Quotes of All Topics . Occasions . Authors
The few movies I can even think of that I watch over and over would be the Elizabeth Taylor/Richard Burton movie 'Boom!', 'Faster, Pussycat! Kill! Kill!', and 'Beyond the Valley of the Dolls.' I wouldn't call any of them mainstream.
Maybe there is no better novel in the world than Denton Welch's In Youth Is Pleasure. Just holding it in my hands, so precious, so beyond gay, so deliciously subversive, is enough to make illiteracy a worse social crime than hunger.
I think it's all independent films. There aren't any! If they were looking for me when I was making Polyester, then it'd be perfect, but they're not. I'm not looking for that. TV is much bigger and better now; far more people see it.
Life is a rotten lottery. I've had a pretty amazing life, a good life, and God knows I'm thankful, but I do believe that after 30, stop whining! Everybody's dealt a hand, and it's not fair what you get. But you've got to deal with it.
What's fascinating to me is that in rich-kid schools, it's better to be gay. No one is discriminated against because they're gay in a rich-kid school. But in poor-kid schools, it's often not the same. So being gay is a class issue now.
When they throw the water on the witch, she says, “Who would have thought a good little girl like you could destroy my beautiful wickedness”. That line inspired my life. I sometimes say it to myself before I go to sleep, like a prayer.
I liked speed. I was on black beauties all the time. Nothing bad happened to me. I didn't become a drug addict because I always had to make a movie. We weren't stoned when we made them; I was stoned when I made movies up. I did them all.
If you're a juvenile delinquent today, you're a hacker. You live in your parent's house; they haven't seen you for two months. They put food outside your door, and you're shutting down a government of a foreign country from your computer.
I also hate those holidays that fall on a Monday where you don't get mail, those fake holidays like Columbus Day. What did Christopher Columbus do, discover America? If he hadn't, somebody else would have and we'd still be here. Big deal.
My favorite characters are people who think they're normal but they're not. I live in Baltimore, and it's full of people like that. I've also lived in New York, which is full of people who think they're crazy, but they're completely normal.
I'm for gay marriage. I don't want to do it, but I certainly think people should be allowed to, and I wouldn't vote for anybody that would be against it. But at the same time, why do we have to be good now? Why can't we be villains in movies?
I think that's why I've lasted this long because I love everything I make fun of! I make fun of myself first! I mean, I started my career by calling my films "trash" - the local critics used to complain that I beat the critic to the typewriter.
"Family" this and "family" that. If I had a family I'd be furious that moral busybodies are taking the perfectly good word family and using it as a code for censorship the same way "states' rights" was used to disguise racism in the mid-sixties.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
I imagine Johnny Mathis hates Bin Laden as much as I do, but could Johnny agree Bin Laden had a better speechwriter than Bush? "Axis of Evil"? Come on. "A swimmer in the ocean does not fear the rain" is much more powerful propaganda. Poetic, even.
I was creating characters early. People didn't beat me up. I scared them. I hated authority. I could also get people to do things; I was quite the early director. I could make people laugh enough to get their defences down - and then brainwash them.
You have to think of a new way to completely surprise people who think they're hip. I always said you could make an NC-17 movie with no sex and no violence. Now I don't know what that could possibly be, but if you could think it up, you'd have a hit.
To use bad taste, you have to know the rules of good taste. I've always thanked my mother for that. She taught how to eat with proper table manners and all that stuff, to the point of rebellion. But I couldn't have rebelled from it if I didn't know it.
I love radical theorists. But at the same time, I don't agree with them a lot, but I love their theories. I love how they intellectualize rage, and this inner battle that such a tiny percent of people really care about. I find that the most interesting.
I used to hitchhike a lot. I'd come home on the train from New York, and there'd be no cabs, but people would pick me right up and take me to my door because they recognised me. It was like a car service. I never really had a bad experience hitchhiking.
I do like Christmas. I do understand that there are people who hate it, and there are other religions that resent it. So, I speak to everybody - I try to speak to every kind of minority and majority that cannot escape the steamroller known as Christmas.
I think the best article was the article about radical feminists being against transgender women. I found that the most fascinating article and I absolutely loved it. I love battles within the gay community or feminist community. I love radical theorists.
A psychiatrist once told me early in treatment, "Stop trying to make me like you," and what a sobering and welcome smack in the face that statement was. Yet somehow, every day of my life is still a campaign for popularity, or better yet, a crowded funeral.
My 40th birthday I held in an old-age home. My 50th I had at Pravda before it opened in New York. My 60th I had at Pastis. For my 70th, I thought, 'I don't need to have a celebrity party this year. I'm going to go take my oldest, closest friends to Paris.'
You have to remember the police used to raid and arrest the audience for seeing Scorpio Rising (1964), or Jack Smith movies. Wouldn't that be exciting today, if you see went to the movie and everyone at the IFC was arrested in a paddy wagon and taken away?
I would never want to live anywhere but Baltimore. You can look far and wide, but you'll never discover a stranger city with such extreme style. It's as if every eccentric in the South decided to move north, ran out of gas in Baltimore, and decided to stay.
