The spoken word converts individual knowledge into mutual knowledge, and there is no way back once you've gone over that cliff. Saying nothing was more amendable, and over time I'd come to see that it was usually your best course of action.

You've done so many things and read so many books. Do you still believe in happy endings?" "Oh my Lord, yes." Bernadette's hands were pressed against each other like a book, like a prayer. "I guess I would. I've had about a hundred of them.

We all have a sense of level. It may not be based on class exactly anymore, but we still have a sense of what we're entitled to. People pick partners who are nearly their equal in looks. The pretty marry the pretty, the ugly the ugly. To the detriment of the breed.

There was something appealing in thinking of a character with a secret life that her author knew nothing about. Slipping off while the author's back was turned, to find love in her own way. Showing up just in time to deliver the next bit of dialogue with an innocent face.

I learned how to comport myself among trolls, elves, hobbits or goblins. I learned that a friend can be lost to greed and avarice. I learned that solving riddles may be as important a survival skill as bowmanship. I know how to talk to a dragon, and that it's best not to.

If we see a sad rain, it doesn't mean the rain is sad, but it means we see it. That's an easily dismissible kind of projection. But what I'm struggling to say, is that we take that rain in through our own hearts and emotions and senses and skin, and all those filters have an impact.

Often, when you look at history, at least through the lens that many of us have looked at history - high school and college courses - a lot of the color gets bled out of it. You're left with a time period that does not look as strange and irrational as the time you're actually living through.

Marriage seemed like such a small space whenever I was in it. I liked the getting married. Courtship has a plotline. But there's no plot to being married. Just the same things over and over again. Same fights, same friends, same things you do on a Saturday. The repetition would start to get to me.

The smart way to build a literary career is you create an identifiable product, then reliably produce that product so people know what they are going to get. That's the smart way to build a career, but not the fun way. Maybe you can think about being less successful and happier. That's an option, too.

I hear so many writers say - and these are writers that I trust completely - 'I just started hearing a voice', or, 'The characters came to life'. I am filled with loathing for my own characters when I hear that because they do nothing of the sort. Left to their own devices, they do nothing but drink coffee and complain about their lives.

. . . strange and fantastic things really happen. During a rainstorm in Australia, fish fall from the sky; several Southern states consider legislation that would make the licking of toads illegal; Lisa Presley marries Michael Jackson. You read these things and you think to yourself that realism may not be the best medium through which to express the real world.

The happening and telling are very different things. This doesn’t mean that the story isn’t true, only that I honestly don’t know anymore if I really remember it or only remember how to tell it. Language does this to our memories, simplifies, solidifies, codifies, mummifies. An off-told story is like a photograph in a family album. Eventually it replaces the moment it was meant to capture.

Every mother can easily imagine losing a child. Motherhood is always half loss anyway. The three-year-old is lost at five, the five-year-old at nine. We consort with ghosts, even as we sit and eat with, scold and kiss, their current corporeal forms. We speak to people who have vanished and, when they answer us, they do the same. Naturally, the information in these speeches is garbled in the translation.

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