Quotes of All Topics . Occasions . Authors
It's definitely evolved from where it started - for 'Treat Me Like Fire,' I wanted something extremely wild because I was going to be running through the woods and I wanted it really nappy and crazy.
You know, you always want to just do your own thing - I mean some people want to be exactly like their parents - Ibut I wanted to do my own thing and I ended up doing a kind of mix of my mom and dad.
On the road, I might go to the hotel gym. When I know I won't be dancing or working out, I spend time stretching. You have to stretch every day as a dancer. I do it whenever I can when it's not weird.
Of course, I'm a dancer. Dancing grabbed me from the start and I have was never afraid to do it. With out dance I wouldn't be singing. I want to expose people to the underground dance scene through music.
Like Lucas [Goodman] has said, between the people we've met, and the experiences we've had, it's just our growth. It's just something that represents all of what Lion Babe started as and where we're going.
I definitely listened to Lauryn Hill - her's was like the first album I bought myself. Brandy's Never Say Never and Lauryn Hill's The Miseducation of Lauryn Hill were always in rotation for a couple of years.
It was always important to me to be confident and strong with myself. It didn't happen overnight, but I've learned that the only way you can start to control things is if you feel a certain way about yourself.
We're always working on new music and now that we have our own studio space we have tried to stay focus and really explore. But we have projects out that we are super proud of and want to keep building on that.
[My mom] put me in dance class when I was really young just as a thing to do and I loved it. I remember being excited every time I went, no matter how tired I was - it was the one thing that I always liked doing.
I love looking back at my old pictures and pictures of my grandma and my mom and see how they expressed themselves at different parts of their lives, and it just tells an interesting story, so why not play around?
Londoners always seem to be fearless and more willing to have fun with their look. New Yorkers tend to play it safer - sticking with neutrals and black. In London, people aren't afraid to mix patterns and colours.
My first kiss was at a sleep-away camp, and it was very awkward and over quickly. And that was that. It was just the weirdest thing, and I thought, 'That was it? Get out of here!' I didn't even know his last name.
What kind of art do I want to make? What do I stand for? What inspires me? And then to have people in return respond to that... I think that's the greatest thing because throughout dancing, I'm always looking for that.
I've been dancing since I was two, learning so many different styles. I like dancing to rap and hip-hop, but also the Strokes, the Hives, and the Vines with carefree randomness. There's always a way to move to something.
I studied structured improv, where you start from one position and see where it takes you. I like spontaneity. If you set yourself up to do the same thing every night, you may not connect as well to a different audience.
Even growing up, if I dealt with any pressure to be a certain way, I knew that as an artistic lane, dancing was the one that was a little more freed up - like no one in my family is really doing that, I can be that person.
When I first started Lion Babe, I wore a lot of denim to perform in because I had a limited closet. A lot of the time, I was in cutoff shorts - either dark or light denim - and then I would pair them with whatever top I had.
You definitely need to have red lipstick no matter what. You can have a great outfit, but it will always give you that extra little pop. I also love perfume. It doesn't even matter what the perfume is. I like to smell sweet.
Lion Babe, on a work day, is definitely a process. I obviously could do it by myself, but I definitely prefer not to. It's a lot of hair. I used to start with little pieces, and then it just got bigger, and bigger, and bigger.
We created this journey [in the Begin], sonically, that people can really wrap their heads around and live with and get to know us a little bit more. The dark colors, the light colors, our up-tempos, and our down-dreamy stuff.
The main thing I like to do is have a mix of the '70s glamour and emulate a lot of ladies I love, like, Diana Ross, Chaka Khan, Donna Summers. I remember thinking that as a young girl, they were so cool and iconic. I missed that!
I'm not looking to be the greatest pop star of all time. I want to be an artist. I want to influence people and I want to get people to think about the world, to think and talk to each other and connect. To challenge one another.
Even now, it's so funny how much we do have in common and how much her experiences were similar to mine. But I just wanted to be like 'If I'm going to do it, I'm going to write all of my own music, every lyric, and all this stuff.
[Dancing] was just a nice way of expressing myself, listening to music, and being able to move around and be free, but also really learning something. It was just a nice balance of training and expressing yourself at the same time.
Of course the Disney movies, you know all the soundtracks, and anything Gene Kelly and Fred Astaire were doing - Singing in the Rain was one of my favorite musicals I used to watch a lot because my mom came from a theatre background.
I was shaped in college into a performance artist. I never really thought of myself as being one singular thing. I think of myself as an artist and I feel no restrictions when it comes to how I want to portray what I want to portray.
For dance recitals, my mom would do my makeup all extravagant because obviously I was really little and where else would I be wearing makeup? We would always be in her bathroom before the dance recital, and she'd do our hair and makeup.
