Quotes of All Topics . Occasions . Authors
I think that there have been a lot of fear-based assertions that feminism is about aggression, and that is incorrect and untrue. Feminism is about equality; that's what it's about.
I'm sure that if I had a partner and that partner cheated on me, that I would be devastated if we were in a committed, monogamous relationship. So of course, it's a devastating thing.
I never noticed my voice. I did become aware as a little kid at camp that I liked doing accents. We'd do plays and skits, and I realized I loved speaking in voices that weren't my own.
My baseline function is I'm usually really happy and optimistic. I think I really genuinely like being alive, and I've got a spring in my step - that's what I've been like all my life.
I'd like to do a little bit of everything. I think the only thing I can't do is a British accent, so that's out. No Shakespeare for me. Unless it's like one of those modern-day remakes.
There's so much interference, so much static and people's voices talking about what you do and why you do it that I've learned to be like, 'No, no.' It's actually simple. I just do this.
I always just wanted to be a movie actress, like Lily Tomlin or Ruth Gordon. I just imagined myself being in a movie, wearing stylish women's clothing the way I saw Amy Irving wearing it.
I feel I have to be totally cemented in my position, all: 'You can't tell me what to do with my body', but there is another part of me that is, you know, myself: vulnerable, with lots of doubts.
I think that, unfortunately, people who are maybe threatened by feminism think that it's about setting your bra on fire and being aggressive, and I think that's really wrong and really dangerous.
I loved pretending to be a middle-aged Jewish woman. I just wanted to do what I saw Gilda Radner and Carol Burnett doing. But I'm not a particularly good impressionist. It was never my strong suit.
I really like working. I can't think of a job I didn't like. I was in an Alvin and the Chipmunks movie, which is not my idea of folk art; but I really enjoyed making it, and everyone was really nice.
There's a lot of different parts to me, so it makes total sense to me that I would do a big TV show or studio movie and then do a free comedy show the next day. They both feel equally important to me.
I always wanted to be a children's author, and I have a really big library of children's books. All the ones from when I was little, they are just so beautiful. I read kids' books, and they calm me down.
I've become very interested in the ways things can change even with someone you've known for many years and you've committed to for life. How drastic can you damage things in the way you speak to someone?
I think the reason I like making movies sometimes more than doing TV is that you have one task, you only have a certain amount of time to do it, and then it is done. And I really like focusing in that way.
I like to wear dresses and skirts when I go onstage because the attitude that I have is, 'I'm so excited to introduce myself to you.' And I want to be wearing what I'd be wearing to a date or a dinner party.
There's a whole thing now in the entertainment industry that's like, 'You need to write for yourself. Those are the people that are really valuable.' And it's just like, 'I don't want to! I just want to act!'
Being on "SNL" was a goal that I had when I was younger. When I got fired, I just felt really mad and I felt really grossed out by the system and grossed out by myself and it just sort of knocked me on my ass.
Nowadays, performers who want to create their own material put it on the Internet. I never knew whether or not it would make an impression - and frankly, I didn't care that much about how it would be received.
I've never thought of myself as the person that would happen to. There are a few blogs that I read, but I stay off of the Internet for the most part. I really like to just stay in the normal world, the real world.
That time when you're waiting for a job can be the most impactful and important time because you develop your preferences as a person. Knowing what you like will make you more confident. And then you'll stand out.
I play a lot of characters where I don't even speak in my own voice. I learned about focus and I learned to trust that things can work when they're not heightened and that it's interesting when things are pared down.
I think the main thing that affected my comedy was that my dad slept in a nightgown for most of my childhood. And it was just very funny every single night and made me realize that laughter is fun and nightgowns are cool.
I would go so far as to say I would not have the life that I have right now if it wasn't for Gabe Liedman. He is the first person I met in my adulthood that I felt was truly delighted by me and understood me and also was curious about me.
'Obvious Child,' the short, had a nice life online and a great festival run, but the short and the feature still stand apart from everything else I've done. I play a woman who you might meet in life. My other work is much more heightened.
People say that the best part about doing animation is that you don't have to dress up to go to work, but I don't believe that. I dress up to go to work. I dress up for an airplane. I think it's just focusing your skillset, focusing on your voice and the comedy.
