I would have to say I've been on the 'Opry' at least 30-35-40 times a year for... 51-52 years.

When I started in '54, it was only one track on a quarter-inch machine. We didn't have recording studios much around the country; we went into the radio stations and recorded our records.

If you listen to The Browns, it's a very pretty sound. It was sibling harmony, a sound that was very pleasing. I've never heard anybody that could come close to that particular sound. It couldn't be imitated.

I remember the first time I walked on that stage. Maxine and I were just a duet at the time, and we walked on that stage and did 'Looking Back to See.' Ernest Tubb introduced us at the time. I remember my knees were shaking.

Eddy Arnold was a great friend of mine, and through the years, Eddy and I, we did a lot of shows together, and we even worked in some real estate transaction things together, and he helped me there. You know, he was a great real estate man.

When I started, there weren't any arenas. There was football fields, but they would only hold three or four or five hundred people at the most... We played a lot of high school auditoriums and things like that - a lot of churches... but boy, it has changed.

There's so many great things that happened at the Grand Ole Opry in 50 years. You get the chance to go out and visit with your peers. You get a chance to sing your song and say hello to so many friends and neighbors and all that you have. It's just - well, it's a second home.

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