Quotes of All Topics . Occasions . Authors
Bacchus ever fair and young, Drinking joys did first ordain. Bachus's blessings are a treasure, Drinking is the soldier's pleasure, Rich the treasure, Sweet the pleasure- Sweet is pleasure after pain.
Affability, mildness, tenderness, and a word which I would fain bring back to its original signification of virtue,--I mean good-nature,--are of daily use; they are the bread of mankind and staff of life.
As when the dove returning bore the mark Of earth restored to the long labouring ark; The relics of mankind, secure at rest, Oped every window to receive the guest, And the fair bearer of the message bless'd.
God has endowed man with inalienable rights, among which are self-government, reason, and conscience. Man is properly self-governed only when he is guided rightly and governed by his Maker, divine Truth and Love.
A good conscience is a port which is landlocked on every side, where no winds can possibly invade. There a man may not only see his own image, but that of his Maker, clearly reflected from the undisturbed waters.
A fiery soul, which working out its way, Fretted the pygmy-body to decay: And o'er-informed the tenement of clay. A daring pilot in extremity; Pleased with the danger, when the waves went high He sought the storms...
Since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must produce a much greater; for both these arts are not only true imitations of nature, but of the best nature.
Tomorrow do thy worst, for I have lived today: Be fair or foul or rain or shine, The joys I have possessed in spite of fate are mine. Not heaven itself upon the past has power; But what has been has been, and I have had my hour.
What judgment I had increases rather than diminishes; and thoughts, such as they are, come crowding in so fast upon me, that my only difficulty is to choose or reject; to run them into verse or to give them the other harmony of prose.
If the faults of men in orders are only to be judged among themselves, they are all in some sort parties; for, since they say the honour of their order is concerned in every member of it, how can we be sure that they will be impartial judges?
Criticism is now become mere hangman's work, and meddles only with the faults of authors ; nay, the critic is disgusted less with their absurdities than excellence ; and you cannot displease him more than in leaving him little room for his malice.
Three poets, in three distant ages born, Greece, Italy, and England did adorn. The first in loftiness of thought surpass'd; The next, in majesty; in both the last. The force of Nature could no further go; To make a third, she join'd the former two.
The people have a right supreme To make their kings, for Kings are made for them. All Empire is no more than Pow'r in Trust, Which when resum'd, can be no longer just. Successionm for the general good design'd, In its own wrong a Nation cannot bind.
And after hearing what our Church can say, If still our reason runs another way, That private reason 'tis more just to curb, Than by disputes the public peace disturb; For points obscure are of small use to learn, But common quiet is mankind's concern.
Doeg, though without knowing how or why, Made still a blundering kind of melody; Spurr'd boldly on, and dash'd through thick and thin, Through sense and nonsense, never out nor in; Free from all meaning whether good or bad, And in one word, heroically mad.
Virgil is so exact in every word, that none can be changed but for a worse; nor any one removed from its place, but the harmony will be altered. He pretends sometimes to trip; but it is only to make you think him in danger of a fall, when he is most secure.
A farce is that in poetry which grotesque (caricature) is in painting. The persons and actions of a farce are all unnatural, and the manners false, that is, inconsistent with the characters of mankind; and grotesque painting is the just resemblance of this.
We find few historians who have been diligent enough in their search for truth; it is their common method to take on trust what they help distribute to the public; by which means a falsehood once received from a famed writer becomes traditional to posterity.
The longest tyranny that ever sway'd Was that wherein our ancestors betray'd Their free-born reason to the Stagirite [Aristotle], And made his torch their universal light. So truth, while only one suppli'd the state, Grew scarce, and dear, and yet sophisticate.
That, if the Gentiles, (whom no Law inspir'd,) By Nature did what was by Law requir'd; They, who the written Rule and never known, Were to themselves both Rule and Law alone: To Natures plain Indictment they shall plead; And, by their Conscience, be condemn'd or freed.
Arts and sciences in one and the same century have arrived at great perfection; and no wonder, since every age has a kind of universal genius, which inclines those that live in it to some particular studies; the work then, being pushed on by many hands, must go forward.
Since every man who lives is born to die, And none can boast sincere felicity, With equal mind, what happens, let us bear, Nor joy nor grieve too much for things beyond our care. Like pilgrims to the' appointed place we tend; The world's an inn, and death the journey's end.
How blessed is he, who leads a country life, Unvex'd with anxious cares, and void of strife! Who studying peace, and shunning civil rage, Enjoy'd his youth, and now enjoys his age: All who deserve his love, he makes his own; And, to be lov'd himself, needs only to be known.
For thee, sweet month; the groves green liveries wear. If not the first, the fairest of the year; For thee the Graces lead the dancing hours, And Nature's ready pencil paints the flowers. When thy short reign is past, the feverish sun The sultry tropic fears, and moves more slowly on.
Mere poets are sottish as mere drunkards are, who live in a continual mist, without seeing or judging anything clearly. A man should be learned in several sciences, and should have a reasonable, philosophical and in some measure a mathematical head, to be a complete and excellent poet.
