I need to get as deep as I can into my own heart to really make people connect and react to the music as passionate as possible.

I feel like what's important is to interact with your fans online. Touring is really important to stay connected with your fans.

I've always wanted to make people feel better or feel alright or feel comfortable or not threatened and feel OK in their own skin.

I grew up really kind of mixed up. I lived with my white grandparents and mom and got made fun of a lot because I talked like her.

Everybody on my street was broke, running around with no shoes on. We didn't have money, but we played tag, we talked. It was great.

I'll always have my fan base. I know my actual fans are rockin' with me even when my haircut was messed up. They're never gonna leave.

I never had a plan B; I would walk around with my head up in the clouds like, 'I'm going to be a famous singer/rapper person one day.'

I really like blending two things together that are polar opposites. Because I feel like, in a large aspect, that's kinda like what I am.

What's important is that people never give up that fight to be happy, because when you do that, that's when things really start to go wrong.

It's not about being happy 100 percent all the time, cause that's just life. I make sad songs, too, that really only make the happy songs better.

You never know how many people are compassionate about something, especially when it's not happening to you. You just hope somebody's out there helping.

Life is a puzzle. Every piece fits together to create who we are, what we do, how we feel. Every experience shapes us into who we will eventually become.

'Beautiful Loser' had a lot of great records. It had a lot of really heartfelt songs on there. But I felt, at the time, it didn't have it's own cohesive sound.

I knew that 'Nothing to Lose' wasn't gonna probably go off the same way numbers-wise like 'iSpy,' but 'Nothing to Lose' was more like a statement record for me.

If someone says that they saw a Sasquatch, they're either lying or they are stupid! Now stop lying about the Jewpacabra before stupid people start believing you!

The most powerful, most insightful, and most important part of my music is honesty and inclusiveness with my fans - giving them as deep a story as I can give them.

As I grew up and really - 22, 23, 24 - I was faced with new problems that were bigger. A lot of them were issues that pertained to people that were super close to me.

I think love is, by far, the strongest force in the entire universe. Love is so strong, it'll make you do something that, in any other circumstance, you would never do.

I feel like the biggest key to longevity is maintaining what's special about yourself but always presenting it in a new way. That way, people can never get tired of you.

We really have the power to illuminate all negative things in our life, but we have to find that light source inside of us and really tap in with it and reconnect with it.

I always been writing songs since I was, like, six. I was listening to Dean Martin, Frank Sinatra, and Frankie Laine and people like that. I was just in the backyard writing songs.

Around when I turned 17 and I bought my own studio equipment and started recording myself, I kinda found my own voice. I just started rapping like my normal self and this happy guy.

I know everywhere is cool and all, but, at least for me, I was lucky enough to be in southern California. I feel lucky to be from there... I feel like it taught me how to be polite.

What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.

When you start making music, you start making music at a young age, and for me, I just thought, like, 'Ahh, once you make it, all your problems will be solved, and everything will be fine.'

People should listen to my music if they are into a lot of different genres and kind of want to get it all at once, if they want to listen to a story, an interesting story about somebody else.

My momma will roast my friends all of the time. If you're one of my friends, and you meet my mom for the first time, she will definitely roast you in a polite way. It's just to test your bars.

The name 'Light of Mine' came from how the album was conceived and what its purpose was in telling my story. I started making it at a time when I was, more or less, in a darker place than usual.

Kyle Busch has got to be the loneliest NASCAR driver ever. He's led so many laps he never sees anybody in front of him for two-thirds of the race. He just sees clean racetrack...He's the Maytag guy.

I try to make things as versatile as possible. Usually, you have to listen to one artist for a certain vibe and another artist to catch the next vibe. I want to make an album that has all of that in there.

At some point, I had to ignore what people thought of me. I had to be my own biggest fan from an early age. Once I learned that, it was like a superpower. That was the armor that got me through high school.

Pete Rock, CL Smooth, all this East Coast stuff - that's kind of, like, the rappers I first admired. I wanna rap just like them because I just thought they were so hard. I thought their delivery was so crazy.

When I heard my first rap song and figured out what that was, I kind've stuck to it. I always wanted to be a musician in general, an entertainer. I just started rapping. I never decided, 'Oh, I want to be a rapper.'

I would want people to be their own superheroes, save their own days, know that nobody else is gonna do it for you. You have to pick yourself up out of your dark moment; you gotta be your own source of light, just like I was for me.

The Kyle who made 'Smyle' honestly has a little more conflict in his life. He has a little more weight on his shoulders. He feels like he has to make an album about something. It's a Kyle with duty, with a plan, with a responsibility.

For me, I feel like the most important part of music is the storytelling behind it, and that's my favorite; that's what makes my favorite artists my favorite artists, having the story that I relate to the most and that helps me the most.

My relationship with my father is fine. Every relationship has its ups and downs because bad things happen in all relationships. But for me, I can only write about what I'm feeling in the moment and something that actually happened to me.

Nobody can deliver a line better than Jadakiss. That's where I learned my technique. He can deliver punchlines so perfectly wrapped up for you to enjoy. If I had a different favorite rapper, I wouldn't be able to make some of the music I do.

Music fills peoples with life. It doesn't have to be a 'happy song.' If you have that one song that relates to you, whether it's a sad song or a gangster song, whatever relates to you the most in that moment, it can literally get you through the day.

Imagine if James Brown was your roommate. What? Do you know how much fun you'd be having all the time? Oh my God, he would have you looking the freshest. He would have you doing the funnest stuff for sure, easily. You'd be having the most crackin' parties.

I feel like one of my strengths is writing about stories that are unique to me but somehow relate with everyone, and the one thing I've found is that if you make a song wholly unique to you, then you don't have to compete with everybody, because nobody else can make a song like you.

Randomly enough, all of my favorite rappers growing up were East Coast rappers. I don't know. I just related to them a little more at first - because if you're born in L.A., and you lived there your whole life, Snoop Dogg literally sounds like cars driving by. You feel me? You hear Snoop Dogg so much.

I look at old performers like James Brown: back in the day when you actually had to work hard to get poppin'. I look at all those types of performers. Even like Kid n' Play and the Fresh Prince and Jazzy Jeff and Salt-N-Pepa. That era where they had to perform. You couldn't just rap. It had to be an entire performance.

Fans don't mind him doing a little touch-up work, but Jesus wants complete renovation. Fans come to Jesus thinking tune-up, but Jesus is thinking overhaul. Fans think a little makeup is fine, but Jesus is thinking makeover. Fans think a little decorating is required, but Jesus wants a complete remodel. Fans want Jesus to inspire them, but Jesus wants to interfere with their lives.

I think everyone should read The Girl on The Train, especially if they loved Gone Girl. It's about Rachel, a girl who sees a couple on her commute. Then one day she sees one of the people from the couple kiss another person. The next day they go missing. The story is told by 3 different perspectives, all characters you absolutely can't trust. It's an insane psychological thriller that's seriously addicting and the kind of book you can't put down.

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