Quotes of All Topics . Occasions . Authors
When a bomb actually goes off, there's a lot of confusion, and people often don't know a bomb has gone off. For a long time, people might think there's been an electrical malfunction or something else that's exploded.
Cobain the writer is funny and self-aware and snotty with a knack for off-the-cuff profundity. Remarking to a friend that his band will be called 'Nirvana,' he scribbles next to it the words 'Oooh eerie mystical doom.'
I think Indians will pick up on a lot of the direct commentary on Delhi, which Americans will obviously miss, while Americans might get more out of watching pop-culture play out in unusual ways in a foreign country. Who knows?
It's amazing to me in retrospect that I wrote as much as I did with full-time jobs. Each city gave me a new distance from - and a new way of looking at - India. I'm grateful for the movement. I feel as if I've crammed several lives into one.
The Hindu nationalists see a religion near perfection save for the tampering of Muslims and Christians. So they fall upon these groups, rather than try to reform their own practices by drawing on India's sophisticated philosophical traditions.
I don't know what you can do if it's reported that there's been a small attack in the second- or third-largest city in country X that you have no connection to. I don't know what you're supposed to feel or how you're supposed to get into that.
There's no way of preventing the media from covering attacks as huge events and until the media stops doing that, they will be huge in people's consciousness, and we have to treat these things differently from the smaller random acts of violence.
I had a thick accent, and people didn't understand me, and I was ashamed, and I fumbled. I radiated an uncertain energy; sometimes baristas sensed this and wouldn't try to talk to me, and then an insecure voice in my head would cry, 'He's racist!'
When I lived in Delhi, it was burdened with so many futures - fast roads, malls, flyovers - that one felt almost obliged to be hopeful. Now that hope has diminished, you can feel the city going into a frenzy to reinvent itself. I miss living there.
We discount the physical, when, in fact, much of life is physical. People's personalities are partly formed by, or in response to, how they take up space; the physical mask has some relation, howsoever obscure, to the mental work happening underneath.
I'm interested in the way that terror is almost a psychosomatic state. You may have suffered a small injury for a few seconds, but the rest of the year you're constantly on the alert, your injury is constantly with you - and I mean this on a city-wide scale.
There have been many cases in which the government keeps promising compensation, but doesn't pay out. Many of the shopkeepers in Lajpat Nagar were scolded and told that they were inflating their damage estimates - they were asked to revise down their estimates.
When I worked as an editor, I read new novels being published in India every few days. They excited me tremendously for the first fifty pages or so, and boasted some true linguistic genius at times, but none of those writers could occupy more than one mind at once.
Novelists get to say plenty in their massive tomes; rock singers only get four-minute songs with two verses and a chorus' worth of lyrics, and so there's a real pleasure in accessing the intelligence behind the music, even if it doesn't qualify as 'great literature.'
I'm pretty private as a person - people generally think they know more about me than they do, because I gregariously advertise what I want known. So it pains me to think people might feel they have an insight into my personal matters, which they most certainly do not.
I guess my point in general is that, if you look closely, who is in politics to self-identify - these are the people who flip easily, from right to left, pro-Muslim to anti-Muslim, etc. - versus who, whether on the right or left, is moved by genuine interest and empathy.
The only solace can come from the state. In the Boston bombing, only a handful of people died in the end, even though a huge number were injured - and that was a huge attack in America. The government was very involved in providing aid and following up in the investigation.
After a post-Bill Berry softening with albums like 'Up' and 'Reveal,' R.E.M. seems to be toughening up again; on the strength of the first single, 'Discoverer,' the band's new record looks to continue with the same muscular rock and roll that defined its last album, 'Accelerate.'
In Delhi, where I grew up, commerce is brusque. You don't ask each other how your day has been. You might not even smile. I'm not saying this is ideal - it's how it is. You're tied together by a transaction. The customer doesn't tremble before complaining about how cold his food is.
I don't think sexual repression leads to violence, but I can see the situation where you're trying very hard to be very religious and to be good but pornography exerts a strong force on you, and one way to get further away from it would be to immerse yourself in a strong religious system.
Literature has become too psychological. We discount the physical, when in fact much of life is physical. People's personalities are partly formed by, or in response to, how they take up space; the physical mask has some relation, howsoever obscure, to the mental work happening underneath.
When a certain swathe of India's population considers the country's ancient past, it doesn't see a country fragmented into kingdoms, savaged by caste divisions, and mired in poverty; rather, what's envisioned is a vast, unified Hindu empire stretching from Kashmir to the Indian tip at Kanyakumari.
