Quotes of All Topics . Occasions . Authors
I'd go dance at talent shows, and because I was young I had the upper hand on a lot of other crews. People thought it was cute. I used that to my advantage.
I'm the father that Bow Wow never had.
We're just welcoming people to our city.
I've been making beats since I was, like, 12.
If you don't know by now, you're never going to know.
Ciara’s new single is a complete rip-off of Usher’s ‘U Got It Bad.’
Following in the footsteps of Berry Gordy, I always admire what he did.
People know me, and want to know me, as a baller more than anything else.
Things always work when I put my heart into it, and more brands need to do the same thing.
Because I was in Atlanta, people didn't realize I'm one of the real forefathers in the game.
When I came out rapping on my record, a lot of people said, Oh, you just want to be like Puff.
In the Ferrari or Jaguar, switchin' four lanes Wit' the top down screaming out money ain't a thang
So So Def has been one of the most successful and consistent labels in the game in the last 10 years.
We haven't had a slew of artists, but the artists we do come out with have always had the same momentum.
All the records I've made have pretty much been big club turntable records. You need to feel the rhythm.
Some people see Jermaine Dupri as a producer, and they don't really know what the songwriting skills are.
I'm one of those guys a lot of people watch, imitate, and then make it seem like they were the ones who did it first.
I stopped writing lyrics down on paper after me and Jay-Z did 'Money In the Bank.' They're something I just hold in my mind.
I have the weirdest career in hip-hop, and I say that because I started so young. I started So So Def when I was 17 years old.
I was the youngest producer to have a No. 1 record when Kris Kross first came out, and that was a record I held for I don't know how long.
People are just really overreacting. It's just feel good music. We at Virgin are in no way promoting sex or whatever these media outlets continue to print.
I'm very good at separating things, and one of the things that I've always separated is that my business from one artist to the next has nothing to do with each other.
People always ask me how long somebody can last as long as I've been lasting and continue to keep doing it, so I figured that people didn't really know how to do that.
I've always wanted to be mentioned in the same sentence or at the same time that you say Quincy Jones or you say Stevie Wonder. I never thought that could possibly ever happen.
My father was a promoter of Fresh Fest, and they needed an opening act. He got me a slot as a dancer. We tried it out the first time in Atlanta and the crowd went crazy. I was the opening clown.
I go to clubs and if I notice the DJs are playing the records faster, then I'll push the beats a little on the next record I make. A lot of people don't know how to watch out for things like that.
They keep the song as street as it needs to be. It's got a good catchy hook where it can do what it needs to do on the radio, but they keep the song street where it will keep credibility in the hood.
I wanted to feel like an artist for once in my life. I wanted to use other producers for respect, to let them know that I listen to other people's music and that I'm just not out here on my own page.
'Welcome to Atlanta' was a song I wanted to do on my first album. The idea was for me and Outkast to do it, but I could never come up with a beat for us to do it. Outkast beats and my beats were very different.
I'm not afraid of taking long walks. A lot of people want to be great, but they want to cheat to get to the greatness. I'm cool with talking the walk around the block to get to where I want to go as opposed to the cheat, because the cheat has flaws.
Before I was not in the television cameras every 5 minutes, I wasn't as visible, but this year I plan on being more visible to ensure that Virgin Rap Division does not lose. Although I am a very low key person, I am competitive, and with every ounce of my spirit, I will ensure that this label is taken seriously.
You make a record like 'Jump,' people are stuck in that world. They want you to keep making records like 'Jump.' People don't understand that you got to move on; you got to do something else. You have to evolve and go to something else. And most of the time, when it's time for you to move, other people are not prepared for that move.
The thing I'm going through is probably like the same thing that Little Richard and all these other artists go through, that I hear about them, saying, 'Oh damn, you ain't gonna give me nothing till I die,' ... I feel like I'm one of those type of great people that just going to have to wait till it's all over with for people to really sit around and talk about it.
