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Some women were talking about how I put out. And that's just not that case. I don't put out - unless I'm asked very, very politely, and that's not putting out, that's just giving in.
Bad improv happens with people who are inexperienced with each other and don't know the craft that well. But bad stand-up is something that could happen to someone at any level in their career.
Sometimes I try to sell shows with a female lead to networks, and that isn't something that's been a proven formula for them, so they reject it. I do feel like men get the funniest roles in movies.
He resisted for a while and there were some legal boundaries, you know, keeping me from being near him or his family, but in the end, love overcame. And I got what I wanted. I always get what I want.
The first time I was on TV, on "Flight of the Conchords," someone put up a YouTube clip and said, 'You're too ugly to be on TV.' And I was like, 'That is exactly why it's a good thing that I'm on TV.'
I mean if you two were to make love, that would be gay. Two men touching each other physically and emotionally...erotically caressing each other...on the hood of a car...or the back of a movie theater.
I would be an actress for the rest of my life just because it's really relaxing. Writing is hard work, and stand-up is so stressful before you get on stage, but acting is a complete ensemble experience.
The more women sit down and write something in a woman's voice for a woman, they more you'll see women in comedy because gender doesn't define sense of humor. Imagination and intelligence and perspective do.
Another goal that I have is to learn how to play the ukulele - should be fun - and to stop taking my clothes off for money. But I need money. That is a ridiculous goal. I'm gonna cross that one off. That's stupid.
I just really like people, and being a freelancer can be lonely during the day, when you're at home trying to write anything you can. 'Flight Of The Conchords' was so wonderful because I had a family for two years.
You go from nobody looking at you to people taking second looks. I remember really loving it - and then feeling so guilty for loving it. Like, 'That's gross, Kristen.' Also, telling myself it could go away at any moment, and I'd be so sad.
My style can't be held within a pixel medium. Like, it needs to be performed in a living, breathing space. People need to have all their senses ready to take on my comedy, and unfortunately, TV alienates at least their sense of touch, taste, smell.
Animals in general have sparked a weird depression in me, because as much as I tried, I couldn't layer a personality over them. You know what I mean? I would stare at the cows, and I would sing to the cows, and they would always just look at me blankly.
I probably shouldn't say this about all animals, but at least the farm animals that I've hung out with, and even when I go to the zoo usually, they're like a blank slate. I guess that's why I like them. They're puppets, and you can imagine them being anything you want.
The torture that they are coming up with in China is so creative. They have this other method where they'll take a bamboo and they'll plant it in your anus and just let it grow. So patient. Man, watch out for China, I say. They have all the ambition as we do but none of the heart.
I wanted to make sure that my act was family friendly for tonight, but I don't have babies. So I thought that maybe I could pretend that I had babies and that way I could appeal to the people in the audience who have babies and to the people who like to pretend that they have babies.
I think growing up on a farm in a certain amount of isolation, with not a lot of friends nearby, makes you entertain yourself and kind of grows your imagination - being alone is quite good for all that. You make up stories, talk to the animals, let them be an audience, a bunch of cows.
I think it's great training for any comedian to start on cows. Because with cows, you expect them to be bored and just stare at you blankly. And that's exactly what you'll get at a comedy club. If you can toughen up with a cow audience, then you'll never be worried with a human audience.
In the U.K., there's absolutely no money for television. So you can do pretty much whatever you want. They're not losing money on any of the shows, so they'll give you a lot of creative freedom. In the United States, there are millions and millions of dollars at stake, so they need a sure formula.