Thou spring'st a leak already in thy crown, A flaw is in thy ill-bak'd vessel found; 'Tis hollow, and returns a jarring sound, Yet thy moist clay is pliant to command, Unwrought, and easy to the potter's hand: Now take the mould; now bend thy mind to feel The first sharp motions of the forming wheel.
There is an inimitable grace in Virgil's words, and in them principally consists that beauty which gives so inexpressible a pleasure to him who best understands their force. This diction of his, I must once again say, is never to be copied; and since it cannot, he will appear but lame in the best translation.
Of no distemper, of no blast he died, But fell like autumn fruit that mellow'd long: Even wonder'd at, because he dropp'd no sooner. Fate seem'd to wind him up for fourscore years; Yet freshly ran he on ten winters more; Till like a clock worn out with eating time, The wheels of weary life at last stood still.
Imagination in a poet is a faculty so wild and lawless that, like a high ranging spaniel, it must have clogs tied to it, lest it outrun the judgment. The great easiness of blank verse renders the poet too luxuriant. He is tempted to say many things which might better be omitted, or, at least shut up in fewer words.
Want is a bitter and a hateful good, Because its virtues are not understood; Yet many things, impossible to thought, Have been by need to full perfection brought. The daring of the soul proceeds from thence, Sharpness of wit, and active diligence; Prudence at once, and fortitude it gives; And, if in patience taken, mends our lives.
Softly sweet, in Lydian measures, Soon he sooth'd his soul to pleasures. War, he sung, is toil and trouble; Honour but an empty bubble; Never ending, still beginning, Fighting still, and still destroying. If all the world be worth the winning, Think, oh think it worth enjoying: Lovely Thais sits beside thee, Take the good the gods provide thee.
How easy it is to call rogue and villain, and that wittily! But how hard to make a man appear a fool, a blockhead, or a knave, without using any of those opprobrious terms! Tosparethegrossness ofthenames, and to dothe thing yet moreseverely, isto drawa full face, and tomake the nose and cheeks stand out, and yet not to employ any depth of shadowing.
Let those find fault whose wit's so very small, They've need to show that they can think at all; Errors, like straws, upon the surface flow; He who would search for pearls, must dive below. Fops may have leave to level all they can; As pigmies would be glad to lop a man. Half-wits are fleas; so little and so light, We scarce could know they live, but that they bite.
He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. . . . He was naturally learn'd; he needed not the spectacles of books to read Nature; he looked inwards, and found her there. . . . He is many times flat, insipid; his comic wit degenerating in to clenches, his serious swelling into bombast. But he is always great, when some occasion is presented to him.
In pious times, ere priest-craft did begin, Before polygamy was made a sin; When man, on many, multipli'd his kind, Ere one to one was cursedly confin'd: When Nature prompted, and no Law deni'd Promiscuous use of concubine and bride; Then, Israel's monarch, after Heaven's own heart, His vigorous warmth did variously impart To wives and slaves: and, wide as his command, Scatter'd his Maker's image through the land.
When I consider life, 't is all a cheat. Yet fool'd with hope, men favour the deceit; Trust on, and think to-morrow will repay. To-morrow 's falser than the former day; Lies worse, and while it says we shall be blest With some new joys, cuts off what we possest. Strange cozenage! none would live past years again, Yet all hope pleasure in what yet remain; And from the dregs of life think to receive What the first sprightly running could not give.
From harmony, from heavenly harmony, This universal frame began: When nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, 'Arise, ye more than dead!' Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
When the Sun sets, shadows, that shew'd at Noon But small, appear most long and terrible; So, when we think Fate hovers o'er our Heads, Our apprehensions shoot beyond all bounds, Owls, Ravens, Crickets seem the watch of death, Nature's worst Vermine scare her God-like Sons. Ecchoes the very leavings of a Voice, Grow babling Ghosts, and call us to our Graves: Each Mole-hill thought swells to a huge Olympus, While we fantastick Dreamers heave and puff, And sweat with an Imagination's weight.
Is it not evident, in these last hundred years (when the Study of Philosophy has been the business of all the Virtuosi in Christendome) that almost a new Nature has been revealed to us? that more errours of the School have been detected, more useful Experiments in Philosophy have been made, more Noble Secrets in Opticks, Medicine, Anatomy, Astronomy, discover'd, than in all those credulous and doting Ages from Aristotle to us? So true it is that nothing spreads more fast than Science, when rightly and generally cultivated.
It is almost impossible to translate verbally and well at the same time; for the Latin (a most severe and compendious language) often expresses that in one word which either the barbarity or the narrowness of modern tongues cannot supply in more. ...But since every language is so full of its own proprieties that what is beautiful in one is often barbarous, nay, sometimes nonsense, in another, it would be unreasonable to limit a translator to the narrow compass of his author's words; it is enough if he choose out some expression which does not vitiate the sense.