Quotes of All Topics . Occasions . Authors
I think its so exciting to try anything you possibly can.
I think it's so exciting to try anything you possibly can.
I've got a lot of '70s vintage. I'm a huge vintage junkie.
Men and women just look at sex in very, very different ways.
I take fancy dress very seriously. I mean incredibly seriously.
You can't really help people until you've helped yourself first.
It's quite quick for me to know if I want to play a character or not.
When I go home to England, my friends all make fun of me for sounding American.
It's so rare that you actually get the part that you really, really, really want.
Being a woman is a very powerful thing, I think, and you don't want to abuse that.
I'm a private person; I stick to my neighbourhood and eat in my little restaurants.
I never wanted to go to drama school. I thought that was too many eggs in one basket.
If people want to criticize a performance, that I understand. I think that's important.
I once used a fork to comb my hair because there was a time when I didn't own a hairbrush.
I'm actually constantly a bit nervous because I never want to disappoint anyone, you know?
I was the kind of girl who'd peep through her bedroom keyhole to check if her dolls were moving.
You know, I do projects that I really care about. I hope I'll stand by that until the day I die!
It's better not to read your reviews. Just go and do the thing... it would drive you crazy otherwise.
It's important to not be naive about this world and know that it's not necessarily a good place to be.
Twitter goes straight over my head, but I like the idea of posting pictures because they can say so much.
For me, there is safety in playing a woman that is very sexualized and having a woman direct you with that.
I hadn't really even been thinking about TV. To me, it seemed like such a commitment, almost like a marriage.
I like to leave the movie theater and still be thinking about the film and questioning why the character did that.
I just want to work forever. I absolutely love what I'm doing. I learn all the time from all these amazing artists.
For a woman, body image is always a palpable thing. Weirdly, for me, the only time I don't care is when I'm in character.
I've been involved with some huge studio projects that have been bloody awesome. It all starts with a great script, doesn't it?
You don't always have to look in the distance for what's going on over there, when you actually see what's right in front of you.
On an independent film, you really learn about pace. You have so little time to do things, that you really have to know your scenes.
I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.
That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.
There are two movies where I keep my clothes on. My parents will be very proud. They're challenging characters, which I'm excited about.
What's exciting about watching a movie, when it's finished, is you sometimes you don't recognize yourself, and that's when I'm really proud.
I had this wild imagination. I was never me. All my childhood photos, I'm in fancy dress, playing a Russian refuge or Marvelous Mad Madam Mim.
I think film should be interactive. But at the same time, it's also great to go see a big popcorn movie and be taken to a complete fantasy world.
The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.
I'm not someone who doesn't want to see the films, but I like to see them as an end product when the whole nuance of the character is put together.
A big thing for me is trusting the director, so I don't need to watch playback. I feel like the director is gonna tell me whether it's right or not.
I love going to the movies; I grew up going to the movies. I didn't really watch TV, growing up, other than weird cartoons like 'Beavis & Butt-Head.'
I had this imaginary world where fairies were my friends. If you told six-year-old Juno that she'd one day play a Disney fairy, she'd totally freak out.
When I was younger, I played a lot of upper-class English girls. Then I came to America, and everyone was like, 'She's very believable as trailer trash.'
I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.
I've never been scared of snakes. I'm really, truly arachnophobic - I hate spiders - but snakes have never freaked me out. I think they're really beautiful.
I think it's so important when you're playing a character that you can't judge the person you're playing at all. It's a judgment-free zone. You have to just go for it.
Daniel Radcliffe is one of the hardest working people I have ever encountered and someone that so loves what he's doing and so eager to learn and is so brilliant at what he does.
For me, a director is such an important part of thE process. I really have to trust him. Because then you can kind of let your inhibitions down. You can go anywhere when you trust someone.
There will always be ways to pay my rent, whether I wind up having to be a waitress on the side or whatever it is, but I think it's so important for me to do things that I'm passionate about.
I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.
I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that I think it's gonna be very cool.
I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that; I think it's gonna be very cool.
It's all about the director for me; we have to click. It's a trust thing. I'll say I'm ready to let down my walls. I'll cry for you as long as you need. But you're going to have to hug me afterwards.