Quotes of All Topics . Occasions . Authors
Writers are completely out of touch with reality. Writers are crazy [people]. We create conflict - for a living. We do this all the time, sometimes on a weekly basis, we create horrible, incredible circumstances and then figure a way out of them. That's what we do.
The fact that a TV star can become president should be old news since [Ronald] Reagan, and old news since the Nixon-Kennedy debates - which the famous story, whether or not you agree, is that if you listened on the radio, Nixon won; if you listened on TV, Kennedy won.
In my generation, there was a single girl given the strength and skill to fight the spread of darkness...but in your generation, there are nearly two thousand with the powers of the slayer, and not all of them have chosen to use their newfound abilities conscientiously.
Scramblers deactivated, then? Well here's some good news. You feel no pain. You will go straight to a hospital. Remember nothing of this place. And every time you hear the words "parsley", "intractable" or "longitude", you will vomit uncontrollably for forty-eight hours.
My first gig ever was writing looplines for a movie that had already been made. You know, writing lines over somebody's back to explain something, to help make a connection, to add a joke, or to just add babble because the people are in frame and should be saying something.
I think to an extent every human being needs to be redeemed somewhat or at least needs to look at themselves and say, 'I've made mistakes, I'm off course, I need to change.' Which is probably the hardest thing for a human being to do, and maybe that's why it interests me so.
I've seen plenty of films where the projector broke. The problems that we have in the digital age are exactly the same as we had. Instead of, 'There's a hair in the gate,' it's, 'The computer ate the footage.' There will always be things like that going on. Nothing is perfect.
If you try to multitask in the classic sense of doing two things at once, what you end up doing is quasi-tasking. It's like being with children. You have to give it your full attention for however much time you have, and then you have to give something else your full attention.
Everything I write tends to turn into a superhero team, even if I didn't mean for it to. I always start off wanting to be solitary, because a) it's simpler, and b) that isolation is something that I relate to as a storyteller. And then no matter what, I always end up with a team.
We'll never make Firefly again, because that was a thing that existed and is now gone. And Serenity isn't Firefly, and whatever comes next won't be, either. But I would love to tell more stories of this universe and to hang out with these people on and off for the rest of my career.
You are going to change the world, because that is actually what the world is. You do not pass through this life, it passes through you. You experience it, you interpret it, you act, and then it is different. That happens constantly. You are changing the world. You always have been.
That title, is one of the things I fought for. A lot of people said 'But it's stupid, and it's the title of a comedy movie, and people won't take it seriously,' and I'm sure there are some people who still don't. But for the most part, people do see that we really have a quality show.
My people - before I was changed - they exchanged this as a sign of devotion. It's a Claddagh ring. The hands represent friendship; the crown represents loyalty... and the heart... Well, you know... Wear it with the heart pointing towards you. It means you belong to somebody. Like this.
The absolute favorite part of Comic-Con is seeing like a Mass Effect guy hanging out with a Sailor Moon, and they're just having a great time. Nerds, we love what we love with a passion and sometimes it's an angry passion, and to see that all sort of bleed out and everybody just connect.
Now there’s us, staking out our piece of cinematic turf (might be small but it’s ours). And the music has to fit the vision as specifically as it did for [Star Wars and The Matrix.] OUR music comes from THEIR music, this scrappled bunch. It is spare, intimate, mournful and indefatigable.
I never tire of the heroes that I knew growing up. The fun is not that much different from doing a television show: You're stuck with a certain set of rules, and then, rather than trying to break them, it's just trying to peel away and see what's underneath them. That to me is really fun.
Everything we do really is just a little marker on the long road to death. And sometimes that’s overwhelmingly depressing to me, and sometimes it makes me feel kinship and forgiveness. We’ve all got the same ending to the story. The way we make that story more elaborate, I got to respect.
I really love `Serenity.' I'm really proud of it and excited to see it my guys on the big screen, bringing something new to it. But `Firefly' was a different animal, something I will regret losing until the day they put me in a box, because I did have a lot of good stories I wanted to tell.
