Quotes of All Topics . Occasions . Authors
I'm a huge fan of writing for people rather than writing and then trying to wedge people in. I'd love to know who the people are before I can write for them. For me, it's a much more organic way to create characters.
I dug deep, and I found that there were people who voted for Obama and then voted for Trump - because they saw what they believed was going to be hope and change, and under Obama, their particular lives did not change.
For me, Shonda Rhimes is an amazing person that I look up to. She empowered a lot of her writers to go on and do other things while, at the same time, she made sure she kept her stamp on those things and grew her business.
I believe comedy is a really good lens to filter serious issues through. If people are laughing, they don't necessarily realize until they stop laughing that they just took something in that's going to start a conversation.
Comedy used to be a vehicle for change. Now, comedy has gotten to this quirky, nonsensical place, which I enjoy. But I do think there is room for discussion-based humor. We can tell those stories in a way that feels edifying.
I set out to tell my story, which is based on my family. Dr. Cosby told his story in 'The Cosby Show.' The comparisons stop there in terms of my creation of the show. We just both happen to have black fathers at the center of it.
'A Different World,' for me, was in a lot of ways responsible for me going to college. I wanted to go to a black college, and I wanted to get out of Los Angeles. It's just a natural part of all of our journeys, that idea of leaving home.
I've found that the more honest and true you are and can talk about a character and people's experiences, it's less ostracizing. It actually has the opposite effect than one would think. It makes the characters and the story more inclusive.
To me, the Peabody was as big if not bigger than any award, but I do understand an Emmy Award-winning show has a different buzz when it comes to start talking about renewals and things like that. There's a professional something to it that matters.
There has never been a prosecuted case of slavery. There's no criminality to it. So, it was just like, 'It's over,' and thus, because it was over, and it was never considered 'wrong' in the prosecutable, criminal sense of the word, the country doesn't take it as wrong.
I'm doing another pilot about a black Democratic pundit who's married to a white Republican pundit. And the purpose of me wanting to do that show - and ABC sort of supported me in the way they did - is because I feel like, you know, the political system is like an old married couple.
I would say any creative person has that: you can't just force a topic. Whether you're a painter, you want to do a cartoon. Anything. Something may come up that's not your style or suited to what you are working on at the moment. So you file it away and hopefully find a place for it.
My wife is a doctor, and we had a decent life financially. My kids were going to nice schools and had nannies. We weren't rich, but we were better off than I was growing up. And I looked around, and I was like, 'Who are these people?' It was the opposite of what I remembered growing up.
I wanted to do a show about a family that is absolutely black. Because as Du Bois has shown, we do have to live a double consciousness every day in the world. We have to walk our path and walk the mainstream path, and there's never really been a show that's talked about what that's like.
When I was growing up, I never saw couples fight on the family sitcoms I loved to watch. Subsequently, when tough times arose in my own relationship, I wasn't prepared and felt so isolated and alone. Marital issues weren't a part of the narrative that television told me was a 'working relationship.'
When you're in the middle of it, when you're a kid growing up, you don't think, 'This is my first heartbreak.' You just think, 'My heart is broken.' But then as a parent, you look back, and you see your child go through his or her first heartbreak, and you're realizing, 'Oh my God, this is her first heartbreak.'
I've been on predominantly 'white' shows before, and I had also been on predominantly 'black' shows. I would complain that when I was on a white show, they would only hire me because there was a black character or they needed a black voice. But then I would be mad if they went and hired a white dude in my position.
I don't necessarily believe that 'The Cosby Show' should disappear as a cultural reference, but it is. That's sad to me. I understand why. He was a man who possibly did some really bad things, and he should be punished beyond a doubt. But that show, and the impact it had not just on black culture, but culture, was amazing.
The thing that I get so often with network comedies - and, I think, some of the most brilliant people in the world do them - but it's easy to hide behind a joke. I kind of feel like when you have to face things, and you don't have humor, it becomes very vulnerable; it exposes your deepest and darkest fears in some aspects.