Quotes by John Barth - Page 1 | QuoteForever

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Self knowledge is always bad news.
John Barth / Novelist
News
Self
Self Knowledge
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Nobody knew how to be what they were right.
John Barth / Novelist
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You're certain to get a decision in a trial.
John Barth / Novelist
Trial
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not every boy thrown to the wolves becomes a hero.
John Barth / Novelist
Boys
Hero
Thrown
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The horror of our history has purged me of opinions.
John Barth / Novelist
Horror
Opinion
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This is an exciting time. A new chapter in our history.
John Barth / Novelist
Exciting
Time History New
Chapter
Exciting Time
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Everyone is necessarily the hero of his own life story.
John Barth / Novelist
Sports
Hero
Life Story
Stories
Everyone
Own
His
Necessarily
Story
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The story of your life is not your life; it's your story.
John Barth / Novelist
Life Is
Stories
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Though life's tuition is always ruinous, inexorably we learn.
John Barth / Novelist
Life
Tuition
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The Bible is not man's word about God, but God's word about man.
John Barth / Novelist
God
Men
Bible
God Man Bible
Word
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History - an account, mostly false, of events, mostly unimportant
John Barth / Novelist
History
Events
Knaves
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It's easier and sociabler to talk technique than it is to make art.
John Barth / Novelist
Art
Easier
Technique
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Nothing is loathsomer than the self-loathing of a self one loathes.
John Barth / Novelist
Loathing
Self
Self Loathing
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Those rituals of getting ready to write produce a kind of trance state.
John Barth / Novelist
Kind
States
Writing
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If you would learn a thing, straightway declare yourself a professor of it!
John Barth / Novelist
Ifs
Professors
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All men are loyal, but their objects of allegiance are at best approximate.
John Barth / Novelist
Loyalty
Men
Allegiance
Objects
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Choosing is existence. To the extent that you don't choose, you don't exist.
John Barth / Novelist
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It is often pleasant to stone a martyr, no matter how much we may admire him.
John Barth / Novelist
Matter
May
Stones
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More history is made by secret handshakes than by battles, bills and proclamations.
John Barth / Novelist
History
Bills
Political
Secret
History More Than
Battles
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Tis e'er the lot of the innocent in the world, to fly to the wolf for succor from the lion.
John Barth / Novelist
Innocence
Lions
World
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The first obligation of the writer is to be interesting. To be interesting; not to change the world.
John Barth / Novelist
Interesting
World
Writing
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Yet everyone begins in the same place; how is it that most go along without difficulty but a few lose their way?
John Barth / Novelist
Difficulty
Loses
Way
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I admire writers who can make complicated things simple, but my own talent has been to make simple things complicated.
John Barth / Novelist
Complicated
Simple
Talent
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Like an ox-cart driver in monsoon season or the skipper of a grounded ship, one must sometimes go forward by going back.
John Barth / Novelist
Monsoons
Ships
Sometimes
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Every artist joins a conversation that's been going on for generations, even millennia, before he or she joins the scene.
John Barth / Novelist
Artist
Generations
Scene
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In art as in lovemaking, heartfelt ineptitude has its appeal and so does heartless skill, but what you want is passionate virtuosity.
John Barth / Novelist
Art
Doe
Skills
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Nothing is intrinsically valuable; the value of everything is attributed to it, assigned to it from outside the thing itself, by people.
John Barth / Novelist
People
Valuable
Values
Assigned
Attributed
Outside
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You don't reach Serendib by plotting a course for it. You have to set out in good faith for elsewhere and lose your bearings... serendipitously.
John Barth / Novelist
Elsewhere
Good Faith
Serendipity
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Finally you begin to make your mistakes on the highest level-let's say the upper slopes of slippery Parnassus-and it's at that point you need coaching.
John Barth / Novelist
Coaching
Mistake
Needs
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Tis e'er the wont of simple folk to prize the deed and o'erlook the motive, and of learned folk to discount the deed and lay open the soul of the doer.
John Barth / Novelist
Deeds
Simple
Soul
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I don't see how anybody starts a novel without knowing how it's going to end. I usually make detailed outlines: how many chapters it will be and so forth.
