Rock'n'roll starts between the legs and goes through the heart, then to the head. As long as it does those three things, it's a great rock song.

Everything I see and hear... I will take ideas from anyplace, anywhere, anytime, and life has become a song to me. I'm always looking for a song.

I'm looking for trouble. A lot of people get to be a certain age and they just kind of lose interest or they give up. But I'm looking for trouble.

A lot of Woody Guthrie's songs were taken from other songs. He would rework the melody and lyrics, and all of a sudden it was a Woody Guthrie song.

There's a young man in a T-shirt listening to a rock and roll station. He's got greasy hair, greasy smile, he says, Lord this must be my destination.

Unemployment is sky-rocketing; deflation is in our future for the first time since the Great Depression. I don't care whose fault it is, it's the truth.

I've seen beautiful art on the sides of buildings. I've seen beautiful art in museums. I've seen beautiful art in galleries. Beautiful art is everywhere.

We could walk 3 minutes and be on the beach. I think the music kind of suffered because of it. It kind of smelled like Jimmy Buffett, which is a bad thing.

If fans are going to turn on me because of this, they weren't my fans anyway. I couldn't betray a whole 25 years of record making and not do this. I had to.

I've just been fortunate to havehad a lot of hit records, though Human Wheels doesn't qualify as a hit record-but it's really the best single I've ever had.

American folk songs were about tragedy, right? They were about suffering and tragedy, and a lot of my songs are about that, even though they were misunderstood.

I think it's ridiculous to try to sell records to teenagers, because teenagers don't buy my records. And there ain't that many teenagers out there in the marketplace.

Broadway is a very different kind of place. It's kind of like Nashville in that there's a certain amount of people that are involved, and those people are what run it.

I just think if the song's good, sing it. I don't care who's doing it. I don't care if it's a country act. I don't care if it's a rock act. If the song's good, sing it.

As I get older, I have a different look on life. I just try to be a little more tolerant and a little bit more centered about what's going on around me and not so emotional.

I went to New York in 1974, to either try to get a record deal, get into the New York Art Student League, or be a dancer. So that was my plan. Some plan. And I had no money.

My task with 'Uh-Huh' was to make a more even record and get away from juvenile topics like 'Hurts So Good.' But I also knew if I wanted to continue, I had to have more hits.

Hanging out is a waste of time. The only time I would hang out was when I was a kid, I would hang out in the streets. But once I started making records, I stopped hanging out.

Back in the '80s and '90s, when there was still a record business, there was pressure on anyone who was fortunate to have a few hits on a major label to continue that success.

Regret should be handled swiftly, and you shouldn't hold onto it. People spend their entire lives regretting what they didn't do and what they should've done. Hey, man, you did what you did.

The reason I said the Internet is dangerous is that a couple smart guys could hack into a computer and shut down the Eastern seaboard if they wanted to. It's a terrible, out-of-control thing.

'Crumbling' Down' is a very political song that I wrote with my childhood friend George Green. Reagan was president - he was deregulating everything, and the walls were crumbling down on the poor.

I'm wide open and will entertain anything anybody has to say, but if it's MTV and radio, well, they're great things, but can't be the only thing. I don't know that it would work even for the Beatles.

My thought was I should try to stick with names that people may recognize like Robert Johnson, Son House, and Hoagy Carmichael, so if somebody cared to research, they would find a wealth of material.

A lot of the time, I write in the third person, but I'm mostly describing my own ordeals. When those unsettled struggles prey on your mind, you become haunted. To get free, you must defeat your ghosts.

Wait a minute, guys, I have always been on your side. I have always spoken for you, always tried to put on a good face for the state of Indiana. All of a sudden, some of you people think I'm a bad guy?

The CD, it should be noted, was born out of greed. It was devised to prop up record sales on the expectation of people replenishing their record collections with CDs of albums they had already purchased.

Take 'Jack and Diane.' I was so disgusted with people thinking the line 'Hold on to sixteen as long as you can' meant to stay a teenager forever. What I meant was keep doing whatever makes you feel alive.

