Quotes of All Topics . Occasions . Authors
He's the most incredible man. He's so generous and kind, and he helps so many people, and, um, he makes me laugh like I've never laughed, and he's a great friend.
I have a tightly edited closet. I like what I like. And I repeat a lot. But I'm always comfortable in jeans - I feel like I can really do anything when I'm in them.
Becoming a mother has been the most amazing experience - in an instant you become strong. You have to be a little bit wiser; it's the most important job in the world.
I'm so spoiled - I must have a Starbucks vanilla latte every day. Otherwise, it's going to be a bad day. I also love Jelly Bellies. But that's bad. Don't tell my mom.
Becoming a mother has been the most amazing experience - in an instant, you become strong. You have to be a little bit wiser; it's the most important job in the world.
I optioned a book called "Rare Objects" by Kathleen Tessaro and I'm adapting it . It takes place in the 1930s and it's about two women and that's what I'm working on to direct.
Fortunately we've been shooting in North Carolina which means we're not in LA where you can hear people talking about you and you know so much about what's going on in the business.
Steven [Soderbergh] is so generous and when I sat down to meet him for "Logan Lucky" he answered so many questions about directing, so when I was on set I tried not to bug him too much.
As a teenager, skincare is about putting no oil on your skin because you don't want any blemishes, and then in your thirties, you're putting as much oil as it can take to avoid wrinkles!
I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.
I went with a pixie cut when my daughter was really young. It was easy - I mean, it was really easy. But I missed my long hair. Especially after a long winter, all I want is sexy summer hair.
I really can't deny it, I am who I am. I'm pretty normal. I'm not that smooth type of girl. I run into things, I trip, I spill food. I say stupid things... I really don't have it all together.
We have our little restaurants, and there's a beautiful beach that we go to in the summer and fall. We tend to have a lot of get-togethers, and if it's at my house, we order pizza because I can't cook.
It's actually great to shoot far away from Hollywood because we don't have the distractions of the parties and premieres and all that. And, of course, you can save money - there are no good shoe stores.
I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.
In North Carolina nobody bothers us; we're all about concentrating on the work or our auditions that we're trying to get a flight out for. So all that crap is not something that I'm confronted with on a daily basis.
~I've never met a 2-year-old who is terrible. I'm so cool with every stage my daughter goes through. I just think she's amazing. I hope she's not looking at me thinking, Mom, are the terrible 30s coming on with you?~
When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.
We had such a wonderful set of circumstances in Wilmington. Yes, the four of us became famous literally overnight, but we were in a small town and we always knew when people were coming down. We always knew when to behave.
I used to get so worried that if a scene didn't go a certain way, then it was horrible. But then I realized that it was better to give the director options in the editing room than just being locked into how it's supposed to be.
What I love about watching classic horror films is that they take you on a ride and they obviously make you scared because you're so invested in the characters, you're almost forgetting that oh my God, this is about to scare me.
How do you know you told a good punch line, a good joke? It's because they laugh. How do you know you've got a good scary punch line? It's because they jump out of the seat or scream. So the best reward is one you can listen to.
When I was a little girl - if I could have - I would have gone a year without washing my hair. I hated it, to the point where my sisters had to pay me to wash my hair. I think, after experiencing that, I like to wash it every day.
I'm definitely a messy person... I know where everything is but I just can't organize. I don't make lists and find scripts on the laundry machine, and under my bed, or in the bathroom, kitchen. It's bad, I really need to take control.
She'll really tell me [what she thinks]. Like today I'm wearing brown suede pants, and she said, 'I don't like your pants.' But then she'll say, `You've got to wear these shoes.' Or 'That's so pretty, Mom. Wear that.' She's got a great eye.
It's nice to do something about something that scares you rather than just run from it and hope that someone saves you. I like seeing strong female characters and somebody who doesn't run away screaming when scared, but confronts the monsters.
When 'Top Gun' came out, my sisters were like, 'Oh, my God, 'Top Gun!' Tom Cruise!' And I very confidently said, 'I'm going to marry him one day.' It wasn't like, 'How do I get to Tom Cruise?' It was just, 'I think I'm going to marry him. Why not? He'll like me. I'm fun.'
I’ve found the man of my dreams. From the moment I met him it just felt like I’d known him forever. I was blown away. He’s the most incredible man. He’s so generous and kind, and he helps so many people, and, um, he makes me laugh like I’ve never laughed, and he’s a great friend.
Growing up, I always had my dreams set on being an actor, so I looked up to Julia Roberts, Audrey Hepburn. I also look up to Kate Winslet and Renée [Zellweger] and Cate Blanchett...and Diane Keaton - she's a genius. I think it's very inspiring to see these women attack such complex roles.
Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.
My norm for watching scary movies, what I love about it, is when they work and they scare me, which is not that often I'm afraid. The more you know the genre, your taste becomes a little more rarefied and you take a very particular route to the type of movies you like in the genre. But I still get scared.
Simon McBurney on "All My Sons" on Broadway - we had an eight-week rehearsal period and I really enjoyed the way that he prepared us to go onstage. It was different than anything I've done and it was a different way of being directed, so I tried to take my different experiences of these directors and give those to my actors.
Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.
I love Renée Zellweger, she can do no wrong in my eyes. I relate to every character she embodies, because she has no pretense. I also love Amy Adams: She's so kind and talented, and whenever I watch her I think, I want to be her friend-I've seen Enchanted many times with my daughter. Meryl Streep, of course. And I love what Cate Blanchett brings to every movie she does.
I remember when we were doing "Batman Begins" and to watch Chris Nolan go from "Memento" to "Batman" and take that leap from such a smaller size to a big movie, that's inspiring. But those movies are their own type of art and you have to really understand it and really know that world and I would have to take a long time to figure that out.Because my brain doesn't naturally go there.
I felt so proud to be having a baby and so excited. And I felt closer to other women - to my sisters, to my mom. I felt empowered, like, 'I've given birth. I did it! There's nothing I can't handle.' I've really enjoyed this time that I have taken to be with Suri, as well as the challenges of the first couple of months: feeding and pumping, learning to decipher what each cry means - is she hungry? Is she tired? Does she need a fresh diaper? - and figuring out how to really help her.
I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."