It was frustrating that young people, through no fault of their own, were listening to terrible $2 ear buds. You can't get good sound out of those.

There's just no way to stop a movement in popular culture. It's going to happen, with or without you. There's absolutely no way to stop that train.

I learned how to do absolutely nothing - I didn't learn one thing in high school. If I had to get a job at the A&P, they had to teach me how to sweep.

Interscope Records has always been a heat-seeking missile when it comes to shifts in popular culture, whether inciting them or reacting to them swiftly.

I wanted a label that reflects the times... a center for artists who want to express themselves. That's what makes Interscope unique. It's about freedom.

If you get 100 million streams on a song and you're only being paid on 20 percent, the check's not going to look good. The money's not going to look fair.

My relationships are helped because of all the success I've had, but I'm only as useful as the idea I have today or tomorrow. Otherwise, I'm just a trophy.

It's time you stop thinking that because you did something, it's... amazing. All you've got to do is say, 'OK. If I'm great, what do they call Steve Jobs?'

I'm not a pioneer of hip-hop; I just saw it and said, 'This thing is incredible, and these people are incredible. They should be exposed all over the world.'

I'm interested in listening to the people who walk in the door. If your ego and your accomplishments stop you from listening, then they've taught you nothing.

Dylan captured what was on a million minds and turned it into poetry. With 'Blowin' in the Wind' or 'The Times They Are A-Changin',' he set a whole new standard.

The media people need to have real tech people, and the tech people need media people. Otherwise, you have the 'Star Wars' bar on Tatooine with everyone fighting.

Just because you did something once doesn't mean anything. You have to be willing in your heart to begin again every day. The minute I'm not willing to do that, I will retire.

You try to do the best with what you've got and ignore everything else. That's why horses get blinders in horse racing: You look at the horse next to you, and you lose a step.

The thing about seeing the big picture and being self-aware is knowing that it's not about you. It's about the big picture. It's not about you. It's not. This is not about you.

I didn't feel comfortable as an executive. I felt comfortable around artists and record producers... and then I found my niche: I gotta find great producers, and I produce them.

We at Interscope put projects out with anyone we believe has a great idea and is a true talent, whether it's a musician, photographer, software developer, or technology innovator.

We're trying to make the music service a cultural point of reference, and that's why we're making video. We're making video for our Apple Music customers and our future customers.

We have a problem in the industry, I believe. This whole 'free' issue. The television industry doesn't have it, the movie industry doesn't have it, but the record industry has it.

I didn't have any sophistication. I didn't really have any great taste or anything like that. I was just a kid from Brooklyn. But what I learnt is the why, the how. The work ethic.

What's happened to the music industry, from my perspective, is a lot of great music is behind the wall that can't get through, and therefore, a lot of artists are getting discouraged.

Dre's from Compton, I'm from Brooklyn, and we both wanted to make a better life for ourselves, right? And we both - somehow, we're both recording engineers, that's how we got our break.

There are geniuses, savants; I'm not one of them. I work hard, I see where popular culture's going to move, but I've gotta keep having information pumped into me. I look under every rock.

Apple was selling $400 iPods with $1 earbuds. They're making a beautiful white object with all the music in the world in it... I'm going to make a beautiful black object that will play it back.

If you love your dad, it’s tough when he dies. If you don’t like your dad, it’s tough when he dies. Because you lose that guy. Whatever you didn’t get, you miss. And what you did get, you miss.

A chart that weighs some ad-supported streams the same as a pay stream... encourages artists to promote free tiers to have a No. 1 record. That's great for the tech companies, but not for artists.

If you're an artist, and you put out a record - most artists only have one or two hit records - that has 100 million streams, on certain services you only get paid on 75% of those streams. How's an artist going to live like that?

Apple Music is trying to create an entire pop culture experience that includes audio and video. If South Park walks into my office, I'm not going to say, 'You're not musicians.' We're going to do whatever hits pop culture smack on the nose.

That diploma you hold in your hands today is really just your learner's permit for the rest of the drive through life. Remember, you don't have to be smarter than the next person, all you have to do is be willing to work harder than the next person.

Over four or five years, I did six albums with three people: John Lennon, Bruce Springsteen, and Patti Smith. I felt that if I could care as much about their music as they did, I could be useful to them. I really cared about their music and their lives.

What I saw in the record industry is it's just getting more restricted, more restricted, more restricted to where everyone's trying to figure out what kind of song to make to get on the radio: that's researched and where advertisers are telling you what to play.

I love doing third albums. A group makes its first album, and then the record company rushes them into the studio to make their second album. After that, they go, 'Whoa, wait a second.' They get a little more confident. They step back and say, 'Okay, now we're gonna do it.'

Girls are sitting around talking about boys, right? Or complaining about boys, when they have their heart broken or whatever, and they need music for that, right? And they need music for that. So it's hard to find the right music. Not everyone has the right list or knows a DJ.

Nobody wanted to be in business with Death Row because, unfortunately, they felt there was an element there that could be dangerous. But I just knew they had great music and that they were a bunch of guys who wanted to make it out of the ghetto. That's something I can understand.

Elvis Presley was the big bang. He was the most influential single figure in the history of American pop culture. He changed the way we looked, thought, dressed, held a guitar. He didn't invent rock & roll, but he defined it in a way that everyone who followed him owes him a debt.

I was very insecure. I figured the only thing I can do is just work harder than everybody else and be useful. So I would anticipate when a client would need a cup of tea. I would anticipate when they wanted to rewind the tape. I would anticipate when they were going to do a vocal.

My proudest thing in my career is that I was able to change it three times. And I'm happy about that. I couldn't have done the same thing my whole life; I would've gone nuts. I couldn't do it, because I do things based on impulsive excitement, and I'm just not that guy that can do something for 50 years and be excited about the same thing.

Everyone's frightened. It's how you deal with that fear. It's very, very powerful. And what you've got to do is get it as a tailwind instead of a headwind. And that's a little bit of a judo trick in your mind. And once you learn that, fear starts to excite you. Because you know that you are going to enter into something and try it and risk.

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