John Barth / Novelist
Chapters
Ends
Knowing
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If you are a novelist of a certain type of termperament, then what you really want to do is re-invent the world. God wasn't too bad a novelist except he was a Realist.
John Barth / Novelist
Crafts
Novelists
World
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If you are a novelist of a certain type of temperament, then what you really want to do is re-invent the world. God wasn't too bad a novelist, except he was a Realist.
John Barth / Novelist
Certain
Realist
Temperament
Type
Except
Novelist
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The transaction will enable us to become a single source of integrated products and services that building owners want in order to optimize comfort and energy efficiency
John Barth / Novelist
Comfort
Energy
Order
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Is man a savage at heart, skinned o'er with fragile Manners? Or is savagery but a faint taint in the natural man's gentility, which erupts now and again like pimples on an angel's arse?
John Barth / Novelist
Men
Angel
Heart
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A curious thing about written literature: It is about four thousand years old, but we have no way of knowing whether four thousand years constitutes senility or the maiden blush of youth.
John Barth / Novelist
Knowing
Writing
Years
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You’re probably wasting time on things like eating and sleeping. Cease that, and read all of philosophy and all of literature. Also art. Plus politics and a few other things. The history of everything.
John Barth / Novelist
Art
Philosophy
Sleep
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One of the things I miss about teaching is that students would tell me what I ought to read. One of my students, back in the 1960s, put me onto Borges, and I remember another mentioning Flann O'Brien's At Swim Two-Birds in the same way.
John Barth / Novelist
Bird
Teaching
Two
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He wishes he had never entered the funhouse. But he has. Then he wishes he were dead. But he's not. Therefore he will construct funhouses for others and be their secret operator -- though he would rather be among the lovers for whom funhouses are designed.
John Barth / Novelist
Lovers
Secret
Wish
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I particularly scorn my fondness for paradox. I despise pessimism, narcissism, solipsism, truculence, word-play, and pusillanimity, my chiefer inclinations; loathe self-loathers ergo me; have no pity for self-pity and so am free of that sweet baseness. I doubt I am. Being me’s no joke.
John Barth / Novelist
Play
Self
Sweet
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To turn experience into speech - that is, to classify, to categorize, to conceptualize, to grammarize, to syntactify it - is always a betrayal of experience, a falsification of it; but only so betrayed can it be dealt with at all, and only in so dealing with it did I ever feel a man, alive and kicking.
John Barth / Novelist
Men
Betrayal
Writing
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Somewhere in the world there was a young woman with such splendid understanding that she'd see him entire, like a poem or story, and find his words so valuable after all that when he confessed his apprehensions she would explain why they were in fact the very things that made him precious to her...and to Western Civilization! There was no such girl, the simple truth being.
John Barth / Novelist
Girl
Civilization
Simple
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The Genie declared that in his time and place there were scientists of the passions who maintained that language itself, on the one hand, originated in 'infantile pregenital erotic exuberance, polymorphously perverse,' and that conscious attention, on the other, was a 'libidinal hypercathexis' - by which magic phrases they seemed to mean that writing and reading, or telling and listening, were literally ways of making love.
John Barth / Novelist
Love
Mean
Reading
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Printed prose is historically a most peculiar, almost an aberrant way of telling stories, and by far the most inherently anesthetic: It is the only medium of art I can think of which appeals directly to none of our five senses. The oral and folk tradition in narrative made use of verse or live-voice dynamics, embellished by gesture and expression--a kind of rudimentary theater--as do the best raconteurs of all times. Commonly there was musical accompaniment as well: a kind of one-man theater-of-mixed-means.
John Barth / Novelist
Art
Men
Mean
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My dear fellow,' Burlingame said, 'we sit here on a blind rock careening through space; we are all of us rushing headlong to the grave. Think you the worms will care, when anon they make a meal of you, whether you spent your moment sighing wigless in your chamber, or sacked the golden towns of Montezuma? Lookee, the day's nigh spent; 'tis gone careening into time forever. Not a tale's length past we lined our bowels with dinner, and already they growl for more. We are dying men, Ebenezer: i'faith, there's time for naught but bold resolves!
John Barth / Novelist
Men
Past
Thinking
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