Quotes of All Topics . Occasions . Authors
I often look at women who wear great jeans and high heels and nice little T-shirts wandering around the city and I think, I should make more of an effort. I should look like that. But then I think, They can't be happy in those heels.
When I think about somebody like Keira Knightley, whom I don't particularly know, I see somebody who is working hard, really trying to challenge herself and make smart choices in spite of people criticising her size and performances.
'Revolutionary Road' is a fascinating study of the human condition of a fragmenting marriage and the torment that these two people put themselves through in their efforts to try and find happiness and try and stay together, actually.
I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.
I don't really do simple. I'm not really interested in simple at the end of the day, because nothing's ever simple, and nothing's ever perfect. People certainly aren't - I would hope, anyway, because that would be boring, wouldn't it?
I'm often drawn to characters that are more obviously one thing. They're passionate, and there is always an element of strength because I think every person possesses that in some way, even if they've experienced hardship in their lives.
When I first met Alan, I was absolutely terrified. I was 19, he was Alan Rickman, and he's got that voice, and I remember meeting him in the hair and make-up trailer and thinking, 'I'm going to die. He thinks I'm rubbish. Why am I here?'
I often look at women who wear great jeans and high heels and nice little T-shirts wandering around the city, and I think, 'I should make more of an effort. I should look like that.' But then I think, 'They can't be happy in those heels.'
Acting, and the privilege of being able to do it for a living, is so important to me. I don't turn up and just hope for the best. I really fret about it. I do my homework; I prepare myself for the experience of playing a particular character.
The things that make me happiest in the whole world are going on the occasional picnic, either with my children or with my partner. Big family gatherings, and being able to go to the grocery store - if I can get those things in, I’m doing good.
The highest compliment I could ever receive about my kids - and I can say that this does happen frequently - is when the in-flight crew say to me, 'Your children are wonderful. They are so well-behaved.' Every time I am told that, I could weep.
Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.
The things that make me happiest in the whole world are going on the occasional picnic, either with my children or with my partner; big family gatherings; and being able to go to the grocery store - if I can get those things in, I'm doing good.
Oh, I had, 'No one will ever fancy me!' I had that well into my teens. Even now I do not consider myself to be some kind of great, sexy beauty. I don't mind the way I'm ageing. No reason to panic just yet. I think I look my age, and that's fine.
I will tell you that when I was heavy, people would say to me - and it was such a backhanded compliment - they would say, 'You've got such a beautiful face,' in the way of, like, 'Oh, isn't it a shame that from the neck down you're questionable.'
I think I look nicer now. It's really weird cause when you're 21 you think, "Oh God, when I'm 36, oh God, that's nearly 40, and I'll look really old and wrinkly by then". And actually I quite like the way I look. I feel OK about myself these days.
I had to grow the hair down there. But because of years of waxing, as all of us girls know, it doesn't come back quite the way it used to. They even made me a merkin - a wig - because they were so concerned that I might not be able to grow enough.
I don't know... part of, I suppose, my way out of everything, has been really taking care of myself. I think that comes from an awareness that my children really need me, and they need me to be the healthiest version of myself that I can possibly be.
It's my chance to challenge myself to the fullest, which is one of the great joys about my job... I love it when a character requires me to look less than my red-carpet best. It's more fun playing a character that requires you to look like dog s - t.
I'm not the kind of person who's going to look at the top of a mountain and go, 'Oh, look at that! That's lovely. That's lovely, that top of that mountain.' I'm the kind of person who's going to go, 'Oh, my God! That's so lovely! Let's go climb up it!'
You know, I never felt like I was young at the time and obviosly having Mia was absolutely planned. It's only know when I meet people who are my age and single, [with] no kids, that I reflect and say, 'Bloody hell? I really have leaved at a fast pace.'
My job as the actress playing Hanna Schmitz, as the actress playing any part, is to understand the character, and to ultimately love the character. And I did love Hanna, absolutely, because I understood her as profoundly as I did at the end of the day.
Before 'Titanic,' yes, I had done some things and, yes, I had been nominated for an Academy Award, but I had never been sort of world-famous. And I suppose, yes, I am really famous now. But I feel embarrassed to say that because it's just a bit daft for me.
I have always wanted my children's dads to be involved in their lives. Not just the day-to-day aspect, but the emotional shifts that they go through, when little things pop up - they need to be included, absolutely, and for the children to feel that they are.
I won't allow magazines in the house. When I was younger, I wanted to have my hair cut like so-and-so in the class above me at school, not somebody in a magazine. You see young girls trying to dress like so-and-so because they've seen lots of pictures of them.
There were nineteen years between my grandparents, and I was in a relationship for five years from the age of fifteen to twenty with a man who was thirteen years older than me who remains one of the loves of my life, and he passed away when I was twenty years old.
I think what you feel like as a teenager never really goes away. If you were teased for being fat or thin or having bad teeth, you're always insecure about that particular area of yourself. So I've never thought of myself as any kind of beauty, iconic or otherwise.
As a child, I never heard one woman say to me, "I love my body". Not my mother, my elder sister, my best friend. No one woman has ever said, "I am so proud of my body." So I make sure to say it to Mia , because a positive physical outlook has to start at an early age.
