Nowadays it seems more and more like the 'business' in 'show business' is underlined, and there are campaigns, and it's all part of getting people in to see the movies.

One of the greatest feelings in the world is knowing that we as individuals can make a difference. Ending hunger in America is a goal that is literally within our grasp.

A lot of people don't really understand what rehearsal's about. People are afraid they're gonna leave it in the dressing room, or you're gonna shoot your wad in rehearsal.

Intimacy seems to be one of the major highs of life, whether it's getting to know yourself in a deeper way, or your partner, or the world and the society that you live in.

You don't want to do what your parents want you to do. You got your own things. And the whole idea of getting a job because of who your father is - that didn't isn't right.

I understand professionals have to work when they don't feel like it, and I certainly don't feel like it. So maybe this will put the nail in the coffin for my acting career.

As far as Beau is concerned, we're on the same team, we root for each other. If my parts are slightly more attractive, or are perceived that way by others, he's very content.

I don't dig Trump or follow what he has to say, but I find it fascinating that he's surfaced in the political arena. But I'm a Hillary supporter, and I don't go the Trump way.

Like most of the movies I get involved with, I resisted as long as possible, I really try to figure out why I shouldn't do it and this one had plenty of reasons "not to do it".

Most cynics are really crushed romantics: they've been hurt, they're sensitive, and their cynicism is a shell that's protecting this tiny, dear part in them that's still alive.

As an actor, a role can be a great excuse not to be in shape. I mean, you wouldn't want to see the Dude with a six-pack, so you eat that Haagen-Dazs. My weight goes up and down.

You know, it's kind of a shame in a way but the more seasoned directors a lot of times have more difficult getting a job than first time guys. New kid on the block kind of thing.

Making a film, it uses a certain... 'pretend-muscle,' I don't know what you want to call it. It exhausts something in me, I find. It has to be really something to get me interested.

I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.

I have my prized possession in my wallet. That's a photograph of the first words I ever uttered to my wife, and her answer to my question when I asked her, "Will you go out with me?"

I consider myself pretty lazy, but I look back and check out the stuff I've done, and I say, 'God, that's a lot of stuff for a lazy guy.' It's a paradox, I suppose, being both things.

I loved working with my brother [Beau] and my father [Lloyd] whenever that happened. I had a wonderful experience making "The Fabulous Baker Boys," which I felt was a great movie, too.

Making movies is about creating illusions, and they can be subtle illusions, but it's all a cumulative effect as you make these little tweaks. It kinda adds up to something, hopefully.

Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.

Sure, I get the blues. But what I try to do, is apply joy to the blues, you know? I don't know if it's a technique, or just being bent that way, being raised by the folks I was raised by.

I play music as much as I can. I have a band called The Abiders. We've put out a couple of albums you can find on iTunes. We tour and all that stuff, so music is very much a part of my life.

You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.

In my career, I really set out not to develop too strong a persona so that you wouldn't have a hard time imagining me in any given role. I wanted to pleasantly confuse the audience on who I was.

The problem with the designated driver programme, it's not a desirable job. But if you ever get sucked into doing it, have fun with it. At then end of the night drop them off at the wrong house.

Every couple of years we'll watch the movie and it's like watching home movies, seeing the ranch on-screen. But that movie Heaven's Gate, people are appreciating it more and more as time goes on.

My approach to working in movies is to empower the director to have power over me and to really support his vision because he's the guy, at the end of the day, who's going to put it all together.

35 million people in the U.S. are hungry or don't know where their next meal is coming from, and 13 million of them are children. If another country were doing this to our children, we'd be at war.

My father Lloyd Bridges worked on a TV show called 'Sea Hunt.' He impressed upon me as a child the importance of taking care of the ocean and working together to do our part to reduce human pollution.

You just have to work with your discomfort. ... It’s challenging, but you have to dance the dance that the band’s playing. You can’t say: “I came here to Cha Cha and they’re playing a Waltz, godammit!”

Basically, one of the hardest things about being an actor is getting your first break. I'm a product of nepotism. The doors were open to me. I'd done several movies before I decided what I wanted to do.

What I learned most from my father wasn't anything he said; it was just the way he behaved. He loved his work so much that, whenever he came on set, he brought that with him, and other people rose to it.

Play doesn't have to be a frivolous thing. You may think of a Beethoven symphony as something serious, but it's still being played. I think Oscar Wilde said that life is too important to be taken seriously.

My father Lloyd Bridges was very versatile in his parts, but he had a hit in the '60s 'Sea Hunt,' where he played a skin diver. And he was so into that role that people actually thought he was a skin-diver.

I hadn't talked to him in many, many years. He got a bad rap on "Heaven's Gate." I actually live in the hog ranch from "Heaven's Gate" in Montana. Mike Cimino gave me that set, the whorehouse, that's my house.

As you become famous you lose some of your anonymity, which is wonderful for an actor to have because you can observe people and also people don't have such a strong sense of who you are and that sort of thing.

There's kind of a Zen aspect to bowling. The pins are either staying up or down before you even throw your arm back. It's kind of a mind-set. You want to be in this perfect mind-set before you released the ball.

Working with my dad was such a gas. We approached the work in a similar way. We only made two films together when I was an adult, Tucker, and Blown Away, but it was so much fun to play with your parent like that.

Normally, after a movie, you know, you don't want to get up and do another one right away. That kind of pretend muscle or whatever you use making movies is kind of, you know, spent. And you have other things to do.

I'm in New Mexico making a movie called "Granite Mountain." I'm playing the head of the organization called Statesman, which is the United States version of Kingsman. I'm like how Michael Caine was in the original.

It's easy to point out the evil in other people, but that can be found in all of us. That selfishness, that is something we all have in us. Sometimes you are successful at dealing with it, and sometimes you are not.

It was fortunate for all of us to have Joaquin Jackson, who is a very renowned Texas Ranger, on board. He spent quite a few days with us on set and he added a lot to it for me on what it's like to be a Texas Ranger.

You don't really have to do the things that your character is doing. But us actors, we use something called sense memory. I've certainly been drunk before, and part of my job is to recall that without getting drunk.

When I'm working, I'm very purposeful and everything else gets out of focus. Something I've had to work on together with my wife is how to acknowledge each other in the midst of this and keep the relationship going.

Taylor Sheridan I think wrote a very good script. It reeked of authenticity. He seemed like a guy who knew what he was talking about and it turned out that Taylor's uncle is a Marshal, so he knew things from that side.

My photography is mainly focused on my work making movies, which I've done my whole life. I think I have a perspective that not many people have. And I get to take advantage of all of the strange sources of light on a set.

Sometimes you'll have a movie that you're very proud of and you think it transcended all of your expectations but it doesn't come out at the right time. I have done movies that have never been released. That can be depressing.

Just a couple of minutes ago, I signed a couple of bowling pins for some people. That's a normal thing. Somebody will hand me something and say, 'Draw a picture! Draw the Dude!' They're probably selling them on eBay or something.

The toughest thing about making movies is being apart from your family. One of the things I try my best to do is call my wife every day to keep up to speed with what's going on in her life. And tell her what's going on with mine.

I kind of quit surfing when I got out of high school, but then a few years ago I started to take it up again. I'm not an expert by any means, but it's so wonderful to get out in the ocean and get a different perspective on things.

Normally, I love to go to the movies and when I see a character portrayed by different actors at different ages, it kind of pops a little bit for me. It brings me out of the movie experience. Now we have the technology to cure that.

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