Women are real. Our reality covers the whole human megillah, from feeble to fierce, from bad to good, from endangered to dangerous. We don't just deserve power, we have it. And power in this and every other society is not just the capacity to benefit those around us.

Just as a snowflakewent on to feed a puddle that filled a stream and then the river, thepumpkin patch is a gathering of molecules from my old goats, chickens,and cats, feeding the underworld of dirt creatures. And somewhere, myfather's ashes mingle with birds, air, and sea.

Non-fiction is a big responsibility. Rationality. Facts. The urgent need to reflect some small aspect of reality. But fiction is a private autism, a self-referential world in which the writer is omnipotent. Gravity, taxes, and death are mere options, subject to the writer's fancy.

I know that some of the finest writing I've ever read has been sports writing, whatever the topic was, whatever the sport they were writing about. It seems to be an area where people are allowed a little more leeway than when they're reporting on traffic jams and city-council meetings.

In the United States, female fisticuffs were marginalized, first as erotic vaudeville in the 19th century and later as serious competition developed in the first half of the 20th. Legal wars waged by boxers in the 1960s and '70s won women the right to compete professionally nationwide.

No, I've never competed. I did, however, train in a boxing gym with a good coach beginning in 1993. I'd been writing about the sport for a dozen years by then and wanted to know what boxers endured, what it felt like. I was too old to compete when I started, but I sparred enough to get a taste.

My own theory about the phlegmatic qualities and properties of the English is the mountain of pure white sugar hydrocarbons they consume every day bloody day of the year - the stiff upper lip is petrified sugar; that's Bermuda's revenge, the with death, the rotting future square in the teeth of it.

I've met some of the most interesting, dimensional, and kind people of my life in that subculture and around the sport. And it seems to me that boxing is one of those structures that is designed to promote harmony. I think that it is a stove that contains that fire in us and makes it safe and useful.

A carnival in daylight is an unfinished beast, anyway. Rain makes it a ghost. The wheezing music from the empty, motionless rides in a soggy, rained-out afternoon midway always hit my chest with a sweet ache. The colored dance of lights in the seeping air flashed the puddles in the sawdust with an oily glamour.

Most professional fighters, male and female, hold day jobs, but the women's game attracts a wide social spectrum: hash slingers, teachers, police officers, landscapers, stuntwomen. Many are wives and mothers. Their husbands or boyfriends work their corners, or hide in arena restrooms, scared to watch their bouts.

Freedom within any kind of social structure - the whole issue of exactly what the human animal is - is an ongoing preoccupation of mine. And I certainly don't think I've come to the end of that exploration, and with any luck, I never will. But I'm very curious about exactly what kind of beast we are. We're so complicated.

There are those whose own vulgar normality is so apparent and stultifying that they strive to escape it. They affect flamboyant behaviour and claim originality according to the fashionable eccentricities of their time. They claim brains or talent or indifference to mores in desperate attempts to deny their own mediocrity.

We live with a distinct double standard about male and female aggression. Women's aggression isn't considered real. It isn't dangerous; it's only cute. Or it's always self-defense or otherwise inspired by a man. In the rare case where a woman is seen as genuinely responsible, she is branded a monster - an 'unnatural' woman.

There are the those whose own vulgar normality is so apparent and stultifying that they strive to escape it. They affect flamboyant behaviour and claim originality according to the fashionable eccentricities of their time. They claim brains or talent or indifference to mores in desperate attempts to deny their own mediocrity.

An intimate core of my being recognizes that there is nothing in me that can go on: there is no spark; there is no infestation of vaporous miasma that has the capacity to continue, and there is nothing in me that wishes to continue. This moment is, for me, all that there is, and I'm willing to accept it. I'm a worm; I have no soul.

Basically, we are pack animals. We may be evolving toward hive animals. The nature of the pack is that if all the eyes of the pack are on you, you are either the leader, or you are lunch. So it's a basically hazardous situation to have the eyes of the pack upon you. And I think that's really visceral. I think that's bred in the bone. That's species - deep.

Within a social structure, a familial structure, or a cultural structure of various kinds, there is a substitute for actual freedom. I mean, actual freedom is a very abstract notion; we have no idea what it means, except within a context - freedom to do what? So within these social structures, freedom becomes defined as power, your ability to make choices, and the power relationship within a family, any family.

I remember, in hot floods, the way he slept, still as death, with his face washed flat, stony as a carved tomb and exquisite. His weakness and his ravening bitter needs were terrible, and beautiful, and irresistible as an earthquake. He scalded or smothered anyone he needed, but his needing and the hurt that it caused me were the most life I have ever had. Remember what a poor thing I have always been and forgive me.

From the time I was little, I'd been kind of freaked out by the whole deal with large groups of people. And even moderate - sized groups of people. It's always made me very uncomfortable. It's such a strange phenomenon, what happens to people when they're all moving in the same direction, all chanting the same tune, the same line of slogans or something. That stuff always seems very alien and bizarre to me, and kind of scary.

Sometimes all that saves me is being willing to make mistakes. There are projects that strike me as so beautiful, important, complicated, or just plain big, that they convince me of my own inadequacy. This awful state of reverence leads to paralyzing brain freeze. At times like that the only way out is for me to decide, 'To hell with it. I can't do it right, so I'll do it wrong. I can't do it well, but I can do it badly.' Sometimes, with luck, while I'm sweating to do it wrong, I stumble on a right way.

Beside Mama, in my own folding chair, with my feet sticking out in front of me, I thought about my own innards. Just a few months before I'd had no idea whether my reproductive equipment worked. There was no evidence. But that week I had become a full-fledged bleeder and was still absorbed by this first change in myself that I had ever noticed. The click and buzz of my synapses kept making the same connection. If you can change, you can also end. Death had always been a theory to me. Now I knew. The terror hurt good and I nursed it and played it like a loose tooth.

My perception of the human animal is as an extremely dangerous predator. That's who I perceive us to be as a species. Maybe the most dangerous predator on the planet, with the exception of a few microbes. I'm really grateful for the degree of socialization that prevents us, most of the time, from killing and eating each other. And I admire all the social structures that have been designed and layered and niched in that encourage bonding toward a kind of social harmony that is meant to contain and counteract our natural inclinations toward predation, ferocity, and eating whatever moves.

I do consider the human capacity for violence is the central issue of the social contract. In boxing we have a peculiarly civilized form, in that boxers don't screech and holler. They don't use weapons. All of this seems to me quite amazing, because it is so disciplined, so controlled. It's ritualized, but absolutely genuine. And the cultural structure built around that ritual is absolutely fascinating to me. And it seems to me that boxing is one of those structures that is designed to promote harmony. I think that it is a stove that contains that fire in us and makes it safe and useful.

Sometimes people go off in a slightly different direction of wanting to be different, of wanting to be special, of wanting to be more, and I think that those people are often - not always, but often - genuinely different in some way. Perhaps their gender orientation is not acceptable or popular, not the norm. Or, their physical design is literally, in some way, setting them apart. Or, in many cases, they feel the burden of their ordinariness so dreadfully that they strive to find some way of being unique. I think that can be a very positive thing, but it also can be negative, destructive.

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