I would never accept a role that wasn't going to stretch me or challenge me in some way. I'd say Holy Smoke! probably did that more than anything I'd ever done. It took me to places I didn't actually know I could go to, and that's what I want my career to be all about.
I have wrinkles here, which are very evident. And I will particularly say when I look at movie posters, 'You guys have airbrushed my forehead. Please can you change it back?' I'd rather be the woman they're saying 'She's looking older' about than 'She's looking stoned.'
I never had a desire to be famous... I was fat. I didn't know any fat famous actresses... You know, once a fat kid, always a fat kid. Because you always think that you just look a little bit wrong or a little bit different from everyone else. And I still sort of have that.
It's very tempting to have a nanny and live in a gated community and have a chef - I'd love to have a few dinners cooked for me. But I don't want that for my children. When they're older, if people say to them, 'Did you have a chef?' I want them to be shocked by the question.
I am incredibly passionate about my life, I am absolutely unable to hide any emotion. If I wrote a book, I'd have to call it 'P is for Passion'. I don't go in for anything halfway. My feelings about things are instant, on the spot. And my heart is always, always on my sleeve.
By nature, I'm a very positive person, and because I'm happy in myself, and in my life, and I've got a great husband, and beautiful children, and I have a job that I love that calls for a certain amount of emotional expression, I get to realise a lot of my dreams and aspirations.
I know the true meaning of getting by by the skin of my teeth; I do. It doesn't matter whether you've got money or you haven't, whether you're famous or not. This is the case for all women, actually; you have to carry on. You always have to carry on. And you can, because you have to.
My skin still crawls if you call me a movie star. I get embarrassed. I think, don't be ridiculous. Maybe it's because I'm British. To me, Julia Roberts that's a movie star. But when people do call me one, that, I think, is an enormous compliment but, my God, is that a responsibility!
My skin still crawls if you call me a movie star. I get embarrassed. I think, don't be ridiculous. Maybe it's because I'm British. To me, Julia Roberts, that's a movie star. But when people do call me one, that, I think, is an enormous compliment but, my God, is that a responsibility!
I need to be looked after. I'm not talking about diamond rings and nice restaurants and fancy stuff - in fact, that makes me uncomfortable. I didn't grow up with it, and it's not me, you know. But I need someone to say to me, 'Shall I run you a bath?' or 'Let's go to the pub, just us.'
When I was doing 'Eternal Sunshine of the Spotless Mind' I was asked, 'If there was one part of your life that you could erase, what would it be?' And I was so stunned by that. I thought: 'Nothing.' I would keep all the good bits and the bad bits, because those things made me who I am.
That's the main reason I took it up But I do feel I don’t know part of, I suppose, my way out of everything, has been really taking care of myself. I think that comes from an awareness that my children really need me, and they need me to be the healthiest version of myself that I can possibly be.
I knew it was going to be important that if I had an audience understand who she was, then all those things had to come from a place that was grounded, as opposed to being tics and manners and twitches. I didn't think it was going to be as rich, perhaps, as if I was going to make it more emotional.
Apart from The Holiday, I haven't really spent a huge amount of time in LA. Not that I avoid it, it's just that I don't often go there unless I'm doing press. The one thing I have discovered about LA with kids is that it's really great for children. They really like the sun and making sand castles.
My parents met because my father was an actor friend of one of my mom's brothers, but my mother has never set foot on the stage - she's quite shy. So it's a strange thing because people say, 'Oh, coming from acting parents,' when the idea of acting would literally make my mother just want to throw up.
People say to me, 'You seem to have made this conscious decision to do independent films'. In reality, I haven't. After each movie, I always think, 'how different can I possibly be? Is this going to challenge me, is this going to inspire me, and is this going to make me love my job more than I already do?'
There wasn't very much time between wrapping Revolutionary Road and starting The Reader. It was about five and a half months, which, for me, isn't that long. Some actors are very good at just going from one thing to another but I've always been a bit useless at that. The preparation time is important for me.
What I am very, very moved and struck by is that so many people in the world are often living a life that they hadn't planned for themselves. And they wake up one day and say, 'Hang on. Who am I? Is this really me? Is this what I really wanted?' And also, 'Can I change it? Have I got the courage to change it?'
Very thorough in the rehearsal process but more in terms of just understanding the characters, understanding where the actors are at with discovering those characters for themselves, and just setting an overall emotional tone for the piece as opposed to necessarily getting things up on their feet or staging scenes.
The assistant asked, `What do you want on it?' and Leo said, `Oh, Kate will tell you.' And Leo just kind of fell asleep. And I did know exactly what he wanted - this kind of cheese and no tomato and no pickle. I absolutely knew. And I thought, `God, that's really weird that I know this person so well.' It was brilliant.
I have a crumble baby belly, boobs are worse for wear after two kids...I'm doing all right. I'm 33. I don't look in the mirror and go, "Oh, I look fantastic!". Of course I don't. Nobody is perfect. I just don't believe in perfection. But I do believe in saying, "This is who I am and look at me not being perfect!". I'm proud of that.
For my own children, I do want for them to look back and remember that it was me in the kitchen, that I was doing the packed lunches, that we were there on the school run, that we did take a bus. I want them to remember those things, because those are the things that I remember from my own childhood and that have been incredibly important to me.