I've tried to be more self-sufficient as I've gotten older. I'd like to not worry about whether they're going to sell my next album or book. Hell, William Blake wasn't even published in his lifetime.

I always had to wait until something hit me, and I could write it. But when I would cut an album, to me it represented the time that I spent since the last one. Just the way I was looking at the world.

I gave everything I ever wrote to Johnny Cash. I think he said later in some interview that he would take them home and throw them in the lake with all the other demos. I'm sure he got a million of them.

Those 'Idol' shows are kind of scary to me. They wanted me to be on one of those panels one time, and I said it's the last thing in the world I'd ever want to do. I would hate to have to discourage somebody.

When I was stationed in Germany, Johnny Cash was already a legend over there because he'd done some shows, then gone off to some bar straight afterwards and played just for the troops. So he was a real hero.

There's a time where people were out holding posters in protest outside shows I was doing, and thankfully, we've moved past that. And a lot of country stations wouldn't play me. They were more conservative than I was.

As soon as you learn to never give up, you have to learn the power and wisdom of unconditional surrender, and that one doesn't cancel out the other; they just exist as contradictions. The wisdom of it comes as you get older.

I think I'm a much better father as an older man than I was with my first kids. Occasionally, I have to yell at the little guys, but they don't take me seriously. 'Listen to the old guy,' they say. 'Isn't he great? He's mad.'

Every time I turn on the radio, I must be on the wrong song or something. But, to be honest, since I went on the road back in 1970, I didn't listen to radio music because I didn't want to subconsciously steal somebody's stuff.

I remember I had an actor friend - a close friend from college - Anthony Zerbe. He sent me a telegram before I started my first movie, 'Cisco Pike.' It said, 'Have a good time. Ignore the camera.' That was the extent of my training.

I want you to know I'm an Army brat; I was a captain in the Army and my brother was a jet pilot in the Navy. So I support our troops; I identify with them. But I sure as hell don't identify with the bastards who sent them over there.

I never thought of acting as a creative process. Christ, I used to go to the movies and see Brando talking like he was trying to sell shoes, and he was great. I thought anybody could do it. Then I tried it, and I got so uptight, I'm limited as to what I can do on film.

I was in Nicaragua with the Sandinistas. I've argued for Leonard Peltier, Mumia Abu-Jamal, the United Farm Workers. I've been a radical for a long time. I guess it's too bad. I'd be more marketable as a right-wing redneck. But I got into this to tell the truth as I saw it.

I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.

What really makes me happy now is my home. I know that I have that to lose. But I don't see losing it. And I don't care if I never do another movie. And I don't care if I never get back on the road. I like to think that I'm gonna do that. But if I don't, I can live with that.

Looking back, I'm surprised I had the nerve to do it, but I'm glad I did. Performing the songs and performing in film was just a part of my personality, just like football and boxing at one point in my life. I was able to lose myself in both of them, and that was a good feeling.

I feel like sometimes, when I'm singing a song like 'Moment of Forever,' that it goes both to your significant other and to the audience, and was it wonderful for you, you know? I think the best love songs I've written work on that level, like 'Help Me Make It Through the Night.'

If you're in it because you love it and you have to do it, that's the right reason. If you're in it because you want to get rich or famous, don't do it. People often say that my first years in Nashville, when I wasn't getting anything cut, were tough. Hell, those were great years.

Never give up, which is the lesson I learned from boxing. As soon as you learn to never give up, you have to learn the power and wisdom of unconditional surrender, and that one doesn't cancel out the other; they just exist as contradictions. The wisdom of it comes as you get older.

I got scars on my face that tell some kind of story. I'm looking in the mirror, and I got one scar that's really two scars - half from a baseball bat and half from playing football in college. I'll tell you, though, after a while, your face gets so wrinkled up you can hardly see them.

I'd lost my family to my years of failing as a songwriter. All I had were bills, child support, and grief. And I was about to get fired. It looked like I'd trashed my act. But there was something liberating about it. By not having to live up to people's expectations, I was somehow free.

I grew up in a time when people believed in duty, honor and country. My grandfathers were both officers. My father was a General in the Air Force. My brother and I were both in the Army. I've always felt a kinship with soldiers; I think it's possible to support the warrior and be against the war.

I never was one to go into an office and write. For one thing, I had a job. I was cleaning the ashtrays and setting up the studios at Columbia for a couple of years and working every other week down in the Gulf of Mexico flying helicopters. I didn't really get to just write songs for about five years.

Peter Cooper looks at the world with an artist's eye and a human heart and soul. His songs are the work of an original, creative imagination, alive with humor and heartbreak and irony and intelligence, with truth and beauty in the details. Deep stuff. And they get better every time you listen to them.

The great thing about Nashville back in the day was that the old guys hung out where the young guys were. The established writers like Harlan Howard and Jack Clement gave us encouragement and passed the guitar, you know? Chet Atkins let me sit in on his sessions. Everybody was good to us, and everybody loved the music.

I feel so lucky to have lived the life that I did and to be surrounded by the people I love. I've got eight kids, and they're always laughing all the time. It's like music to my ears. I think that my frame of mind these days is probably happier than I've ever been, which is kind of odd, coming close to the finish line.

Well I work up Sunday morning, With no way to hold my head that didn't hurt, And the beer I had for breakfast wasn't bad, So I had one more for dessert. Then I fumbled through my closet for my clothes, And found my cleanest dirty shirt. An' I shaved my face and combed my hair, An' stumbled down the stairs to meet the day.

'Sunday Morning Coming Down' is probably the most directly autobiographical thing I'd written. In those days, I was living in a slum tenement that was torn down afterwards, but it was $25 a month in a condemned building, and 'Sunday Morning Coming Down' was more or less looking around me and writing about what I was doing.

'Heaven's Gate' was based on a true story about the cattle people: the people who had the money turned on the settlers who were in the area. And it was mainly a defense of their behavior. And the cattlemen's association had just about declared war on these people who were poaching cattle, and because they were mainly immigrants.

Johnny Cash's legacy, I think if it was one word, it would be 'integrity.' He was the original wild man and grew from that guy that was doing all the crazy things that you read that rock n' rollers do to being someone who was like the father of our country, you know. He was a guest at the White House. He was Billy Graham's friend.

I was working the Gulf of Mexico on oil rigs, flying helicopters. I'd lost my family to my years of failing as a songwriter. All I had were bills, child support, and grief. And I was about to get fired for not letting 24 hours go between the throttle and the bottle. It looked like I'd trashed my act. But there was something liberating about it.

Roy Orbison was one of the genuinely nicest persons I've ever known. With one of the most beautiful voices in the history of recorded music he could easily have had an opera star's ego, but he was one of the humblest, kindest, sweetest human beings to grace this planet. This in spite of the enormous tragedies in his life. A brave, beautiful blessing of a man.

Johnny Cash's face belongs on Mount Rushmore...I don't write as much as I did back when I was writing songs every day. I've come to know when I've got a good one, although sometimes it takes the world awhile to catch up with me...If you're in it because you love it and you have to do it, that's the right reason. If you're in it because you want to get rich or famous, don't do it.

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