I'm a Telecaster connoisseur, and I love my Teles. I have one from almost every year since the very beginning, in 1950. I'm so obsessed with them.

I love instrumental guitar records, but I also understand that, as a listener, it can be difficult to get through a whole album of just that one thing.

I wanted to be a guitar player and musician so badly, and I prayed to get this the very few times I went to church, and I feel like I got my prayer answered.

Oh my God, Guns N' Roses - it's like, jeez, that's what made me move out to Los Angeles. 'Welcome to the Jungle,' you know - it's been a huge inspiration for me.

I think I'm always writing, and I'm always working, and I'm always trying to be creative. It's just something that I do all the time. I watch TV, and I'll play guitar.

Jimi Hendrix is one of the main influences on why I wanted to play guitar. He really shook me. I think it was his whole style - the look and what he did with the guitar.

When I came to California, I came from such an upper scale neighborhood, I was so sheltered, but I always knew I wanted to live in California, and I wanted to play guitar.

I never wished to be a 'rock star.' I just wanted to be a working musician. My dreams didn't even go past a session player or a working musician. It was too far beyond my dreams.

I'm still obsessed with Kiss. I'm still obsessed with Van Halen. I guess we don't change that much from being kids. Either we don't change that much, or we just have really good taste.

I've been doing instrumental records now for a long time and built up this little fan base, which is worldwide, and it's incredible how big it's gotten. People really enjoy these records.

A lot of bands, they take a lot of planning to do a live record. They have to hire a crew, and they have to have a recording truck and all this equipment, and they record every single show.

Chet Atkins, I love his singer style and the country thing that he did. He really had a huge impact in my life, just his style - western swing and the country thing he did - it really changed my life.

I would hear Steely Dan on the radio all the time, and I listened to 'Aja' a lot. I mean, 'Black Cow' and 'Aja' and 'Deacon Blues' and 'Josie' and 'Peg'... all these songs are on one record. It's crazy!

I liked what any other kid did back in the day. You know, Bob Seger, Alice Cooper, and everything else that was on the radio in Michigan. There was a lot of Steely Dan; just a lot of great music inspired me.

If you go out to dinner with a group of people, pay for the dinner at a nice restaurant, for the amount of money for that dinner, you can get a John 5 Squier Telecaster and have it for the rest of your life.

You can go pretty much anywhere in the world, and people know 'Beat It.' When I was growing up, you heard it everywhere. I remember being a kid and going to school dances and stuff, and they always played it.

I'm always up early. I have so much to do, it's unbelievable how much I have to do in a day. So I have to get at 7 o'clock every morning, and I go to bed at midnight. You know, and I'm just going that whole time.

I like people writing great songs on guitar or piano or what have you. I miss people getting on stage with real bands and real instruments and expressing themselves that way instead of with computers and technology.

I remember this vividly: It was 1977, and I was in Sears with my mom. And I saw this display, and it was for 'Love Gun.' I bought the record just because of the look of that display. Because I really loved monsters.

Nothing's changed from when I'm seven years old to now. Nothing's changed at all. I like the same stuff that I did - Kiss, Van Halen, 'Happy Days,' 'Laverne & Shirley,' 'The Brady Bunch,' monsters and all that stuff.

People don't buy music anymore; they're stealing it. But you can't steal a live show. There's no way to reproduce a real live show. So I think that when you put a great bill together, that people will come out for it.

When I was touring with Ozzy, you know, when I was with Manson, we toured with Ozzy, so many times, we did Ozzfest a thousand times, and, you know, it seems like I'm always playing with Ozzy in one way or another opening up.

How it's been with me, it doesn't really matter what kind of music it is as long as it's good and catchy and I enjoy it. That's why I know all these different styles of music, just because it's fun. Whatever is good, I like it.

I truly enjoyed my time with Manson and have the greatest respect for the incredible fans. I am grateful to have contributed over two dozen songs to his projects. It was a great creative outlet for me at that point in my career.

Ever since I was a kid, I've been a Fender connoisseur. And to have my name associated with greatness like that, it's amazing. I couldn't be more proud of anything. My children, and then being associated with Fender. In that order!

What I do is, I look at rock guitar players, and I say to myself, 'What is this guy doing? What does he have that can inspire me?' I try to see what other people are doing and take what they have and turn it and twist it into my own thing.

I, like, prayed inside of my head as a little kid. I didn't grow up in a religious home, but we went to Midnight Mass. That was the only time I'd go to church, but when I did, I prayed that I wanted to be a successful musician. I got my wish.

I really truly love all styles of music. A lot of people say that, but the first station they turn to when they get in the car is a rock station. I don't always do that. I really enjoy everything. But, of course, I'm a rock shred guitar player first.

I remember where I was when I heard Yngwie Malmsteen for the first time. It was such an epiphany for me, and it really shaped the way I play today. I think I heard him in '83, if I'm not mistaken - I was 13 years old - and it really was amazing for me.

I think there are so, so, so, so many things you have to be... to do this... you know, to keep going in the music business. Of course, you have to play well with others, you know, and you have to be smart with business and be good at your craft and be healthy.

It's funny, the power of music. I was watching 'Dracula,' the 1931 version with Bela Lugosi, and the only music you hear is at the very beginning of the credits. There's not one other piece of music; it's all silent. It's unbelievable, and it's very effective, too.

I like streaming music. I'll be in the car going, 'I want to hear Scotty Anderson.' He's a great guitar player not many people know about - maybe me and two other dudes know him. But I love him, and I can pull him up on Apple Music, and there it is, right there in my car.

I love doing it. It's great. I love doing the sessions, 'cause you're kind of like in a different band every day. I used to do them all the time. I think my first one was John Wetton from U.K. and Asia and all that stuff, King Crimson. It was so great. Really a lot of fun.

I would definitely say Zombie has been the best time I've ever had. It is just so great and so fun because, you know, we all get along so well, and, you know, it's just like, everybody, we're just all friends here, and we're just having a really, really, really great time.

You know how kids will wait outside after a gig and try to get an autograph from the band? I would do that, but when I found the guitar player, I would say, 'What advice can you give me?' And a lot of my heroes would say, 'Have your own style.' I always kept that in my head.

When I was younger, I had a horrible flight. Horrible. It was well before I was 10 years old. So I always thought to myself, 'I know I don't want to travel.' That's why I wanted to be a session guy, because I knew I could still play guitar and make a living at it - hopefully.

Inspiration is a really hard thing to describe, but it's something that triggers your brain, like the first time I heard a certain guitar player that I loved or the first time that I saw a monster or the first time that I saw anything that really was an epiphany for me. It just stays with you your whole life.

I love to learn, and I started doing a lot of studying of Spanish-style music and really started getting into it and how it is just a completely different form of guitar playing. It is just like if you started speaking in a different language like Japanese or something. It is something that you have to study and work at a lot.

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