Maybe I'll just write books. I'd like to make another movie, but I don't want to go back and [do] what they want you to do, to make it for a million dollars. I did that. I don't need a lot, but I need what I used to get, and they don't give you that anymore.
I went through different looks. At one period, I was preppy because that's how I grew up. But then I had bleached hair in the front. And I used to wear - then I wanted to be a beatnik. It was hard to be a beatnik in suburban Baltimore. But I wanted to be one.
I have spoken, and I was understood. It's not like I'm a tragic person who wasn't understood. All those books are in print, all those movies are still out there, the audience gets younger. So I don't have that "I've got to do one thing before I die." I did it.
I just went to Times Square and the underground movies, sometimes three a day. I did get my education. But I really believed then, in 1966, they would not have allowed me to make any of the movies I made. Today, you could make a snuff movie at NYU and get an A.
Always be prepared if someone asks you what you want for Christmas. Give brand names, the store that sells the merchandise, and, if possible, exact model numbers so they can't go wrong. Be the type who's impossible to buy for, so they have to get what you want.
'Hairspray' maybe did change people's minds, and that's how you get your political enemies to change their minds - by making them laugh and making them look at something in a way they haven't seen it. Not by preaching and cutting them off and being a separatist.
There are little things that get on my nerves, like people who have reading material in their powder room. When you go in someone’s house, and next to the toilet they have a huge basket of magazines, I find that repellent. I recommend against straining while reading.
So to make movies, if you're first goal is to make money, well you can! Make a tent-pole movie that China wants. But that's not the kind of thing that's really going to get your remembered. You're not going to change anything with that. You might become rich from it!
It took me a while to figure it out, but to have a real hit on Broadway, you have to get the respected Broadway people to like it. But then the production also has to appeal to the most middle-class people who know nothing about Broadway and who come to see it later.
The worst thing you can do is make a cult movie. That means you got three great reviews and nobody went. An art film means it got a lot of good reviews and nobody went. There is no such thing as a counter culture now. What used to be considered that is commercial now.
My mother's brother became the undersecretary of the interior for Nixon, which did cause a little drama in my family because I was going to riots and everything, but he turned out great and gave us a nice cheque for an AIDS benefit we had for the 'Serial Mom' premiere.
Roman Candles was shown in a church, and so was Eat Your Makeup, so was Mondo Trasho, and so was Multiple Maniacs (1970). It's hard to imagine that churches showed these movies but a few in the '60s, like St. Mark's Church, or on the Bowery, they always were left-wing.
I grew up in Baltimore, which is, you know, a city of extremes certainly, but my parents were very conservative. But they made me feel safe, and even though they were mortified at what I was doing, they encouraged it. I think because they thought, what else could I do?
I've had it with being nice, understanding, fair and hopeful. I feel like being negative all day. The chip on my shoulder could sink the QE2. I've got an attitude problem and nobody better get in my way...I'm in a bad mood and the whole stupid little world is gonna pay!
My photographs are not really about photography. They are about editing. I use photography but they are all taken from the TV screen. Anybody can do that, but it's the order I put the pictures in to try to create a new kind of movie, something that you can put on your wall.
The nightlife in Baltimore is very mixed. Any gay people I know go to the hipster bars; they don't go to the gay bars. Start your night at the Club Charles, and then you can meet people to go other places. The Charles has been Baltimore's favourite cool hipster bar forever.
In sixth grade, I went to a very good private school, and I did learn there. I learned how to read and write. If I had quit school in sixth grade, I would know as much as I know today and would have made one more movie. By the time I got to college, I was so bored and angry.
It's been 50 years since I was on the roof of my parents' house shooting Hag in a Black Leather Jacket when I didn't even know there was such a thing as editing. I thought you just shot the film and showed it. That's exactly what I did. I'm not that different 50 years later.
If you're a parent, I tell you how to get through Christmas. I think that if you've ever had a bad feeling about Christmas coming, I'll tell you how to deal with it. So, I think in a way it's like going to a sane psychiatrist that actually gives you some good advice, I hope!
I've been an art collector since the Sixties, and I kept it very separate from my showbusiness career. I've had art shows since the early Nineties, a museum show that travelled to four countries. I've had three or four art books; it's just another way I have to tell stories.
The first real thing was Divine as Jackie Kennedy [in Eat Your Makeup]. His mother found the bloody Jackie Kennedy outfit in the boot of his car and said, 'What is this?" and Divine said, "I am Jackie Kennedy!" His mother just changed the subject; she didn't know what to say.
I think middle America has changed very, very much. I think people are way more open-minded. I think - I think it's because the Internet. I think they're exposed to so much. All the men talked about how much they love their wife, which I don't hear all the time in art communities.
I really didn't have any bad hitchhiking experiences. The only bad experiences were standing by the road for 10 hours. I never thought I'd get a ride with a ministers wife or a coalminer or a Republican elected official. It was all pleasant surprises. The only drag was the waiting.
Bergman movies were the most influential. They used to show at Goucher University, which was where my parents used to live. 'Brink of Life' was the first one I ever saw. Three pregnant women in a maternity ward and their misery - I love that. That is what I want to show at my funeral.