As a teenager, you're still discovering who you are, what your life is about, and who you want to be as a person. It's very intense.

'Skins' is actually a part of who I am as a person, so I was really focused on making sure the scripts and the story lines were right.

I am quite proud that I managed to prove that you don't have to be able to afford drama school or have the right connections to do well.

Do the little things that make you feel normal and happy, even if that's just getting in your pyjamas and watching 'X Factor' at the weekend.

When I was growing up, we didn't have much money. What was important in my house was to have food on the table, be happy, and have our family.

The best part about doing 'Wuthering Heights' was you were completely in that world. It could not have been done with CGI. You had to be there.

I like the idea of up-and-coming actors nowadays being a little different and not necessarily the drama-school stereotype, being a bit more edgy.

I had a really honest conversation with my husband about equal pay because we met on a movie where he was paid more than me just because of gender.

I'm not good at dressing up. I always feel a bit out of place. It's just not me - high heels and designer dresses - and I can't seem to get used to it.

I think if someone was really rude to me in an audition, even someone quite important, I think I'd be, 'What are you doing? Don't talk to me like that!'

I had to learn to jog because I run like a fish. All my friends found the thought of me running on screen hysterical because I do absolutely no exercise.

'Skins' was such a great platform for young actors. They had this whole thing about getting people who weren't trained, this new generation, this new culture.

I love my job every day. So whether it's for four years or for two weeks, it's still... And when you're working on a set, it feels like a family straight away.

I like to have fun. I'm also a bit of the crazy one. All my friends are boys. I was bullied a lot by girls in school. There was also too much drama and demands.

At 21, you've come out of the craziness. Maybe you've been to university, but now it's time to get serious. It's the age where you make decisions about your life.

Everyone asks, 'What's your goal? Do you want to win an Oscar? Do you want to work with Meryl Streep?' No! I want to buy my mum a house. I want to make her proud.

I don't stay in accent or anything, but internally, I get quite dark and destroy myself a little bit. But that's what I do, and I enjoy it. It's how I do my work.

Being asked to memorise a script in one day when you have dyslexia is the same as having a broken foot and being asked to dance. You have to make exceptions for it.

People don't realise how dyslexia affects your confidence and how brutal it can be. People think you're dumb, and you know you're not. it's just how your brain works.

I was incredibly shy and insecure as a child. I was bullied. I was dyslexic. I had an immigrant single parent. I was the opposite of that kind of ideal, cool girl thing.

I'm finding a lot of actors my age now who are a bit more like me, and not as posh or brought up in a certain way. There's now people of all sorts of kinds of backgrounds.

I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.

'Southcliffe' is extremely dark. It's an extremely depressing, intense story, but the shoot was like being at Disneyland. It was unbelievably different from what we were filming.

She had to play the role of mother and father at the same time, and she did it to perfection. I managed to find a way through because of her. My mother is my biggest inspiration.

I remember doing my first school play. We were doing 'Oliver Twist,' and I was cast as Oliver. It was the first time I ever felt brave and confident and truly happy about something.

There are so many things that you're supposed to conform to as an actress. Keep your mouth shut. Look pretty. Be a fashionista. I'm not stylish. I don't want to become this character.

I would have loved the opportunity to have gone to drama school, but it just didn't work out for me; there are always several paths, and there's a reason why I've been down this path.

My hair was always frizzy. I always wanted to be blonde with lovely straight hair. I was very skinny. I was quite tomboyish, just very quiet. I always wanted to fit in; I just couldn't.

I was painfully shy as a child; I was dyslexic. I had a single mother who's an immigrant. I just didn't believe acting was something that people like me could do on a professional level.

I'm lucky: I've got one of those fast metabolisms where I can eat whatever I want, and I don't put on weight. But I know that's only when you're young. It'll probably hit me when I'm 30.

'Skins' wanted to create a new thing by actually casting real teenagers. I think it was very brave of them. They also wanted to give the opportunity to people who didn't go to drama school.

I'd love to find a really good Brazilian project, an up and coming director or something. I wouldn't want to do the typical favela story, Brazilian cinema has a lot more to offer than just that.

Who doesn’t? I cry and smile every day. I grew up scared, because I was so skinny and had no boobs. It’s only now that I just think, Sod it! Everyone’s different. I’m contented and happy as I am.

I think really good drama comes down to real human emotion. That's what makes us all tick, and that's what I've always been drawn to when it comes to scripts is real human emotion and dealing with that.

It's very strange: I watch a lot of interviews with other actors that I know saying, 'Oh we had a great time; we're best buddies,' and I know for a fact that they didn't, and they actually hated each other.

I've missed London so much for its fashion. No disrespect to the girls in Manchester, but some really do look like clones - there's a lot of hair extensions and fake tans. You're free to experiment down here.

My mom always let me watch movies that were probably slightly too mature for my age, but she wanted me to see different stories. We grew up with quite a hard life, so she wasn't afraid to show me that in movies.

I've just made a cancer drama, called 'Now Is Good,' directed by Ol Parker and starring Dakota Fanning. We filmed in Brighton and it's about a girl dying of leukemia, although it's not as depressing as it sounds.

In England, there is this tradition of the upper classes going to very expensive drama schools and then going on having careers. I knew that wasn't an option for me. My mother would never have been able to afford that.

My mum is Brazilian and very proud. I'd love to do a Brazilian film. I've been brought up in the Brazilian culture. My mum brought me up on my own, I cook Brazilian food, I've never spoken a word of English to my mother.

I've wanted to produce for a long time. I'd love to get a bunch of my girlfriends together - a female writer, a female director - and create something. Creatively, it's a different dimension. Why wouldn't people want that?

I wanted to do an action-y thing, purely because I'm the least fit, healthy person in the world. I wanted to prove to myself that I could actually run and not get out of breath and collapse. I wanted to push myself, in that way.

I’m a bit of a feminist and I carry a machete! I try to be a strong female. I think it’s important. My mum is my idol in life. She’s a very strong woman. I think it’s important for women to be strong and intelligent and hold their own.

I love that kind of edgy, rock n' roll punk thing that we do so well in England. But my style adapts to where I am. When I'm in Los Angeles, suddenly I'm like, 'I need a sandal, and I need a beige dress, and I need some flowers in my hair.'

Clothes are my drug. I love Camden market - I have so many vintage pieces from there it's unbelievable. Clothes are really important to me, they give me that feeling of happiness. I love being a bit free with it all and not giving myself rules.

Who doesn't want to shoot for 'Vogue?' I remember updating my Facebook status to say 'Doing 'Vogue' today', it was so exciting. I thought it would be really intimidating, and I don't like photoshoots, but that was the most relaxed one I've done.

The thing you think is going to be huge ends up not being huge at all, and the most minute thing you do is talked about for the rest of your life, so I try not to have any expectations at all. I think that helps, if you're just focusing on the project at hand.

It's great to have people to bounce off and I love working with people my age. I think young actors have such energy about them and such a passion and a drive to do their best and prove themselves constantly, and to work with that is really fun and interesting.

Kids will pick up on weakness, and I was very shy growing up. I was skinny and flat-chested; I didn't have the latest clothes. For me, it was about being left out and not having any friends and being laughed at. I was very lonely, but that happens to so many people.

My first secondary school was in East Finchley, and I was one of only five white people in the year. I was really skinny and flat-chested with frizzy hair. I don't consider myself posh, but my mum brought me up to speak properly, and they picked up on that, as all kids do.

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