I think I know a lot of fake two-faced Ivy League liberals, and I am constantly testing them to see if their liberalism is a conversational liberalism, one that depends solely on what will fly at a party. And I can tell when stuff like this happens, I swear to God, they are tomorrow's conservatives.
American policies toward Asians reached a nadir in 1924, with the implementation of a law that sought 'to preserve the idea of American homogeneity' and denied admission to the country to most non-whites. Immigration from Asia was banned completely, with the establishment of an 'Asiatic Barred Zone.'
By 2013, at the age of 29, I was failing. I had left two good jobs in succession to complete a novel I'd been tooling around with since 2009, had enrolled in a graduate programme in Texas, as far away from home as possible, to finish it - and yet: what did I have to show for it after five years of work?
Terrorists are people, too - they are given to error. Naipaul and then DeLillo do a good job in their novels of drawing this out: I'm thinking of DeLillo's contention in 'Mao II' that terrorists have replaced writers as the people who 'alter the inner-life of the culture.' I thought that was marvellous!
terrorism is interesting to a novelist because it's a crime that's driven by an idea, as opposed to some kind of base materialist impulse. It's not like stealing from someone's house, or even assassinating someone. There are very complex ideological reasons behind these almost abstract acts of violence.
I tend to see my characters from inside and outside at once; this is a technique I use to retain a slight distance. It means my characters can act in unexpected ways on two axes: physical and mental. It isn't just, 'I thought this and then I did this,' which is the technique of the modern psychological novel.
But I think the goal of all these attacks is the same, which is to seize maximum media attention. Maybe some of these attacks were meant to be small. Some of them might have been failed larger attacks. And some of them are just part of a new strategy of doing lots of tiny attacks, as opposed to one large one.
It's getting worse under Prime Minister Modi. The economic miracle has failed, to a degree, and people are reaching back to a kind of imagined Hindu past for a feeling of pride. And that feeling of pride necessarily comes from denying any kind of Muslim heritage. People my age seem to be becoming illiberal in a way that I'm surprised by.
When we talk about 9/11 and 26/11 - which is the shorthand for the Mumbai attacks in 2008 - we're talking about the most successful terrorist attacks in history. When you start trying to study the most successful event of its kind, it actually doesn't make for great fiction because there isn't the kind of failure in it that fiction thrives on.
I remember returning to Bangalore after a few months of travel and seeing it as a first-world city, like New York or San Francisco. This may be obvious to some people, but I grew up in Delhi, and I had no experience of how someone from a 'Tier 2' city may view a 'Tier 1' city. You really do emigrate between worlds when you come from those towns.
It's easier to set off a bomb that kills innocent civilians in a market than it is to plot an assassination, but that obviously was true before as well. I also think it's now easier to get attention for a small attack that goes off in a random market. It's almost like there's a marketplace for terror in the media, and these people are supplying the attacks, knowing that the media will cover them sensationally.
We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.
There's this great fashion among writers, especially those who follow the transnational conservatives like V.S. Naipaul, to disavow one's place in the world as a sort of box that has sprung you but is only worthy of your scorn, because it once contained you. And I've been tempted to say foolish things, like "I am an American writer" or "I belong nowhere," but the truth is I'm perfectly proud of identifying as an Indian writer, even if that might hurt my bottom line.
It's rare that you get to read, let alone teach, an arbitrary canon of your choosing in a tight time setting, and I tore through a fairly wide range of Indian writers, some contemporary - like Arundhati Roy and Salman Rushdie - and others older, like R.K. Narayan. And I think what happened at that stage was that I was forced to take a position in my own writing style that was more fixed, as opposed to reading a book at a time and defining myself in opposition to or in awe of it.
In India the government is very chaotic and poorly run. They are forced into action by public pressure. When it's a larger event, there's a lot more pressure - to do something, to investigate, to give some kind of compensation to the victims. With the smaller attacks, the pain is concentrated on those affected, because they've not just been forgotten by everyone else, which is normal, they've also been forgotten by the government, which lets the cases drag on for years in the courts.
As for the Jewish-American question, what's funny is that I grew up in India, and the Jewish-American comparison is better for second-generation Asians. I'm sure there's something about globalization that has globalized our neuroses, so that I, growing up in India, somehow turned out very similar to you. It's a weird thing, when you think about it, but everyone now is exposed to a mainstream white American world, wherever you are. And so there's this need to belong or measure yourself up to that white world, which leads to all sorts of straining.