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
I think [there's] the opportunity for - I almost said President Clinton, and soon I will - but for Hillary Clinton to address that, and for the public sphere to address that in a way that they haven't. We started a conversation in the last few years on race that we desperately needed to have.
I don't know a lot of show runners. I mean I met a lot of them in picket lines. I'm not part of a, like, secret society or pickup basketball game. As far as I'm concerned, pick-up basketball games are secret societies. They confuse me. I've never been a networker or I've never been very social.
Inevitably it's going to cause some terrible misogynist backlash, and I assume we'll look forward to eight years of jaw-droppingly sexist statements - the way we listened to eight years of racism around the presidency. It will be an argument before it's a conversation. But at least it's being had.
We have things to say about Congress and all of that. I think we may have our magnum opus coming yet. It's a piece called "Leonard" that I'm very excited about, and I think we're going to see a side of Chris Pine that people haven't really seen yet. That's all I'm going to say, but I'm proud of it.
Limitations are something that I latch onto - like working in genre, or if you're writing TV, there are act breaks, there's a length of time it's supposed to be. The restrictions of budget and sets can be really useful. When you can have everything, it's very hard to make things feel real and lived in.
I've got a theory, it could be bunnies... I've got a theor- Bunnies aren't just cute like everybody supposes They've got them hoppy legs and twitchy little noses. And what's with all the carrots-? What do they need such good eyesight for anyway? Bunnies, bunnies it must be bunnies! ...or maybe midgets.
Directing is such alchemy, it's so easy to fail. And I've seen people who are great at their jobs because everybody has a go. Editors, DPs, actors, craft services guy, everybody wants to try it out but it is such a diffuse but necessary set of skills that you never know which one this person might lack.
I think everyone who makes movies should be forced to do television. Because you have to finish. You have to get it done, and there are a lot of decisions made just for the sake of making decisions. You do something because it's efficient and because it gets the story told and it connects to the audience.
'The Dark Knight,' for me, has the same problem that every other 'Batman' movie has. It's not about Batman. I think Heath Ledger is just phenomenal and the character of the Joker is beautifully written. He has a particular philosophy that he carries throughout the movie. He has one of the best bad guy schemes.
It is the most fun I’m ever going to have. I love to write. I love it. I mean, there’s nothing in the world I like better, and that includes sex, probably because I’m so very bad at it. It’s the greatest peace when I’m in a scene, and it’s just me and the character, that’s it, that’s where I want to live my life.
Bottom line is, even if you see 'em coming, you're not ready for the big moments. No one asks for their life to change, not really. But it does. So what are we, helpless? Puppets? No. The big moments are gonna come. You can't help that. It's what you do afterwards that counts. That's when you find out who you are.
I was not popular in school, and I was definitely not a ladies' man. And I had a very painful adolescence, because it was all very strange to me. It wasn't like I got beat up, but the humiliation and isolation, and the existential 'God, I exist, and nobody cares' of being a teenager were extremely pronounced for me.
You do not want a war. You have known violence, you have suffered loss, but you have seen nothing of war. War is not just the business of death; it is the anti-thesis of life. Hope, tortured and flayed, reason, dismembered, grinning at its limbs in its lap. Decency, raped to death... You will be a murderer and more.
Take my love, take my land Take me where I cannot stand I don't care, I'm still free You can't take the sky from me Take me out to the black Tell them I ain't comin' back Burn the land and boil the sea You can't take the sky from me There's no place I can be Since I found Serenity But you can't take the sky from me.
People want the tragedy. They need things to go wrong, they need the tension. In my characters there’s a core of trust and love that I’m very committed to. These guys would die for each other, and it’s very beautiful. But at the same time, you can’t keep that safety. Things have to go wrong, bad things have to happen.
This is something that I do consider to be good advice: I took my first paycheck and I put it in the goddamn bank. Then I took my second paycheck and put it in the goddamn bank. I had seen the roller coaster of my father's career - top of the world, then unemployed - and I never wanted to take a job because I needed money.
When I say, "I love you," it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman.
