Quotes of All Topics . Occasions . Authors
Some people feel fulfillment from a bitter end - it gives them some sort of sense of reality. But, when you're dealing with reality, I feel like films should discover the part that is happy.
Despite that it's 'Star Wars' and how huge it is, it's still work to me, and that element of things grounds you, especially from nerding out a few times. Although, some days I can't control myself.
I've been acting since I was 5 years old, from primary school to secondary school, did training at drama school, which was the big thing for me because they trained me, put me out into the industry.
My dad's a Pentecostal minister, meaning that he's full of charisma. If he's telling a story about Noah's ark, you best know each tiger is going to be having their own little conversation and narrative.
I watched season four of 'The Wire.' They have subtle performances that they do through their eyes. You could watch season four with the audio off and still understand what's happening through their eyes.
My earliest vivid memory would be my Nigerian mother. She would wrap me on her back. I remember being on her back a lot. It felt like a ride, like I was riding a dinosaur; going everywhere and seeing everything.
When I was in primary school, I was given a five-line script in 'Anansi the Spider Man,' and I decided to just improv and make it my own. For a second, I felt like Kevin Hart because everyone was laughing. I just continued to do it. Why not?
Finn is just a stormtrooper, and stormtroopers are no longer clones, so they are bred from birth to fight. He's not too sure about it, so he escapes and meets Rey and Poe and BB8, and their stories kind of mesh together, and they go on a major adventure.
Guys, I haven't been doing this for a long time, it's a fluke! I'm gonna share this BAFTA award with all the young dreamers who are determined, who are hard working, who are quite frankly amazing. This is also for you. Blessings for your path and God bless.
Normally you hear about Southeast London, and you hear about all the stuff that goes on down there, all the negative things, and the tabloids kind of stay away from all the positive things that happen that I see every day, which kind of outshines the negative.
Some people feel fulfillment from a bitter end - it gives them some sort of sense of reality. But, when you're dealing with reality, I feel like films should discover the part that is happy. That's also reality. Things working out is a reality. It's encouraging.
I think for me, wearing the helmet and being part of the Stormtroopers felt so strange. Like, so this is what it feels like to just be one of the many. And to look the same, and to have to do the same thing. To be under the same orders. This is what it feels like.
You could easily play the guy as straight-up hood throughout the whole movie, the Imperial Courts, but writer and director Malik Vitthal envisioned a human being that has never been seen before in film: a black man in circumstances that he does not like, who is passionate - persistent - in turning it around.
Finn doesn't have as much respect for Han's legacy as everybody else does, and Han finds that a bit charming. They team up and go on a mission together. The banter is very choppy, and the dialogue is pretty funny. Chewie enjoys the banter and the friction between the two, but they definitely have each other's backs.
We've grown up with American movies. Not to say that American movies - or movies that have been based in Watts, Compton, or Inglewood - are a 100% true depiction of that world. But also you have inner-city London, and the foundations are pretty much the same. Especially me, growing up in Southeast London, in Peckham.
You take your audience through such a story where they have to invest their energy and emotion, and to slap them in the face with, "Well, this is how life is. Bye," wouldn't have been as great as the ending that we have, which is optimistic and hopeful. It's not happy 100%, but it does make you feel like, "This kid may just be okay."
I got the script of Imperial Dreams from my agent. I was at home having a full English breakfast and the email came through in my junkmail. Funnily enough, I was paying a T-Mobile bill, so I was able to see the email. After that I was engaged in the story. I was scared - fearful - because the story doesn't just penetrate one level in terms of narrative; it goes that level after.
My dad is a minister and my mum is a worker with the less fortunate and the disabled. They're Nigerian natives. Their first language is Yoruba, and their second language is English. My mum and dad moved to London when they had my eldest sister. They started a life in London as immigrants, and they built up from there. They're no actors in my family, but there are definitely animated black people in my family.
Hollywood is so fixated on keeping it that way because it's generating the buzz, but that representation isn't right. I definitely feel like it's getting better - it's not only for blacks, but for people that are of all different skin colors. It is very important that black independent films get seen. We need to start getting used to black people. They exist. And they've been around for a long time. It's amazing that people still feel, "Oh my gosh, it's a black guy."
You have to realize that for some of these people - definitely me when I was growing up - you treat every day like it's your last, because that's the reality of your situation. You never know when someone's going to go, because you're living in a war zone. It's almost like you're in a jungle, and you're just waiting for the predator to catch everybody one by one. So everybody cherishes each other. Instead of calling people the n-word, you're calling people "loved one." There is a level of appreciation for brothers and sisters in the hood.