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I am a firm believer in education and have worked very hard to tell young Latinos that they must go to college and that, if possible, they should pursue an advanced degree... I am convinced that education is the great equalizer.
Celebrity hits like a bomb. So you have to find what makes you stable in the storm. Then, no matter what's happening around you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.
I've been very lucky to work on a wide variety of projects, including two long-run and top-10 dramatic television shows. That is why it is so important to offer a helping hand to the next generation of young Latinos coming up behind me.
I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.
There are no right and wrong ways to work in this business, but there are some basic common-sense practices. Work very, very hard and always be prepared; never give up; and once you get the job, give them more than they ever expected: - Shine!
I think education was the key for me, and that's what I tell kids. That base in the classics gave me something to springboard from, which I wouldn't have had if I'd come out to Los Angeles early and been guest punk of the week on 'Hill Street Blues.'
We're at a point right now in our development in this country - setting the immigration issue aside - that you can't ignore the sheer population of us in metropolitan areas all across the country, of how significant Latino-ness is in the United States.
It's less about the physical training, in the end, than it is about the mental preparation: boxing is a chess game. You have to be skilled enough and have trained hard enough to know how many different ways you can counterattack in any situation, at any moment.
I was asked to speak at a bar association, because there's an upswing on college applications - in general and for Latinos - because of 'L.A. Law.' I went to a couple of functions, and I just felt an energy: It was, you're doing a good job, but do you realize how important it is?
You have to be like a sponge and use what you can and how it relates because TV is fluid. Things change on a week-to-week basis. Those are the things that I do with every character. If I'm involved in a boxing movie, I go see fights and learn about boxing. It's part of what we do.
What struck me more than anything is how the people that are involved in government start out from a place of really wanting to do well, no matter what kind of political spectrum they're on, how they have to hold onto that warm fuzzy place in their heart while they're stuck in the machine.
I was in Puerto Rico going to school, and it was very jarring for me. 'Traumatic' is the only way that I can say it. Kids were making fun of me: 'Oh, you're a Yankee.' And I acted out a lot. A lot. But looking back, and through a little bit of therapy, everything I am has to do with that time.
I know it affected me when I saw certain actors growing up. I had a drama teacher that would take us to see plays in New York, and it was seeing James Earl Jones and Raul Julia - I mean, this guy comes from the place my mother comes from. He's doing Shakespeare right now, and it doesn't seem to matter that he has an accent.
My central strength as an actor is the fact that I'm 6 foot 3. A certain power emanates from my size, juxtaposed with the fact that I try to find an element of sensitivity in every character I play. People enjoy seeing that because it goes against what we're led to expect as far as the way men are supposed to be - macho and all that.
It's great to be able to play the bad guy role because you always get a lot to do, but I'm always looking at the why. How does a person get to that particular point? It's those little cogs in the wheel that make it interesting for me to play. Ultimately, I hope for the audience to be engaged with it because it is going to take a turn.
There are a lot of doors that still get shut, and there are a lot of walls to still breach. But, the stuff that does come across to me, or that I hear about or read about, that I'm willing to go out there and fight for, I still have to go audition. I do have a certain leeway to choose, from that group, what I want to say, as an artist.
I'm always sitting down and talking to people that are doing independent features. It depends on the project and the quotient of the people that are involved. There are a lot of different reasons [to do something], like a particular script that resonates with me, in a particular way. It may not so much even be about the part, but what the script has to say.
People don't walk around thinking of themselves as bad people. You're part of the environment that you grow up in, and there can be decency in that. I always try to find a little glimmer of that, in anything that I do, because you can find places where there's humor or lightness in something that's deep and profound, and that tends to resonate more and make people more human. As an actor and performer, I think it resonates more with the audience when you do have the payoff.