Quotes of All Topics . Occasions . Authors
I was raised Irish Catholic, but I don't consider myself Irish Catholic: I consider myself me, an American.
The minute you realize that your options are unlimited, things just start falling into place all around you.
The British keep employing me, and that makes me like them. It also makes me think they're very intelligent.
Of course, I think it is legitimate for the Commander-in-Chief to be concerned for the safety of his soldiers.
People try to keep their past, like kind of holding on to their past. Every Springsteen song talks about that.
Hopefully as you get older you get more selfless. That would be probably a good goal. I don't know if we do, though.
I think poets tell better history than historians. Historians lie all the time but the poets can get to truth of it.
The film is not a success until it makes money. It's only good when there's a dollar figure attached to the box office.
I don't tend to think in terms of a moral authority - be a good boy, do good things - more in terms of what feels right.
If you're going to get into social criticism with absurdity and satire, you can't be politically correct when you do that.
My job is to just express something that I want to express. And if I'm ahead or behind the curve, that's for others to decide.
I love these movies where it's just about the film. You don't have my face on the poster. It's all about the movie. I like that.
Good actors can sort of see into people and immediately you have a chemistry with them or not. It's like an affair with no mess.
If you help manufacture an enemy that's really evil, you can point to the fact that it's really evil, and say, "Hey, it's really evil."
I remember the '80s being about the Cold War and Reagan and the homeless problem and AIDS. To me, it was kind of a dark, depressing time.
I've seen the people who talk about their love lives in print invariably have doomed relationships with the person they're talking about.
Most movies, once the action starts there's no more characters. You say a couple of dumb lines and then there's just explosions until the end.
Hitler was so modern, in that he was obsessed with being famous. He was caught up with this rush to be have achieved greatness before turning 30.
Acting can be pretty challenging. I can't say making a romantic comedy is challenging, but to do anything well, you have to put yourself into it.
I think any actor can probably identify with being a professional liar. You don't always look at yourself that way, but I know a lot of days I do.
I think everything has some politics to it. It's just whether or not it admits to it. Politics is weird. I don't even know what that means any more.
You can only really judge yourself in comparison to other people. How bad you are, but you're not as bad as someone else. So it's degrees of losing.
The situation in the film is like me going out to Venice Beach and talking to a homeless guy on the boardwalk, and 13 years later he's the president.
I think it's very improtant and healthy to tell differnt stories than the corporatist narratives we are being asked to swallow hook, line and sinker.
Well, I think any actor can probably identify with being a professional liar. You don't always look at yourself that way, but I know a lot of days I do.
I think when you get to the point where you don't need to be in love, then you could be in love. You have to just be OK with yourself-and that's a long process.
Get your sense of outrage back, and your sense of defiance and spirit back, and try to put these pieces together and confront the excesses of empire at every turn.
Getting trapped back in the '80s, it's almost like a comic nightmare, which for me is a very real nightmare. Every time I flip through the cable, I have flashbacks.
I force people to have coffee with me, just because I don't trust that a friendship can be maintained without any other senses besides a computer or cellphone screen.
The movies have got more corporate, they're making fewer movies in general, and those they are making are all $200-$300m tent-pole releases that eat up all the oxygen.
When applied to politics and taken to its extreme, kitsch is the mask of death. Fascism was all aesthetics. There was no core principle to it. There was no truth to it.
Texas women have an amazing sense of purpose when they lose it. They're the best girls in the world - they're loyal and fun, but when they get mad, they'll try to kill you.
Hollywood is just a bunch of people going around in Learjets to other people asking them if they've got any money? Well, they might have if they didn't spend it all on jets.
If people are constantly reading about you, and you're overexposed, they've got no reason to go see your movies. Also, it's not pleasant or nice to have your privacy invaded.
If you're a movie star, there's a cycle you go through: adoration, adulation, you're used, and then you're discarded. And it happens again and again, always in that sequence.
Not only is America a country where torture is now policy. It's now outsourced. It's given to companies at a cost-plus basis. It's a triple whammy of surreal, absolute madness.
I was only in one of the John Hughes films, and I never saw the other ones. I didn't understand them. I kept hearing a really hip 40-year-old person talking in teenagers' mouths.
I don't walk around talking about my life and spouting my philosophy to people I don't know. I mean, if I get to know them, I'll talk for hours. I guess I like a lower-key scene.
A lot of powerful people in Washington may think it's a crazy-leftist-fringe position to think the intellectual authors of a torture regime should be investigated and prosecuted.
If I'm in something that I think is kinda good, it stays with me like a fever dream for a long time afterwards. I don't recall the finished product so much as the feeling of making it.
We've got to force the Democrats to get a spine. If they don't want to have a spine, we should throw them out. If they don't want to stand up for the rule of law, then I'm not a Democrat.
It never hurts to be involved in any political or activist organization. I can never see how participation would be a bad thing. The key is being true to what you participate with and who.
The more you expose yourself as a celebrity, the less interesting you are to watch in your work, because if you're putting yourself out there all the time, you're not holding anything back.
Satire is meant to have teeth; satire is meant to be dangerous. But it also happens to be fun because subversion and telling the right kind of people to go to hell is supposed to feel good.
Any time you stop looking at evil as a black and white thing, it's helpful. So the fact that there won't be any obligatory Islamic terrorist stereotypes in movies any more, that'd be helpful.
I was never into the popular school or clique or anything. Then I started doing movies when I was in high school, so then I got popular. Then the girls paid attention to you who didn't before.
I think the more you expose yourself as a celebrity, the less interesting you are to watch in your work, because if you're putting yourself out there all the time, you're not holding anything back.
I feel close to Lloyd in 'Say Anything'. He was like a super-interesting version of me. Only I'm not as good as him. Whatever part of me is romantic and optimistic, I reached into that to play Lloyd.
I think being self-referential is really narcissistic. Who's to say anybody's even thinking of you that much? But some of these movies that I've done, people still recite lines to me, even 20 years later.
I always liked it when people go back in time to discover things about themselves, like with 'A Christmas Carol' and you're getting a tour of your life by the ghosts of Christmas past, present and future.