There was a time before I felt I was a real writer, when I was a yarn spinner and I just wanted to tell story until it was over. But then there came a time where I was like, 'No, I want to understand something through writing this that I might have not understood before. I want people to come away with something to think about.'
I loved teaching and I did a lot of work as a teacher's assistant in college, and my favorite experience was basically getting a laugh from a bunch of people because they had just understood something. Because I had shown them something they hadn't seen before, and it amused them. That's the combo platter. That's a perfect moment.
Tonight sucks. And look at me. Look at - look at stupid Buffy. Too dumb for college, and-and-and freak Buffy, too strong for construction work. And-and my job at the magic shop? I was bored to tears even before the hour that wouldn't end. And the only person that I can even stand to be around is a... neutered vampire who cheats at kitten poker.
Everything is so fragile. There's so much conflict, so much pain... You keep waiting for the dust to settle and then you realize this is it; the dust is your life going on. If happy comes along - that weird, unbearable delight that's actual happy - I think you have to grab it while you can. You take what you can get, 'cause it's here, and then... gone.
I went to Berlin and Warsaw and Kraków to do research. Right after we got started, I had already booked this trip, so I went. Seeing the history and the posters, and hearing from the guy certain phrases and words and images, it's stunning how much they're playing from the handbook of the little mustache that isn't Chaplin. With Rudy Giuliani as Mussolini.
The times are chaotic. For me, I would hope that people look at [Angel] and gain strength by it. With everything that I do, I hope that they see people struggling to live decent, moral lives in a completely chaotic world. They see how hard it is, how often they fail, and how they get up and keep trying. That, to me, is the most important message I'm ever going to tell.
When you see these characters like Captain America or Thor, laughing at their own situation or about how strange they are, then you are able to accept more readily that it's fine to wear a cape. You can also accept that it's fine to be enormous and green, or to shoot arrows at aliens racing through the sky. It all makes sense if you've been able to laugh at it and with it.
When you’re telling a story, you’re trying to connect to people in a particular way … The way in which you guys have inhabited this world, this universe, has made you part of it, part of the story. You are living in Firefly. When I see you guys, I don’t think the show is off the air. I don’t think there’s a show; I think that’s what the world is like. … The story is our lives.
I do remember what I said. The promise. To protect her. If I'd done that ... even if I didn't make it, you wouldn't've had to jump. I want you to know I did save you. Not when it counted, of course. But after that. Every night after that. I'd see it all again, do something different. Faster or more clever, you know? Dozens of times, lots of different ways ...Every night I save you.
Apart from a couple that were just having fun with the concept and making fun of [Donald] Trump - like the one we did with Keegan Michael-Key - they really are little hero narratives. The whole "Save the Day" - it's called that, specifically, for a reason - ethos is there is this heroic act called voting. And the world is scary, and things are overwhelming, and there's a lot at stake.
The first thing I ever thought of when I thought of Buffy , the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise ... genre-busting is very much at the heart of both the movie and the series.
Smell is the most powerful trigger to the memory there is. A certain flower, or a-a whiff of smoke can bring up experiences long forgotten. Books smell musty and-and-and rich. The knowledge gained from a computer is a... it, uh, it has no-no texture, no-no context. It's-it's there and then it's gone. If it's to last, then-then the getting of knowledge should be, uh, tangible. It should be, um, smelly.
I think the Trump thing is particularly egregious, and I think he's as much a product of the GOP lie machine in the era of Roger Ailes as he is of television. And also, of the Twitter era. Of the everything-is-as-reductive-as-it-can-be. To me, the most telling thing is we have a man who cannot complete a sentence. Certainly could never get to 140 characters, or past it. He thinks in tiny little bursts - the way he tweets.
I'm more intrigued by things that I haven't really conceived of yet. I have the luxury of being able to think: "I've never done a ballet or an animated film myself." There are certain things that I feel I'd love to. I just want to keep trying new things and seeing if I'm any good at them, and if I'm not, then at least learning that. I definitely think I'm more interested in what medium I can explore right now than any specific story.