I tend to write about love because I'm always thinking about it. I think a lot though and struggle with overanalyzing. Way over. That's the thing, I feel like I do that a lot and then finally when I stop thinking, that's when it happens.
It was like I couldn't even begin to tell my mom I was singing. I didn't want anyone to think that she was trying to get me to sing. I wanted to prove to myself I could do it on my own. I really wanted to do a completely different thing.
Coconut oil is a must for everything. It is fresh from the earth, so it naturally works to moisturize my scalp, skin, hair and even helps to remove eye makeup. It also smells delicious. You can buy it at a beauty store or the grocery store.
I love the creation process [of music] of it and then sharing it, so I think that was the shift. I never thought I was going to be on a label in general, I was like 'Oh, I wouldn't do that,' and then we ended up on the same label basically.
[My mom] has a few choice words to calm me down. I think it's beautiful that I sometimes, weirdly, see myself in a photo and I'm like 'Omg, that looks like my mom.' It freaks me out and all that stuff, but it's also just a part of my legacy.
More than anything, it's been a transition into embracing my destiny. I have everything around me to be able to do this properly. Whether or not I was hiding from that early on, I think now it's great to feel that way. It's just the journey.
As we're growing and stuff, it's been amazing to feel so embraced and have them be so excited. I definitely leaned into my dad a little more starting out because once we actually started to get those people knocking on our doors and emailing.
Once I learned that some hydrating oil or cream was good for my hair, I thought I should use a lot. So I poured practically a bottle on my head once and learned real fast that more isn't always better. I was so greasy, and it ruined my texture!
I had been with a guy for seven years and I was done with that. I wanted to reinvent my whole life and change my hair - I'd had brown, straight extensions forever - and I just wanted to get rid of that, to shed skin, and really just be independent.
We had spent a lot of time in London [with Lucas Goodman], which has been amazing, but also it was kind of a homecoming and we felt so surrounded by a specific community of people who are just so New York, so unapologetically themselves and so creative.
My mom is one, but there have been performers in my family since as long as we can trace them back, so I think it was kind of inevitable to be artistic and to have a force. We're leaders; we're a family of leaders, so I think it's just part of my genes.
I would feel weird having someone style me. It would have to be a collaboration. I've had those experiences and every time it happens I don't feel good. What's the point of putting all this work into something and then when you present it, it's not you?
It's definitely a little bit ironic being known for my hair because, as a little girl, I had no idea what I was doing with it. I was insecure about it. I didn't have as many references to curly girls, and I wanted to just fit in with all my other friends.
As a young girl, I definitely struggled with knowing what to do with my hair. I was just in a neighborhood that had mostly white people, and the hair norm was long and sleek and straight. My hair naturally was curly, and I didn't have that many references.
For the name Lion Babe, we are a little avant-garde, a little left. And with bands like Blondie, Pink Floyd, or Jamiroquai, you don't know they're bands, you just kind of hear the name and you're like 'What is it?' so that was the kind of thing we wanted to do.
For me, it's about being comfortable... but I can feel comfortable in a thong leotard and on stage. Growing up as a dancer, that's how I'm comfortable in my body. It's about where you grew up and those things; it's a way of communicating your spirit to the world.
I love a lot of the '70s singers: Pam Grier from the 'Foxy Brown' movie, Diana Ross, Tina Turner. They've always been able to embrace their hair, and they've never been afraid to take risks and go all out and make it thick and fun and a statement at the same time.
Just coming from a musical family, I was always surrounded by it. On the car rides to school, my mom loved playing A Tribe Called Quest and the Beatles' 'Sgt. Pepper's Lonely Hearts Club Band,' and then my dad was listening to a lot of Bill Withers and Stevie Wonder.
I was working on a piece for one of the things I was dancing to and I needed to have original music. I didn't know where to begin, I'm so bad at computers, and I remembered that he actually made music. I asked Astro Raw if he'd be interested in scoring and he said yes.
I was curious because I hadn't really known anyone to do just that, so I would stop in on his sessions with his rapper friends, and then one day, I told Astro Raw "I'm looking to sing. He told me to try it out and then we made 'Treat Me Like Fire' and everything started."
I'm definitely trying to make songs that people can sing along to and remember. If you can recognize a chorus and leave with it in your head, it's usually a good sign. But then with the verses, I can get a little more free form. I don't really like to copy and paste things.
Being in New York, and meeting really amazing, talented, eccentric, and bold people, and just feeling really excited about life, got me really revved up and I just felt like everything was at my fingertips - that I could try anything. I really felt invincible. It was such a shift.
Women are such incredible people. We're so multifaceted, we're so interesting, and any opportunity to celebrate that - because there's been many years of not being able to - and expose what it's like to be female and how we can be whoever we want to be, and do whatever we want to do, is great.