Quotes of All Topics . Occasions . Authors
A man once said, 'All you need in this life is ignorance and confidence; then success is sure.' Mark Twain, you know. He had a fine mustache. Men of wisdom so often do.
She stabbed him in the armpit, deep, and he dropped his sword. And died. So that's what is feels like, she thought as her boldness gave away to trembling. It feels awful.
Light coursed through Karou and darkness chased it-burning through her, chilling her, shimmer and shadow, ice and fire, blood and starlight, rushing, roaring, filling her.
Jael returned the lazy smile. "You're not my type." "Well, you're not anybody's type," said Hazael. "No, wait. I take it back. My sword says she'd like to know you better.
And they were quiet but their blood and nerves and butterflies were not—they were rampantly alive, rushing and thrumming in a wild and perfect melody, matched note for note.
She was a girl and she was a queen and back in the mists she was a woman who had seized the moon from the sky and drunk its light so that she would never die. And she never had.
A bruxis. That was the one wish more powerful than a gavriel, and its trade value was singular: The only way to purchase one was with one’s own teeth. All of them, self-extracted.
So here we are, talking about Roman unicycles and alien sandwiches and my sister’s Italian misfortunes, while hanging in between us is: MY EPIC FAILURE TO CARPE. What’s wrong with me?
Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.
There is the past, and there is the future. The present is never more than the single second dividing one from the other. We live poised on that second as it's hurtling forward-toward what?
Hope can be a powerful force. Maybe there's no actual magic in it, but when you know what you hope for most and hold it like a light within you, you can make things happen, almost like magic.
I think with world building, it's important to create a sense of culture even if it is just a fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.
It is a condition of monsters that they do not perceive themselves as such. The dragon, you know, hunkered in the village devouring maidens, heard the townsfolk cry 'Monster!' and looked behind him.
She tastes like nectar and salt. Nectar and salt and apples. Pollen and stars and hinges. She tastes like fairy tales. Swan maiden at midnight. Cream on the tip of a fox’s tongue. She tastes like hope.
The choice I mean is to protect our own innocents from the seraphim, instead of slaughtering theirs." "There are no innocent seraphim, said the wolf." "That's what they say when they kill our children.
During my second draft pass on my last book I made 20,000 words happen in a week, which is practically supernatural for me, and it would never have been possible without three nights in a hotel in my own city.
Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.
Which is what one always hopes will happen: for life to take over and be bigger and more marvelous than what we can dream up on our own. Life doesn’t need magic to be magical. (But a little bit sure doesn't hurt.)
It was one of those dreams that invade the space between seconds, proving sleep has its own physics- where time shrinks and swells, lifetimes unspool in a blink, and cities burn to ash in a mere flutter of lashes.
There are guerrilla armies that make little boys kill their own families. Such acts rip out the soul and make space for beasts to grow inside. Armies need beasts, don’t they? Pet beasts, to do their terrible work!
I'm going to join them", he said. And he did. When Sveva fled, Rath stayed and fought with the rebels. And died with them, right there at the toes of the mountains. And was dragged with them into a big pile. And burned
There are boys you look at and want to touch with your mouth, and there are boys you look at and want to wear one of those surgical masks everyone in China had during bird flu. There are a lot more bird-flu boys at large.
Around Mik, my powers desert me. I lose basic motor function, like my brain focuses all neural activity on my lips and shifts into kiss preparedness mode way too early, to the detriment of things like speech, and walking.
I want to touch with my mouth. His mouth, with my mouth. Maybe his neck, too. But first things first: Make him aware I exist. It’s possible that he is already aware, if only in a ‘don't step on the small girl’ kind of way.
She had a sadness that was so deep, but it still could turn to light in a second, and when I saw her smile I wondered what it would be like to make her smile. I thought... I thought it would be like the discovery of smiling.
They were tower stairs, a tight corkscrew down. The spiraling descent made Karou dizzy: down, around, down, around, hypnotic, until it seemed as if she were caught in a purgatory of stairs and would go down like this forever.
I start to wonder if I’m being creepy. I mean, I am creeping. Does creep-ing automatically make one creep-y? Or are there dispensations for…romance? I bet all stalkers believe they’re being romantic. I did it for love, officer.
His eyes are blue, and blue eyes up close are a celestial phenomenon: nebulae as seen through telescopes, the light of unnamed stars diffused through dusts and elements and endlessness. Layers of light. Blue eyes are starlight.
The two of them were stoic and stone-faced and ten feet apart, currently not even looking at each other, but Zuzana had the impression of a pair of magnets pretending not to be magnets. Which, you know, only works until it doesn't.
