only out of spite.

Sometimes we don't know how afraid we are until we've reached a strange door and we don't know what will be on the other side.

I see an ocean that’s spilled out of a wineglass, its body clear and sparkling and folding over itself. I see a ribbon of sand.

She's beautiful and graceful, and she is very compassionate and loyal when you aren't responsible for the murder of her family.

We figure out what death means when we're born, practically, and we live our whole lives in some kind of weird denial about it.

The seeds are tiny, unborn things, and I resent them. They'll be planted and they'll grow into exactly what they're meant to be.

Good night, sweetheart," he says. "Good bye, sweetheart," I say. And it's so casual, so innocent that he doesn't suspect a thing.

It's quiet for a while, and then Rowan says; "We could talk now. We're alone out here. No walls." "There are always walls." I say.

There is a silence so great that I can hear the ice crystals cracking and falling from eyelashes of girls who will never blink again.

We are stronger than we've credited ourselves to be. We have been the victims and the witnesses. We have said a lifetime of good-byes.

The only characters I ever don't like are ones that leave no impression on me. And I don't write characters that leave no impression on me.

When I am writing anything in general, I just want to tell the story that exists in my head; I don't try to write a parable or make a point.

Even the human race can't claim to be natural anymore. We are fake, dying things. How fitting that I would end up in this sham of a marriage.

I wanted so badly to tell him, but something about that entire night seemed so beautiful, so bizarre, that I didn't trust it with my secrets.

None of the wives mention the security guards by the door, who will probably tackle us to the ground if we try to leave without our husbands.

I can hear my brother's voice in my head. Your problem is that you're too emotional. But how can I not be emotional, Rowan? How can I not care?

A party in the orange grove. The pain on Linden's face is immediate. I am unwavering. He has cost me more pain than I will ever be able to repay.

Most dystopian, classic and contemporary, paints a future world that puts a twist on present society - a future world that could plausibly happen.

He sits next to me, careful to avoid my hair that's splayed out around my head like blood. A bullet to the forehead, boom, blond waves everywhere.

She smiles at our husband as she moves, and he blushes, overcome by her beauty. But I know what her smile really means...Her smile is her revenge.

In the distance I see a lighthouse. The light washes over us and continues on its rotation. This time, I don't know where the light will guide us.

It's the silence I imagine in the rest of the world, the silence of an endless ocean and uninhabitable island, a silence that can be seen from space.

Vaughn is talking about the heat, and his voice is so excited that it breaks into whispers at times. He loves his madness the way a bird loves the sky.

Poor kid,' Jenna says, and rolls her eyes toward me for a moment. Then she returns to her book. 'She doesn't even understand what kind of place this is.

It taught that there are three versions of things: the one I see in my mind, and the one that carries onto the paper, and then what it ultimately becomes.

Fall has always been my favorite season. The time when everything bursts with its last beauty, as if nature had been saving up all year for the grand finale.

When I was growing up, there actually wasn't a lot of YA literature as it exists today. Most of the YA that I read was from the '60s and '70s, older than me.

I should not have loved my daughter as I did. Not in this world in which nothing lives for long. You children are flies. You are roses. You multiply and die.

His three wives are huddled together on the bare mattress, one of them dying; when we're together, we form an alliance he can't touch. He's scared to even try.

When we're alive, life consumes us. But when we die, all of the color and the motion is gone so quickly, it's as though it can no longer stand to be wasted on us.

You have a way of looking at things. You make it seem as though everything's going to be okay. I can't imagine a more dangerous thing to have than hope like yours.

I can almost see what Gabriel meant when he asked, 'What has the free world got that you can’t get here?' Almost. Freedom, Gabriel. That’s what you can’t get here.

Do you know what my father used to say?" I ask her. "He used to say that songs had a heart. A crescendo that can make all your blood rush from your head to your toes.

‎I have always been fascinated by the ocean, to dip a limb beneath its surface and know that I'm touching eternity, that it goes on forever until it begins here again.

Every generation has a macabre notion that wars, government prohibition, natural disasters or mankind itself could be the downfall of society and the world as a whole.

Before I can process what’s happening, Deirdre has opened her hands and Linden has taken the ring from her and slipped it onto my finger. “Rhine Ashby,” he says. “My wife.

On tiptoes the redhead wouldn't even reach my shoulders; she is clearly too young to be a bride. And the willowy girl is too forlorn. And I am too unwilling. Yet here we are.

My worries always lead to dungeons; I can't imagine a worse thing than to be imprisoned for the rest of one's life, especially with so few years to enjoy what little there is.

Once upon a time there were two parents, two children, and a brick house with lilies in the yard. The parents died, the lilies wilted. One child disappeared. Then the other." Pg 225

Eventually I realize that I am holding on to him just as tightly as he holds on to me. And here we are: two small dying things, as the world ends around us like falling autumn leaves.

There's nothing here to say good-bye to. There's no dancing girl. No mischievous smile. She's gone, off with her sisters, broken free, escaped. And if she were here now, she would say, "Go.

But instead of tears, when I press my face against the pillow, a horrible, primal scream comes out of me. It's unlike anything I thought myself capable of. Rage, unlike anything I've ever known.

I wish I had a memory of that first violent shove, the shock of cold air, the sting of oxygen into new lungs. Everyone should remember being born. It doesn't seem fair that we only remember dying.

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