Quotes of All Topics . Occasions . Authors
I get through some print.
Crime fiction is the new rock n' roll.
Tony Black is the Tom Waits of Crime Fiction, yes, that good.
Whenever dark things happen in my life, there is always some dark humour.
And so evil flourishes and spreads because decent people don't want to make a fuss.
The tourist board have put a bounty on me head, but they like the biz from tourists.
I decided to write books, just to prove to myself that I was still alive, if nothing else.
The Local Paper here asked that me books be banned........THE HIGHEST PRAISE for an Irish writer.
My own life has had so many twists that I keep thinking I'll have one blessing that is not in disguise.
My father believed a real man didn't read, and my parents hoped I'd get some sense and find a job in insurance.
The writing is a joy, so seamless you nearly miss the sheer artistry of the style and the terrific, wry humour.
Let it Ride channels Elmore Leonard at the height of his powers, with dialogue Quentin Tarantino would kill for.
We haven't had crime writers, and for a long time in the Republic, we didn't seem to have a crime problem as such.
There'll be times when the only refuge is books. Then you'll read as if you meant it, as if your life depended on it.
The only book in our home was the Bible. My parents forbade books. They thought I needed help because I wanted to be a writer!
I was a failed actor, but for 25 years, I got to go on stage anyway, and I loved it. I've still got the day job, and the travel bug.
Jack Taylor was a private investigator in Galway, which seemed like madness. I used lots of Galway-isms, which seemed like madness, too.
After five awful movies, I admitted failure and said I was not cut out to be an actor. But how many people get a chance to live their dream?
I always had this notion of a noir novel in Galway. The city is exploding, emigration has reversed, and we are fast becoming a cosmopolitan city.
I had wanted to write English crime novels based on the American hard-boiled style, and for the first two novels about Brixton, the critics didn't actually know I was Irish.
I committed a cardinal sin as a kid. I never spoke, and my mother thought there was something seriously wrong with me. A silent child is regarded as a problem in Ireland, and I just read all the time.
Because I've been so bad at looking after myself, how would I ever look after a kid? But the old cliche applied: they handed her to me, and my world turned upside down - and I realised I was now going to be vulnerable in more ways than I expected.