When did Jimmy Stewart not play Jimmy Stewart? When did John Wayne not play John Wayne? But that's what we like about them. When you talk about acting, you really have to respond to somebody's personality.

The greatest thing that ever happened to (my career) was the breakdown of the record companies, because there were no more stupid questions about how many hits are on the next record. It was very liberating.

It sounds funny, but I always try to keep an open mind about what I'm writing about. Sometimes I squeak my opinions in there, but generally I don't. I try to be objective about things that I'm writing about.

I think Roosevelt had four terms, didn't he? I think we should go back to that, and we should go back to four years for a senator, four years for a congressman, and I think we'd see a huge change in our society.

This cycle of make a record, tour has been going on for 20 years now. I don't even know why I do it sometimes. Do I need more money? Do I need more platinum and gold records? The only thing I can think of is ego.

Immersing yourself in the environment of a real record store where music is celebrated and cherished adds real value to the experience of buying music. In some ways, that retail experience is as important as the music.

If Woody Guthrie set the bar for American songwriters, Bob Dylan jumped right over it. No one I know will ever come close to possessing the beauty of melody and the use of language that Dylan shares with us, with ease.

Country sure has changed in the last 10 years. It was one thing, then it was another. Country has slowly marched toward a rock beat and rock preservation. Country artists of today. Man! That's how I used to sound in the '80s.

Sound quality was supposed to be one of the big selling points for CDs but, as we know, it wasn't very good at all. It was just another con, a get-rich-quick scheme, a monumental hoax perpetrated on the music consuming public.

If we have any hope for survival of the music that we all love, compassion must replace name-calling, fairness must replace greed, and we need to come together as a musical community and try to understand each other's problems.

If you hide information from people, don't want people to see the Ten Commandments or don't want people to hear about Darwin, aren't we hiding things that we know from our future generations? I just think that that's incorrect.

There are a lot of actors who try to get records made and try to make record deals, and everybody goes, 'Ugh.' It used to be expected in the entertainment business. I mean look at Sinatra, Bing Crosby. All these guys started out as singers.

You cannot expect the guy who drove the car into the ditch to navigate it out of the ditch. You have to put a new driver in the seat. I'm not saying the new driver is going to be any better, but we need a new driver. Kerry is the only choice.

When I wrote 'Pink Houses,' nobody was talking about that, right? The next thing I know, you can't see the TV without hearing commercials with 'Listen to the heartbeat of America,' or 'Born the American way.' That whole America thing now - I hate it.

'Jack & Diane' was originally about race. I was playing nightclubs, and I was seeing new American couples, mixed-race couples. I thought it was cool. The song was my effort to make a song about that, but of course the record-company guy didn't like it.

If I laugh a couple of times a day, I'm doing good. People think it's their God-given right to be happy, and it's just not. It's something you've got to work at. I like to paint the human condition, and the human condition is not smiles and happy people.

I've never had anybody produce my records. I've always produced my own records. I've worked with a guy for a while who was an engineer who helped me produce records, but I've always made my own records. I'm a control fanatic. I've got to control everything.

I've never fit in in any music world. I've always been an outsider. I mean, the fact that I live in Indiana - I live in a fly-over state... I'm not running away from anything, that's the problem. Most people go to cities because they don't like where they come from.

Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'

My grandmother made sure that I went to church every Sunday. And shed come over and pick us boys up, and we would go to the Nazarene church. And back then, that was about as close to heaven as I ever got, because just the time to be able to spend with her, and she was very, very religious.

My grandmother made sure that I went to church every Sunday. And she'd come over and pick us boys up, and we would go to the Nazarene church. And back then, that was about as close to heaven as I ever got, because just the time to be able to spend with her, and she was very, very religious.

I remember the first time I saw a CD, a technology guy brought one to my house and said we will be able to sell millions and millions of players, and people will have to restock their record collections. It was all about money. It was all about how much money we would make, "we" being "him."

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