I think, from a really early age, I just wanted to be an actress. And I ended up doing comedy because it was the thing that kind of, like, came out of my nature the most easily. But, I've always wanted to do as many different kinds of performances - whatever I could.
I grew up idolizing Madeline Kahn and Lily Tomlin and Carol Burnett, Ruth Gordon, Rosalind Russell, Amy Irving, women who were stylish and real actresses who did real work and could not be replaced with anyone else. You cannot cast anyone else in Madeline Kahn's roles.
I'd like to be in a female version of The Fugitive. Something where I don't have to be ripped up like an action star, but be a normal, healthy lady who is framed and on the run. I'd have to run from explosions and punch people in the face but not rappel down a building.
I couldn't wait to be an adult woman, and I'm glad I felt that way as a kid because, when I grew up, I realised I live in a world where the female form is really disrespected, and society is often trying to wrestle the female form into a shape that looks more like a young boy.
I'm tired of someone being called 'quirky' because they tripped or got a stain on their shirt. It's like a beautiful blonde lady who's quirky because she has bedhead, or she's quirky because she sometimes says the wrong, cute thing. I like it when women are quirky as human beings.
I had some friends that went to this hypnotist to stop smoking, and I kind of love things that seem magical. And I liked that it was in Santa Monica, and I had to go near the ocean to get my brain washed out or whatever. So I went there. And I went on a Thursday, and I got hypnotized.
You don't realize it until you go out and take a look, but there are so many ways in which sexism is just allowed in our culture, not just in the entertainment industry. It's just allowed to be there, and that's not acceptable anymore. And I think it's really important to be very vocal.
I don't want to grow a thick skin. Some people say, "Oh, you're an actress, you have to get used to criticism." But I don't accept that. I'll never get used to criticism, and I'll always care about whether or not people like my performances - because I'm an entertainer, and I want to please.
When I'm on stage, and when I'm comfortable or uncomfortable, I have sort of a knee-jerk reaction to try to make people laugh. It's my version of a handshake to show that I want to make a connection and to show what I'm truly like. It's kind of my statement like, "This is what I'm really like. I'd like you to love me."
The thing that bubbles up the most when I'm around other people is that I feel a joy of being alive. But I also am a very sensitive person and have many heavier feelings. It can be tiresome after a while to only do comedy, especially after you grow as a person. It starts to feel like you're playing an older version of yourself.
It's strange: I've done so many things up until I did 'Obvious Child,' including writing children's books and making 'Marcel the Shell.' To me, the through-line is incredibly clear: it all comes from wanting to be connected to my own inner voice and not wanting to be on somebody else's agenda if that means that I can't be myself.
When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
There was a while when I got really bad stage fright and I basically felt...I was incredibly angry. I felt like everything had been taken away from me and it was at that point that I realized how much doing stand up reminds me of my self love and curiosity about myself and love of other people because I don't go on stage to dominate.
Back at high school, there was this quarterback who asks me out. He's never paid attention to me before, but now we're on this date, going to see the 'Sixth Sense.' And right before the climax, he leans in - and I'm so excited, because I think we're going to French-kiss - and then he tells me the twist. He completely ruins the movie for me.
I hope that the restaurant I go to will have buffalo chicken fingers. I hope that one day I can work with Matt Damon. I have big and little dreams, and they're all equally important to me. A life without buffalo chicken fingers, I don't know if I would want that life. Even if it meant I got to work with Matt Damon. Everything has its worth.
I don't try to do anything. I think the moment that I'm like, "Oh, I have to be this way or that way" is the moment that I become sad, or maybe an asshole. So I just try to be myself and put out what is most natural. But I think I am - I mean, I've seen a lot, been through a lot. But something remains sort of naïve within me. And I just try to nurture that.
I learned that I was able to focus. I've always thought of myself as somebody who is like either it's there or it isn't there. I really worked at this, and I focused, and I was able to replace self-doubt with focus. That was something new for me to say self-doubt is there, but it does not need to be in the front row. You can ask it to take a back seat and replace that front row seat with focus.