Daughter of my heart,' was the message Brimstone sent just for Karou. She wanted to cry again right here in the court, thinking of it. 'Twice-daughter, my joy. Your dream is my dream, and your name is true. You are all of our hope.
And yet, something tied them together, strong than any of that, something with the power to conduct her blood and breath like a symphony, so that anything she did to fight against it felt like discord, like disharmony with her self.
That faeries have forgotten the Tapestry; that is the greatest tragedy of all. It's the fabric of all creation and it's woven of dreams, the dreams of the Djinn. Dreams are real, Magpie. They're seed and water and sun. They're everything.
It’s like losing gravity and falling into space – the moment of pitching headlong when the endlessness of space asserts itself and there is no more down, only an eternity of up, and you realize you can fall forever and never run out of stars.
I'm afraid they're in love," he said, concerned. "They don't want to leave you." He lifted one hand from her waist to gently brush a pair from her neck, where their wings fanned against her jaw. Melancholy, he said, "I know just how they feel.
There’s a long pause. But it’s not a bad pause, because Mik is looking at me like I’m the treasure from the high shelf that someone’s just taken down and put into his hands. I find I don’t mind being looked at like this. I don’t mind it at all.
I know. Life is so unfair. I'm still not going to pee on Karou's ex-boyfriend for you." "What? I wasn't even going to ask you to." In her most reasonable tone, Zuzana explained explained, "I just want you to pee in a balloon so I can drop it on him.
You were true to her, even if she was not to you. Never repent of your own goodness, child. To stay true in the face of evil is a feat of great strength.” “Strength,” she said with a little laugh. “I gave her strength, and look what she did with it.
Being near her was like balancing on a tipping world, trying to keep your footing as the ground wanted to roll you forward, hurl you into a spiral from which there was no recovery, only impact, and it was a longed-for impact, a sweet and beckoning collision.
Ziri's soul felt like the high roaming wind of the Adelphas Mountains and the beat of stormhunters' wings, like the beautiful, mournful, eternal song of the wind flutes that had filled their caves with music he could not possibly remember. It felt like home.
Happiness. It was the place where passion, with all its dazzle and drumbeat, met something softer: homecoming and safety and pure sunbeam comfort. It was all those things, intertwined with the heat and the thrill, and it was as bright within her as a swallowed star.
I might try that one thing, you know, that thing people do when their eyes get all wet and stupid—what’s it called? Crying? Or NOT. I might PUNCH you instead and trust that you won’t punch me back because of my endearing smallness. It would be like punching a child.
One world on its own is a strange enough seethe of coiling, unknowable veins of intention and chance, but two? Where two worlds mingle breath through rips in the sky, the strange becomes stranger, and many things may come to pass that few imaginations could encompass.
Everything lined up. It has been easy, as if it were meant-" "Meant!" she said, amazed. She spun to face him, which, in the crush, brought her against his chest as if they were still dancing. She fought backward for space. As if what were meant?" "You," he said. "And me.
As long as you're alive, there's always a chance things will get better." "Or worse," said Liraz. "Yes," he conceded. "Usually worse." Hazael cut in. "My sister, Sunshine, and my brother, Light. You two should rally the ranks. You'll have us killing ourselves by morning.
So, you wouldn't marry me." "Ridiculous question. I'm eighteen!" "Oh, it's an age thing?" He frowned. "You don't mean wild oats, do you? We're not going to have some stupid break so you can experience other---" Zuzana put a hand over his mouth. "Gross. Don't even say it.
Music. Close your eyes and it's a rosebush blooming in time lapse so that it shoots and blossoms flow outward in a swift choreography of growth and collapse, twine and coil, release and fade. Close your eyes and music paints light vines and calligraphy on the darkness within you.
...and she felt the words come from some iron place within her that hadn't existed an hour ago. She didn't speak loudly, but there was such a change in her voice. Coming from that iron place, it was heavy and true; it wasn't persuasive, or desperate, or antagonistic. It just was.
It's like all my life I've been this tower standing at the edge of the ocean for some obscure purpose, and only now, almost eighteen years in, has someone thought to flip the switch that reveals that I'm not a tower at all. I'm a lighthouse. It's like waking up. I am incandescent.
The goblins want girls who dream so hard about being pretty their yearning leaves a palpable trail, a scent goblins can follow like sharks on a soft bloom of blood. The girls with hungry eyes who pray each night to wake up as someone else. Urgent, unkissed, wishful girls. Like Kizzy.
Karou saw them with her human eyes, this army she had rendered more monstrous than ever nature had, and she knew what the world would see in them if they flew to fight the Dominion: demons, nightmares, evil. The sight of the seraphim would be heralded as a miracle. But chimaera? The apocalypse.