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My grandmother loved country music, and she's the one who really got me into country music. She had George Strait tapes, a bunch of them. I remember listening to tapes, taking them out, the covers and the back.
I had a drummer I really wanted to move to Nashville with me, and he's like, 'Naw, I can't go, man.' He never could pull the trigger. It's a big move. You just gotta be diehard - you gotta give it your all, you know.
There's been a lot of wedding songs and proposals. It's cool because when they play it at weddings so, it means a lot to them. That's a big deal. They're always going to remember 'Head Over Boots' as played at their wedding.
I love the story of the guy coming to Nashville and then kind of getting set down and told, 'This is how the town works,' which, I've totally been there. But the coolest thing about 'Out of Style' is it's a song within a song.
'Swagger' would be the word for 'Dirt On My Boots.' With the real funky drum loop and the ganjo rolling down, and then the fiddles and the guitar and steel, it really took an old school style where it's fiddle, steel, guitar, and mixed it with a drum loop.
Getting a beginner publishing deal really helped me gain the skills. I just kept writing and writing. You just take everything out of life and turn it into an idea or a melody or a song and find the best writers you can to write with that fit you and know what you want to do.
I like hearing fiddles, steel guitar, acoustics up loud - really rock & roll stuff but with a country sound behind it. That's just who I am. I'm not trying to prove a point; I am just doing what I like. But I don't have any problems with any other artist coming in and doing their own thing.